I finished watching “1899” through to the final episode. I had a sense about that ending. Started it as a study of LED “volume,” but it’s very well made. The music is excellent. I also watched the making-of. A 360-degree rotating stage, and a base set built in modular, pizza-like sections, fascinating. There’s clearly some ingenuity needed to keep the backgrounds from looking too “Unreal”like. Bringing together a global cast during the pandemic, dealing with quarantine, abandoning location shoots and turning to the “volume”—that resonates deeply. On DS2 as well, gathering a worldwide cast in Los Angeles during COVID was a challenge. There were several instances where cast members tested positive shortly after arriving in the U.S.
So still, no Season 2? What are Baran bo Odar and Jantje Friese, the creators of “DARK,” working on next?
Querer a tu gato, que ya está muy mayor, pasa por cosas como esta. En invierno le encanta estar encima del módem, por el calor que desprende. Flipy se pasa allí horas... A veces le cuesta subir y le ayudo, le he puesto un pequeño escalón. De un tiempo a esta parte, el módem no funciona muy bien y toca cambio... Me envían uno vertical, pues nada, anulamos las otras dos redes del actual y Flipy puede seguir disfrutando de su calor. Ponemos el nuevo detrás a modo de sillón...
We’re acquiring @Arduino to make edge computing and #AI more accessible. Arduino will remain independent, supporting multiple silicon vendors and its community. Launching today: Arduino UNO Q, powered by Qualcomm #Dragonwing. Discover more: https://t.co/B7szrg7zC0
Ya es libre Torii Yama. Gracias a Granada por lo de siempre. Gracias a los de siempre por la inspiración. Seguimos aprendiendo ✌🏾🖤
https://t.co/V6hUYWHjbf