"Burżuazja całego świata, która ze spokojem przypatruje się masowym rzeziom, trzęsie się z oburzenia na widok profanacji cegieł i zaprawy murarskiej"
Ciekawe, czy gdy Karol Marks pisał te słowa w kontekście Komuny Paryskiej, to sprawcami zniszczeń we Francji też byli imigranci
Nathan Fielder and Lance Oppenheim reveal they used a seven-person crew and cameras covering the “whole house” to secretly film their Elizabeth Holmes documentary, “You Can See Everything.”
“We had three cameras, two operators, one would be sometimes on Elizabeth or Billy, one would be on Nathan, and we basically pick zones of the house and have these extremely long zoom lenses. Then I would be hidden behind the wide camera. We were trying to do that in an effort to try and take all the pressure away from any moment. We would be shooting like 16 hours a day, so they wouldn’t really know what we were interested in necessarily," Oppenheim explained.
“We didn’t always know either,” Fielder joked. “We started setting up the cameras where we had a wide lens that would cover the whole house, so if something happened, we wouldn’t miss it... If we were live and then something interesting started happening, [David Bolen] could pick up the camera and tripod, move to a new spot, re-lock the head in 10 seconds. It looks amazing, and it’s a testament to the team who put this together."
https://t.co/jUv2hudbL7