The Andy Warhol Foundation Arts Writers Grant

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[The Andy Warhol Foundation Arts Writers Grant @artswriters]

COOKIE JAR 2 🍪🫙 is now available! Ft. new writing by Hannah Black, Julia Bryan-Wilson, Johanna Fateman, and Minh Nguyen.

Read, order, and enjoy all the pamphlets included in COOKIE JAR 2 🍯 https://t.co/KVAkytDjoJ

[The Andy Warhol Foundation Arts Writers Grant @artswriters]

“Big names . . . shine and set the tone for some of the thematic strokes across the exhibition . . . . Though perhaps one of the most captivating throughlines is materiality.”

Jessica Fuentes writes about “NYAA Chubb Fellows and Friends” for @Glasstire

https://t.co/ehvD9fIIbm

[The Andy Warhol Foundation Arts Writers Grant @artswriters]

“ ‘The Lord’ tunnels into the lost worlds of Palestine before Israel, not as counterfactual or nostalgia. It rebuilds those worlds as text, through breathtaking descriptions.”

Kaelen Wilson-Goldie writes about “The Lord” by Soraya Antonius for @4_columns

https://t.co/aQYuUTvnFm

[The Andy Warhol Foundation Arts Writers Grant @artswriters]

“Hair appears throughout. And how not, being the most textile-like component of the human body, not to mention the most painlessly harvested?”

Lori Waxman reviews “On Loss and Absence” at the Art Institute and three other Chicago shows for @hyperallergic

https://t.co/QG3la3YAcp

[The Andy Warhol Foundation Arts Writers Grant @artswriters]

“Williams McCallister’s and Hernandez’s work reconsiders what it means to call a species native or invasive, to be rooted in a place or arrive as a transplant . . . .”

@alex__mar on Ọmọlará Williams McCallister and Janae Hernandez for @oxfordamerican

https://t.co/KacU4ol9CQ

[The Andy Warhol Foundation Arts Writers Grant @artswriters]

“If the book has a theme beyond the setting, it is time. In the park, Shabazz had more of it to share. In return, everyone pictured granted him theirs.”

@monilaurasimone on Jamel Shabazz’s “Prospect Park: Photographs of a Brooklyn Oasis” for the Guardian

https://t.co/fOHlJKvtx2

[The Andy Warhol Foundation Arts Writers Grant @artswriters]

“What may read as avian from one angle might look like a woman’s elaborately coifed head from a West African sculpture, or a bust by Matisse, from other vantages.”

Aruna D’Souza writes about “Martin Puryear: Nexus” at the MFA in Boston for @nytimesarts

https://t.co/7lNlHgA8xI

[The Andy Warhol Foundation Arts Writers Grant @artswriters]

“It’s billed (brilliantly and misleadingly) as a true-crime novel, but by the time you get to the shocking crime . . . countless others of varying scales have piled up.”

Elvia Wilk (@3LVVIA) on “The Four Spent the Day Together” by Chris Kraus @4_columns

https://t.co/MydQX3hj99

[The Andy Warhol Foundation Arts Writers Grant @artswriters]

“The experience is like encountering an iceberg of meaning: seeing an enormous structure while realizing that most of its entirety I may never be able to perceive.”

Seph Rodney writes about “Data Consciousness” at Print Center New York for @hyperallergic

https://t.co/pL4uWGEPmM

[The Andy Warhol Foundation Arts Writers Grant @artswriters]

“Unlike the spoken and written word, a painting or sculpture is a primary source document that cannot be altered . . .and with which its documentation of a specific truth can hardly be argued.”

Lisa Farrington on “The World Before Racism” @TheBrooklynRail
https://t.co/aPp9kfeaE0

[The Andy Warhol Foundation Arts Writers Grant @artswriters]

“There is considerable visual pleasure to be had in her material manipulation, which conspires with the sensitively restored cistern to beautiful effect; the wax textiles look good enough to eat.”

Rahel Aima (@cnqmdi) on Juliette Minchin @friezeofficial

https://t.co/ZCjgweZoYb

[The Andy Warhol Foundation Arts Writers Grant @artswriters]

“Siken echoes the adage that in the Southwest, the light will kill you. And he reminds me that the light in much of his work is punishing. . . .”

Raquel Gutierrez (@raquefella) writes about Richard Siken for @PoetryFound

https://t.co/fGeJ7tuOAo

[The Andy Warhol Foundation Arts Writers Grant @artswriters]

“Both are playful and witty, full of color. One gleefully declares itself corporeal. The other makes no such claims. And yet...has a relationship to human anatomy just as important.”

Lori Waxman on shows by Huguette Caland and Hai-Wen Lin @hyperallergic

https://t.co/rHI3R71J8F

[The Andy Warhol Foundation Arts Writers Grant @artswriters]

“Hsieh eschewed spectacle almost entirely, and in doing so came to occupy a rarefied space of pure artistic obsession. Instead of making his work in public, he largely relied on showing it after the fact.”

Aruna D’Souza on “Tehching Hsieh” for @4_columns

https://t.co/45wL5jSI77

[The Andy Warhol Foundation Arts Writers Grant @artswriters]

“It questions who is uplifted and memorialized in American history and what might happen when Indigenous artists reclaim space for themselves.”

Monica Uszerowicz (@monilaurasimone) on an unsanctioned digital intervention at the Met for @hyperallergic

https://t.co/fbkuYWe4LY

[The Andy Warhol Foundation Arts Writers Grant @artswriters]

“Their work draws on other notable figures working at the intersection of art, aesthetics, and civic life including Augusto Boal, known for ‘Theatre of the Oppressed.’ ”

@ThisIsKimCo interviews Design Studio for Social Intervention for Boston Art Review

https://t.co/YTaxCKvIRt

[The Andy Warhol Foundation Arts Writers Grant @artswriters]

“Enraged by Jamie Lloyd’s ‘Godot’? No. Unmoved, disappointed. I’d wanted to revel alongside Reeves and Winter as they had a turn at Gogo and Didi, but instead I just watched them in it.”

Jennifer Krasinski (@prettymetals) on “Waiting for Godot” @4_columns
https://t.co/othsG1OSwO

[Raquel Gutiérrez @raquefella]

Translators conference in Tucson next week yields so many great readings. Incl. this one I am happy to participate in with Litmus Press hosting at Wave Archive in downtown Tucson! Next Thursday, Nov 6.

[The Andy Warhol Foundation Arts Writers Grant @artswriters]

“A sense of foresight makes Girouard’s eclectic work a lively model for an approach that opens itself to influence while maintaining a commitment to the specificity of its source material.”

@tausifnoor writes about “Tina Girouard: SIGN-IN” for @bookforum

https://t.co/EvgubNAuh3

[The Andy Warhol Foundation Arts Writers Grant @artswriters]

“The migrant’s experience permeates all aspects of these paintings. Kahraman fixates on her subjects’ eyes . . . . Her fascination is linked to the constant surveillance that immigrants are subjected to.”

Aruna D’Souza on Hayv Kahraman for @nytimesarts

https://t.co/ZoFzzfOlEl

[The Andy Warhol Foundation Arts Writers Grant @artswriters]

“The square format has defined her painting practice, evolving into a compositional system based on grids and serial arrangements, sometimes resembling a puzzle, a crossword, or a horizontal line.”

Silvia Benedetti on Dotty Attie for @ElephantMag

https://t.co/wfsbZfSKC4