Audiomovers

Creating tools for audio professionals that make the complex simple, so your creativity remains uninterrupted.

[Audiomovers @audiomovers]

Audiomovers proudly announces the appointment of the legendary @nilerodgers as Chief Collaborator and Chair of its Board of Advisors.

“Creativity is born in collaboration - in those subtle, powerful moments where ideas collide, vulnerability is shared, and innovation emerges from the unexpected. No one enables that better than Audiomovers. They saved the music industry during the pandemic and quickly established themselves as the go-to for global collaboration; now they’re transforming what’s possible for creators everywhere. Together, we’re going to elevate how artists, producers, and composers create together - and push the future of music forward.” - Nile Rodgers

[Audiomovers @audiomovers]

@BenFredette Appreciate you Ben!

[Buddha Ben @BenFredette]

Shoutout to @audiomovers. My engineer from Tajikistan moved out of LA and we have been working SEAMLESSLY mixing these records using AudioMovers. Feels like my apartment turned into a studio !!!!! #notsponsored #freeadvertisement

[Audiomovers @audiomovers]

Happy Birthday to our Chief Collaborator, the one and only @nilerodgers.

📸 Rachel Dyson

[Audiomovers @audiomovers]

@Helpmedevvon talks about learning to make music in the “no information era.”

The music producers of today have an internet full of amazing educational content at their fingertips, with some of the best engineers in the world spilling their secrets and showing you their process. This wasn’t always the case.

🔗 Watch Devvon’s full episode of the Unsung podcast: https://t.co/dBYo8ret8Z

[Audiomovers @audiomovers]

For engineers, learning what makes a great song can happen through osmosis. @teezi0 explains how.

🔗 Watch Teezio’s full episode of the Unsung podcast: https://t.co/Cv5YdIm8sX

[Audiomovers @audiomovers]

10+ years into her career in Tech & Advertising, Raphaëlle Thibaut had an epiphany visiting Abbey Road.

While observing a Film Scoring demo in Studio 2, she realized she belonged in the studio, not in an office.

She left her job at Google the next day.

🔗 Watch Raphaëlle Thibaut’s full episode of the Unsung podcast: https://t.co/su2fAUK42T

[Audiomovers @audiomovers]

Jesse Ray Ernster talks through the process of mixing an album with Burna Boy & his team.

🔗 Watch Jesse Ray Ernster’s full episode of the Unsung podcast: https://t.co/mz2O2Pz8yd

[Audiomovers @audiomovers]

Ever wondered what an early @BT track sounds like?

We found the first track he signed to Deep Dish Records back in 1993 - “The Moment Of Truth” (Original Radio Version).

DJ & Producer “Sasha” had discovered the then 19-year-old BT and invited him to come to the UK to make some music. On that trip, BT ended up signing his first record deal with Deep Dish, effectively launching his music career.

🔗 Watch BT’s full episode of the Unsung podcast: https://t.co/iabeVzDRav

[Audiomovers @audiomovers]

6x GRAMMY-winning engineer @stuartwhitemix talks mixing vocals for Beyoncé + other artists, giving a demonstration on how he automates the dynamics of a vocal performance.

🔗 Watch Stuart White’s full episode of the Unsung podcast: https://t.co/0mct1QWgit

[Audiomovers @audiomovers]

Jesse Ray Ernster shares how his valuable plugin feedback for a friend ultimately led to them joining forces to create MIXLAND Audio

Between mixing projects in 2020, Jesse and his friend Ed Lucciola came together with an idea for a new plugin company, ‘MIXLAND Audio’. Jesse was testing Kiive Audio’s products for Eddie at the time, and the feedback he gave proved to be so valuable that the conversation evolved into them going into business together.

They launched with their first product the “Rubber Band Compressor” in 2021 and now have a whole suite of plugins.

🔗 Hear the full story in Jesse's episode of the Unsung podcast: https://t.co/I8oNheT6QB

[Audiomovers @audiomovers]

“They forget that space is almost louder than sound.” - @teezi0

Arrangement plays a huge part not only in the production but also the mix. Teezio talks about the trap new artists can fall into: adding too much too soon.

🔗 Watch Teezio’s full episode of the Unsung podcast: https://t.co/zSOjsO5bPE

[Audiomovers @audiomovers]

If you want it that bad, you’ll make it happen.

@Helpmedevvon explains the journey to getting his first studio. From saving up cash selling audio gear at a pawn shop, to directing music videos and tracking artists on the side.

He eventually made it happen.

🔗 Watch Devvon’s full episode of the Unsung podcast: https://t.co/TgqS6eCjtq

[Audiomovers @audiomovers]

What happens when you approach electronic music with a classical background? Well, in the ‘90s, it confused some people.

@BT explains the confusion journalists faced when hearing breakdowns in his music—unable to understand what ravers were supposed to do when the arrangement stripped back.

Coming from a classical background, BT loved using compositional techniques in his electronic tracks; though it took a little while to catch on today it’s in the arrangement of every electronic music track.

🔗 Watch BT’s full episode of the Unsung podcast: https://t.co/REmWfoDuBV

[Audiomovers @audiomovers]

GRAMMY-winning engineer Jesse Ray Ernster doesn’t have a desk in his studio. Saying with such a large reflective surface in a listening environment: “you have to work twice as much and twice as long” to get the mix right.

🔗 Watch Jesse Ray Ernster’s full episode of the Unsung podcast: https://t.co/X0j0waZSBQ

[Audiomovers @audiomovers]

GRAMMY-winning Mastering Engineer Ryan Schwabe talks about his approach to mastering. While lots of mastering engineers start their process at the loudest part of the song, then make their way through the rest of the track. Ryan’s approach is different.

He prefers to play the song from the beginning, look for an emotional reaction in himself, and start from there.

🔗 Watch Ryan Schwabe’s full episode of the Unsung podcast: https://t.co/vepgMAvAI1

[Audiomovers @audiomovers]

GRAMMY-winning & Multi-Platinum Engineer @teezi0 talks about how he made the transition out of recording artists into just mixing records.

He had mixed one of the biggest songs of 2021 “Industry Baby” by Lil Nas X and one of the biggest songs of 2022 “First Class” by Jack Harlow but was still tracking artists in the early hours of the morning.

🔗 Watch Teezio’s full episode of the Unsung podcast: https://t.co/GtHhzaCDjM

[Audiomovers @audiomovers]

The Hip-hop producer who didn’t know Dilla: @ldrethegiant shares how discovering J Dilla later in his musical journey led to the confusing interactions he had with fans who swear they could hear the influence of a producer L. Dre wasn’t even aware of at the time.

After reading about J Dilla and studying his music, L. Dre made an entire album inspired by him in 2022, titled “RIP Dilla” as a tribute.

🔗 Watch L. Dre’s full episode of the Unsung podcast: https://t.co/hsoO1qCAd1

[Audiomovers @audiomovers]

@teezi0 talks about the importance of exuding confidence as an engineer.

When the artist’s work is in your hands, they need to know you’re the person for the job and that you’re going to bring the best out of them.

Even the most skilled engineer might lose out on a job if they fail to put the artist at ease and project the certainty required.

🔗 Watch Teezio’s full episode of the Unsung podcast: https://t.co/zSOjsO5bPE

[Audiomovers @audiomovers]

GRAMMY-winning Engineer Stuart White tells the story of how he started working with Beyoncé.

Since 2012, Stuart has been Beyoncé’s personal engineer and mixer and they still work very closely today.

🔗 Watch Stuart White’s full episode of the Unsung podcast: https://t.co/mvRqPoW8Fs

[Audiomovers @audiomovers]

@ldrethegiant reveals some of his favorite plugins and gear in our quick-fire round.

🔗 Watch L. Dre’s full episode of the Unsung podcast at the link in bio