Daniele Pintus

[Daniele Pintus @DP311201]

@Sofia_Phobia Olly ft Micheal Gira

[Swaffle @Swaffle_7]

❤️

[Psi🇧🇷 @ClosePsi]

Ma TheWeeknd è un goatazzo senza senso aiuto

[emotionalandscape @thiassou_]

what it’s always been

[Riccardo @Dulafive5_]

Il ragionamento che fa Velasco partendo dal rigore di Baggio a Pasadena sarebbe da scolpire nel marmo, come quasi tutto quello che dice.

[Sofia @Sofia_Phobia]

@marxavelli Because to seriously read a text you need the context in which it was written, what other texts it was inspired by and what was answering to, how much the ideas in it are coherent with other texts of the same author (Nietzsche changed a lot of ideas throughout his life) nd so on

[films7 @films7]

Nietzsche distinguait l'artiste de l'amateur d'art selon que sa plus grande jouissance était de donner ou de recevoir.
"L'artiste se distingue de celui qui n'est que sensible aux arts : celui-ci atteint dans la réceptivité le plus haut point d'excitabilité ; le premier l'atteint dans le don.
Il semble impossible d'être artiste et de ne pas être malade. Il faut d'abord imaginer cet état comme une contrainte et une pression pour se débarrasser de l'exubérance de la tension interne. L'artiste doit donner."

[イル @irwannurrizqi]

Youtube top 4

[Taste of Cinema @davidcinema]

Film Noir was called "the most American film genre" by Roger Ebert. Here are The 20 Most Visually Stunning American Noir Films Ever: https://t.co/cClnvYrtSE

[alex lei @alexL_E_I]

what makes it so American is that it’s made up

[erclab_ilritorno @erclab_tweet]

AIUTO AHAHAH Don Fabio

[Daniele Pintus @DP311201]

@Sofia_Phobia @DiJohnNonCiCale La chimera tra i film italiani più belli degli ultimi anni

[Marco Setaccioli @marsetac]

Grazie a @LucaBizzarri e Paolo. Soprattutto la faccia di Di Battista quando viene nominato vale l’attesa

[VAN MUTOKA @vanmutoka1]

« Un homme dit à Socrate :
— Cette femme a l’air d’une mauvaise femme, Socrate.

Socrate répondit :
— Est-ce que tu la connais ?

L’homme — Non.

Socrate — Alors pourquoi penses-tu cela ?

L’homme — Tu ne vois pas comment elle est habillée ?

Socrate — Dis-moi, qu’est-ce qui est juste : l’injustice ou la vérité ?

L’homme — La vérité, bien sûr.

Socrate — Et juger quelqu’un sans preuve, est-ce juste ou injuste ?

L’homme — C’est injuste.

Socrate — Donc, as-tu jugé cette femme avec certitude ou seulement par impression ?

L’homme — Seulement par impression.

Socrate — Alors, qui est le plus mauvais : celui qui juge les autres sur les apparences ou celui qui garde le silence ?

L’homme — Celui qui juge les autres sur les apparences.

Socrate dit alors :
— Alors aujourd’hui, qui est vraiment mauvais : toi ou cette femme ? »

[Sofia @Sofia_Phobia]

Quando frequentavo i forum di letteratura, frequentati per la maggiorparte da americani, era normale parlare di autori italiani come Calasso, Morselli, Ortese, Gadda, Landolfi etc.

Autori che in Italia non si studiano proprio

Vai a vedere che gli ignoranti alla fine siamo noi

[Daniele Pintus @DP311201]

@Sofia_Phobia Clamorosa occasione persa per scrivere "Siamo Nicole Minetti e chiediamo la grazia"
Avrebbe svoltato il pezzo

[Linear Labs @LinearLabs]

J Dilla in his basement studio in Detroit. Records wall to wall, floor to ceiling. The room where Erykah Badu, Common, and Questlove all came to work. Every sample, every chop started somewhere in those crates.

[Saganism @Saganismm]

“There is not in Europe any such thing as a pure race. Russians have an admixture of Tartar blood, Germans are largely Slavonic, France is a mixture of Celts, Germans, and people of Mediterranean race, Italy the same with the addition of the descendants of slaves from every corner of the Empire imported by the Romans. The English are perhaps the most mixed of all. There is no evidence that there is any advantage in belonging to a pure race. The purest races now in existence are the Pygmies, the Hottentots, and the Australian aborigines; the Tasmanians, thanks to the British, who were probably even purer are now extinct. There is a special absurdity in applying racial theories to the various populations of Europe.”

— Bertrand Russell, Unpopular Essays, Ch. VII: An Outline of Intellectual Rubbish: A Hilarious Catalogue of Organized and Individual Stupidity