@somewriter Hi Tony — I wouldn’t disagree with any of that, and of course we have a long way to go to address inequality of access. But this feels, to me, like a hopeful moment in terms of playwrights (rather than just directors, as has been typical) being given key roles at major theatres.
An extraordinary opportunity for the right person. An 18-month, £61k p/a role developing plays for the RSC, and working alongside senior leadership on literary strategy. This plus the Associate Playwright roles at the Court feels like a bit of a sea change.
Next year: so chuffed to be heading back to @Hamps_Theatre to do this, @BradJackfield’s bright and brilliant debut about the power of play. I can’t wait to get stuck in.
Directed by Ed Madden, Jack Bradfield's THE HABITS takes place in a board game café alive with fantasy 🧙♂️
An eclectic group of players are on a months-long quest to defeat the Nightmare King - but what will become of them when the game finally ends?
https://t.co/pSqW1yRxr4
Very touched by this surprise mention in @NYTimesArts, today. Never not proud to work with @MarekHorn, and loved bringing Octopolis to life with the superb team at @Hamps_Theatre last autumn.
@ashleysmilne Both cheat answers in a way, but: the monologue which opens HOMEBODY/KABUL (Kushner), and FAITH HEALER (Friel). Purer answers: KRAPP’S LAST TAPE (Beckett), and MONOLOGUE (Pinter).
PLAYWRIGHTS. I’ve been doing some more of this again in recent months, and the offer is still open. If you’re looking for dramaturgical support on a new play, I’d love to hear from you.
PLAYWRIGHTS. I’ve started to do some Pay What You Can script-reading and dramaturgy. If you have a play at any stage of development and would like a pair of eyes on it, get in touch. There’s more info and some testimonials here: https://t.co/VKH3689Kd3
1536 is an extraordinary play - electric line by line, its plot tightening like a steel trap - and @AvaPickett is a massive talent. This is just such brilliant news.
Former Almeida Genesis writer @AvaPickett has scooped the $25,000 Susan Smith Blackburn Prize (@blackburn_prize) for her play about three best friends in Tudor Essex, 1536.
Full story here: https://t.co/mhQToqB4YE
📣ANNOUNCEMENT KLAXON📣
We are BEYOND excited to announce the world premiere of #VerityBargateAward winning play, #BoysOnTheVergeOfTears by Sam Grabiner will be at ours this April 🙌
Priority booking is now open & general onsale is tomorrow at 10am ⏰👇
https://t.co/kpiJzS8DWm
'Lemons Lemons Lemons Lemons Lemons: the cult play about words becomes a ballet' 🍋
Read The Guardian's insight into The Royal Ballet's rehearsal for The Limit, adapted from Sam Steiner's play
📰 https://t.co/RcPaPpHWjB
🎟 https://t.co/rVo9nsWGtb
Winner Laura Waldren is a debut playwright from Hull.
Her first play SOME DEMON is a grippingly authentic story of life in an eating disorder unit, which we will produce in a full run on the main stage of the @arcolatheatre in 2024, published by @NickHernBooks.
A thrill to be directing at the powerhouse @BushTheatre; so excited to be a part of this season with @SophiaLeuner’s sharply-observed, deeply humane play; working with @JessieProduces and @Broccoli_Arts.
"It’s a play about love, and faith, and grief."
Find out more about Octopolis and director Ed Madden in his interview with THESP.
Read it here 👇
https://t.co/rUJbpyrwHa
#HTOctopolis opens 15 Sept, book now! https://t.co/2d48J7Mh3r
🐙EXCITING CAST ANNOUNCEMENT 🐙
Jemma Redgrave (Grantchester, Holby City, Silent Witness) & Ewan Miller (Much Ado About Nothing, National Theatre) will be joining us for @MarekHorn's #Octopolis, directed by Ed Madden, opening Downstairs 15 Sep!
Book now: https://t.co/2d48J7Mh3r