Gaurav Gera

[Jio Studios @jiostudios]

Iss baar aur bhi dhamakedaar.
Watch Dhurandhar Raw & Undekha, out now in Hindi, Tamil and Telugu on @NetflixIndia .

@RanveerOfficial #AkshayeKhanna @du@duttsanjay @ActorMadhavan @rampalarjun #SaraArjun @bo@bolbedibol @AdityaDharFilms #JyotiDeshpande @Lo@LokeshDharB62 #JioStudios @B6@B62Studios @saregamaglobal

[Gaurav Gera @gauravgera]

🥰❤️

[青नीला @88_510510]

7月���日本で公開されるDhurandharの最新の予告に一瞬だけAalam bhai（Gaurav Gera さん）が出てるのうれしい🥰

7.10(fri)公開『ドゥランダル作戦』予告 https://t.co/HrejAq2mGq

[EEMA India @eemaindia]

Harmony Speaker Gaurav Gera Actor | Content Creator | Performer

Gaurav Gera is a celebrated actor and a digital trailblazer who has redefined the art of storytelling across television, stage, and social media.

Register at -
https://t.co/r2avTmDbUE

[B62 Studios @B62Studios]

It’s time for Japan to experience the Dhurandhar energy! ⚔️🔥

Arriving in theatres across Japan on 10.7.2026.

[Nona Prince @nonaprinceyt]

After success most want to Boast about themselves but here is Aditya Dhar, who even after Bombastic hits has just been celebrating his Team day after day. Spreading awareness about HoDs/technicians who would never get limelight otherwise.
Indian Cinema needs more of this!

[Aditya Dhar @AdityaDharFilms]

Choreographer par excellence- Vijay Ganguly.

With Vijay, it always begins with instinct. He doesn’t just hear music, he feels it and then translates that feeling into something you can see.
What surprised me most on Dhurandhar was how much he thinks like a director. It made my job easier in ways I didn’t expect. Maybe it’s years of experience or maybe it’s in his DNA, being the great Anil Ganguly’s son, but there’s a storyteller in him that goes beyond choreography.
I still remember our conversations around “Shararat.” I wasn’t fully convinced about doing a lip-sync dance track in the film.
But Vijay just smiled and said, “Let’s go for it sir, it’ll be fun.” That one push gave Shashwat and me the confidence we needed. And what came out of it is honestly one of my favorite parts of the film.
That’s who he is, someone who shows up, not just physically but emotionally. Even on the toughest days his infectious smile and childlike excitement made everything feel lighter.
From “Didi” to the madness of Fa9la (Flipperachi)with Akshaye Khanna, he brought heart, detail, and total commitment.
He’s not just a brilliant choreographer, he’s a true team player.
Grateful for you, Vijay.
Rooting for everything that’s coming your way. ❤️

[Aditya Raj Kaul @AdityaRajKaul]

Dhurandhar 1 and Dhurandhar 2 together have crossed 3000 crores globally. Aditya Dhar scripts history with Dhurandhar in Indian cinema. 🇮🇳

[Aakanksha🇮🇳 @Charu_on_X_x]

डार्लिंग डार्लिंग दिल क्यूँ तोड़ा,
पिलो पिलो आलम दूध सोडा....

आइये मित्रों डैरेक्ट आलम भाई से सीखते है दूध सोडा बनाना...

Love you Aalam Bhai❤😁

[Aditya Dhar @AdityaDharFilms]

Here’s to Bishwadeep (Bishu Da) and Justin Sir, the heartbeat behind the sound of Dhurandhar and Dhurandhar: The Revenge.
I’ve known Bishu Da since my assistant days, when I was just a curious kid, constantly asking questions about every little detail of sound.
And not once did he lose patience.
He would sit with me and explain every nuance, every layer, every choice.
In many ways, that’s where my understanding of sound and cinema truly began.
Over the years, both Bishu Da and Justin Sir have been called “veterans” but honestly, they’re like kids when it comes to their craft. Inquisitive, experimental, always pushing boundaries. Give them space and they won’t just deliver, they’ll create something extraordinary.
From Uri to Dhurandhar, they’ve been my pillars. Not just collaborators, but constant guides, always smiling, always teaching, always treating me like a kid brother.
What they and their team pulled off on Dhurandhar still feels unreal.
Our last day of shoot for Part 1 was 2nd November 2025. The film released on 5th December 2025. In that short window, after the edit, BGM and locking of songs, the final directors mix of the entire film got only just 24 hours.
24 hours.
For a film of this scale, it sounds impossible.
But they made it happen.
And not once did the pressure reflect in the work. If anything, they raised the bar.
The same happened with Dhurandhar: The Revenge, the final mix got only just 30 hours. For context, Uri was done in 9 days.
I’ve seen them sit for days at a stretch, barely taking breaks, often without sleep, not just to finish the work but to do justice to it.
That kind of commitment, that kind of selflessness towards the craft, is rare.
What I’ll always cherish are those sleepless nights at Mariano Studios, the chaos, the learning, the laughter and the shared belief in what we were creating.
I genuinely cannot imagine making a film without them.
They are not just among the best we have, they are among the best in the world.
And I will always be grateful. ❤️

[Aditya Raj Kaul @AdityaRajKaul]

Thank you to Jamil Mamu or OG #Dhuradhar aka Rakesh Bedi ji! It was wonderful meeting him and discussing the Dhurandhar Tsunami. Salute your craft and contribution to Indian TV as well as cinema. ♥️🙏

More here: https://t.co/GSssTZCCLn

[Jio Studios @jiostudios]

Duniya mein ek ka hi raj - DHU…RAN…DHAR 🔥

Day-wise break-up | India
Week 1: ₹690 Cr* 
Week 2: ₹271 Cr* 
DAY 16: ₹23 Cr* 
DAY 17: ₹27 Cr* 
DAY 18: ₹30 Cr* 
DAY 19: ₹11 Cr* 
DAY 20: ₹11 Cr* 
DAY 21: ₹10 Cr* 
DAY 22: ₹8 Cr* 

India: ₹1081 Cr* 

Worldwide GBOC (3 Weeks) 
India: ₹1,276 Cr* 
Overseas: ₹404 Cr*

Book Your Tickets Now.
🔗- https://t.co/edDaXUVxwH   

#DhurandharTheRevenge is now in cinemas worldwide.

Hindi | Telugu | Tamil | Kannada | Malayalam

@RanveerOfficial @rampalarjun @duttsanjay @ActorMadhavan #AkshayeKhanna #SaraArjun @bolbedibol @AdityaDharFilms #JyotiDeshpande @LokeshDharB62 @jiostudios @B62Studios @TSeries @JioHotstar @StarGoldIndia

[Aditya Dhar @AdityaDharFilms]

Dearest Smriti

I still remember one of our very first conversations, when we spoke about how Jaskirat starts with a hint of colour and how, by the end, Hamza is almost swallowed by black.
How, somewhere along the way, the colour quietly leaves his life without drawing attention to it.
At that point, it was just a thought, a tiny, slightly mad detailing idea I threw at you.
And you just held on to it.
That’s when I knew 😊
Because while you kept saying “Adi Sir, I don’t know if I’m the right person for this,” I was sitting there thinking, “This is exactly why you are.”
You didn’t come with baggage. You didn’t come with a fixed ‘style’ of what this world should look like. You came with honesty and that dangerous thing called ZIDD.
And then you went and did what you do best, you over-delivered in the most ridiculous, unbelievable way.
Who stitches 10000 costumes for a film and close to 1000 Pathanis in first 30 days and still worries about the detailing of a button on a junior artist’s cuff? 😂
Who creates 250+ looks for Hamza and still loses sleep over whether the ring on his little finger feels emotionally correct?
Who manages thousands of accessories over a 1.5 year shoot and still shows up every day like it’s day one?
Only you.
The most helpful, most generous human being on set.
Always there. Always giving. Always smiling through the chaos (even when I know some days you wanted to kill most of us 😄).
What you built wasn’t just costumes.
You built a world.
A language.
An identity that breathes through every single frame of Dhurandhar.
And the most beautiful part?
From a space that once felt unfamiliar, you created something so distinct that people are now following your design styles everywhere.
That’s not talent alone. That’s courage. That’s ZIDD. 🤩
I’m just really, really grateful I got to witness that journey up close.
And I’m even more grateful that I got you on this film ❤️
Love and Luck, forever! 🙏

[Aditya Dhar @AdityaDharFilms]

Here’s to Preetisheel, my Sardarni sister from Pathankot.
Mera Sher.😁
When I first heard her name, I’ll be honest, I was hesitant. There were all these opinions floating around, “she’s arrogant,” “she’s too expensive,” “she only does prestige projects.” And then I met her. In that one meeting, all of it just fell apart.
It reminded me of something I��ve learned the hard way in this industry, never build your truth on borrowed opinions.
More often than not, they come from a place that has nothing to do with the person you’re about to meet.
What I found in Preeti was not just an artist of extraordinary ability but a deeply warm, grounded and fiercely loving human being.
The laughter we shared in the middle of madness, the long conversations about life, the endless hours spent obsessing over every character, those are memories I will carry with me for the rest of my life. There was something about her presence, that beautiful, reassuring smile, that made even the most impossible days feel manageable.
And then there was her constant voice in my ear, lifting me up in ways I didn’t even know I needed.
“Aditya, tujhe pata nahi hai tu kya cheez hai, tujhe idea bhi nahi hai tu kya karne wala hai.”❤️
What she and her team pulled off on this film is nothing short of extraordinary. When most of the crew was waking up, they were already on set. And when everyone wrapped, they were still there. Running on barely 2–3 hours of sleep, day after day, with a kind of relentless focus that you rarely witness. No complaints. No noise. Just pure commitment to the vision.
There were more than a hundred character designs across both parts (some extremely complicated ones like Nawab Shafiq and Bade Saab).
Thousands of faces shaped, aged, transformed. An army of nearly 20,000 junior artists brought to life through detail, texture and truth.
But beyond the numbers, what stays with me is the intent.
For Preeti, it was never about “looks.” It was always about people. About making sure every character, no matter how small, felt real, lived-in and honest. She treated each face with respect, as if it had a story worth telling.
That’s rare.
Today, she’s not just my HOD. She’s family. A constant in my life, in cinema and beyond.
Preeti, thank you for standing by me, for believing in me when I couldn’t see it myself and for pouring your heart into Dhurandhar the way you did.
And this is just the beginning for us.
Love, always. ❤️

[Aditya Dhar @AdityaDharFilms]

Here’s to Mukesh Chhabra, the man who saw Dhurandhar long before I truly did.

There are people who come into a film and do their job and then there are people who quietly reshape the film itself. Mukesh was the latter.
From the very first narration, he believed in the scale, the ambition, the sheer possibility of Dhurandhar far more than I did.
Where I was cautious, he was fearless. Where I was thinking within limits, he pushed me to think bigger, not just in numbers, but in depth, in detail, in truth.
The casting of this film was never going to be easy. The sheer number of actors, the range of characters, the responsibility of getting every single face right, it was overwhelming.
But Mukesh and his team just went all guns blazing. My only brief to him was simple: bring me great actors, new or old, big or small, it doesn’t matter.
And he turned that into a mission.
What followed were endless days and nights, sitting together, breaking down every character, debating, exploring, rejecting, discovering. Conversations that didn’t feel like work but like building something brick by brick with absolute honesty.
For him, casting was never about filling roles, it was about finding people who belonged. Even for the smallest part, he went just as deep, just as far, making sure every person on screen felt real, lived-in, and true to the world.
But beyond the craft, what I found in him was something even more rare, a friend, a well-wisher, a brother. Someone who stood by the film with complete faith, even when mine wavered.
I truly hope this film makes people realise the power of casting, one of the most crucial, yet often overlooked aspects of filmmaking.
It can make a film or break it.
And it’s unfortunate that our industry still doesn’t celebrate casting directors the way it should.
This film carries your choices in every single frame Mukesh!
Endless gratitude, respect and love for you.❤️

[Aditya Dhar @AdityaDharFilms]

Here’s to Shashwat Sachdev.

Some collaborations go beyond work, they become deeply personal.
Sha has been that for me.
Not just the music composer of Dhurandhar but someone I see as a younger brother, someone I’ve shared chaos, silence, ideas and some of the most intense creative days with.
What he’s done on this film still doesn’t feel real when I say it out loud.
9 songs in 9 days for Dhurandhar Part 1, with the entire BGM done in 6 days.
And then Dhurandhar Part 2, 14 songs in 11 days, BGM in 3.
At that speed, at that scale, with that kind of emotional depth and that kind of extraordinary quality, it’s beyond crazy.
And what makes it even more unreal is how both the albums, released within a span of 3 months, reached top global charts, with almost every song being loved and celebrated, something that’s an absolute rarity for any film in the world.

For almost 15 days, my house stopped being a house. It became a living, breathing studio. Every room had something going on, music in the living room, recordings in the bedrooms, writing in the balconies. Singers and musicians walking in and out endlessly. Days and nights just blending into each other. 21–22 hour stretches, no real sense of time, just a shared madness to get it right.
And right at the center of all of it was Sha.
Holding everything together. Creating, composing, guiding, reacting, evolving, all at once. There were days he was unwell, running on barely any sleep, dealing with health scares but he still showed up fully, without compromise, without slowing down.
That kind of resilience is rare.
Having the legendary Irshad Kamil Sir alongside, and a team that gave everything they had, pushed this into something even more special.
Everyone went into absolute God mode. And through all that chaos, Magic (Sha’s better half) was the anchor, keeping things steady, holding the energy together when everything could have easily fallen apart.
What makes Sha truly special is not just his talent. It’s his hunger. His refusal to settle. His instinct to keep digging until something feels honest. He doesn’t chase easy, he chases truth in every note.
That kind of commitment doesn’t come from skill alone.
It comes from love.
Love to achieve God through music.
And you can feel that love in every second of Dhurandhar.

Always grateful.
Always rooting for you. ❤️

[Gaurav Gera @gauravgera]

RT @AdityaDharFilms: Here’s to Shiv Kumar Panicker

Some relationships in filmmaking aren’t built on a single film, they’re built over yea…

[BookMyShow @bookmyshow]

Ab toh Aalam bhai ne bhi bol diya 🤭

#DhurandharTheRevenge #GauravGera #MohammadAalam #DarlingDarling #Plans #LongWeekend #BookMyShow

[Aditya Raj Kaul @AdityaRajKaul]

Today #Dhurandhar2‌TheRevenge will cross 1500 crore in Worldwide Box Office Collection in less than 15 days. What a historic response!

Dhurandhar Tsunami continues across the world! Thank you, Bharat! Jai Hind! 🇮🇳