Our 2025 showreel is now live! Check out a small collection of projects that have pushed, inspired, and filled us with pride. It’s been an incredible journey and we're so grateful to all of our creative partners for having us along for the ride. ❤️🔥
#glassworksvfx#vfx#showreel
8 nominations at the #AEAF Awards for our VFX work! 🎉 Huge thanks to our amazing team and clients for bringing these visions to life. Excited for what's ahead! #VFX
👉https://t.co/Wk8X7N5pRd
Next week, @xavitribo, Head of Technology at Glassworks Barcelona, will be heading to Colombia for the prestigious @ElDoradoFest! He’ll present a seminar on “Algorithms and Creativity” and join the festival jury.
👉https://t.co/G1YhiRrxNf
More exciting news! 🎉 Vanessa Aparicio is also nominated for Best Colour Grading Newcomer at the #UKMVA Awards for Konyikeh's "Lie to me". Can't wait for the music video to drop soon – stay tuned! 👀
If you want to see more of Vanessa's amazing colour work, don’t miss the short film 'Finding 15' premiering tonight on Sky Arts!
https://t.co/2lN7X5liF2
Exciting news! Vanessa Aparicio has been shortlisted for the Young Arrows @britisharrows awards in the Colourist category! Her incredible work on Sevdaliza's "Nothing Lasts Forever" music video and on the Patta x Marshall film earned her these two nominations. 👏👏👏
It was such a delight to work on this sleek and mesmerising liquid simulation for #VersaceJeansCouture!
We loved collaborating with director Jeroen Dankers to bring the mercury to life with the perfect motion and texture.
👉https://t.co/rWnHVMW34N
La Sociedad de la Nieve es la tercera película más vista en Netflix durante el primer semestre del año: 103.8 millones de visionados en todo el mundo.
De parte de todo el equipo, una vez más, muchas gracias.
#LaSociedaddelaNieve#SocietyoftheSnow
Our Barcelona team collaborated on this dynamic campaign for Shopify, blending motion design, 3D, FX, and compositing to bring their vision to life. Directed by @AlexGargot and produced by @canadacanadacom. Check it out!
📽️https://t.co/Spwbh62Nvt
We are #hiring!
Glassworks are seeking a part-time digital marketer to run our social media channels and PR.
Location: Amsterdam or London preferred. Remote possible within reasonably close time zones.
👉https://t.co/x6l88hVFFr
It's hard to miss the hype around Netflix's #KAOS this week, with good reason - it’s an 'utter triumph' according to the press. But more than that, it was a real privilege to work on, creatively demanding and technically challenging over nearly 2 years' Post Production.
Gracias a todos los equipos de @CUPRA • @CUPRA_esp, la agencia @rosasagency, la productora Roma y las más de 150 personas que trabajaron en esta película.
Estas son solo algunas de ellas:
Director Creativo: Pol Martínez
Director de fotografía: Pedro Luque
Productores ejecutivos Roma: Óscar Romagosa, Claudia Mayer
Producción de VFX / Supervisor de postproducción Roma: Alex Maldonado
Diseñador de producción: Pablo Tregebov-Poza
Montaje: Arnald Viladomat, Guille de la Cal
Estudio de postproducción: Zoic / @GlassworksVFX Barcelona
Color: Michael Hatzer — Picture Shop
Música: Worakls
Sonido: Oriol Tarragó — Coser y Cantar
Estilismo: Giovanni Lipari
Maquillaje: Manel Rosa
Glassworks has hired two lead artists to its London VFX team: Hannah Wilk in 2D and Felix Marrington-Reeve in the 3D department. @televisualmedia
https://t.co/QNOtYplWUX
Delighted to welcome two lead artists to our London VFX team: Hannah Wilk in 2D and Felix Marrington-Reeve in the 3D department!
https://t.co/QGFYnOtRbw
🧵👇
Felix joins as 3D Lead after honing his skills over seven years as a Technical Director at Framestore London, heading up their TD department. His deep understanding of filmmaking, and his expertise in problem-solving and workflow optimization, makes him a perfect fit for our team