Republic

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Republic, the full stack.

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Knock knock.

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Go ahead.. just tap the door.

🚪

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Primary. Secondary. One platform. @INX_Group 💙

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Artist equity has existed for decades.

Republic Film is building audience equity.

@metamarq on what changes when fans own a piece of the film, not just a ticket:

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Exactly what we're building against.

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“Let the insiders have access. Tell everyone else to wait for the IPO.”

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The honest take on tokenized public stocks by Republic’s Co-CEO Andrew Durgee:

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📂 What Republic has built
┃
┣ 📂 Portfolio
┃ ┣ 📂 1,100+ private companies
┃ ┗ 📂 Across growth stages and sectors
┃
┣ 📂 Infrastructure
┃ ┣ 📂 Tokenization platform
┃ ┗ 📂 Secondary trading — now via @INX_Group
┃
┣ 📂 Geographic presence
┃ ┣ 📂 US
┃ ┣ 📂 UK
┃ ┣ 📂 EU
┃ ┗ 📂 Middle East

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The foundation got a lot more solid. @INX_Group 💙

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Head of Republic Film @metamarq on how the traditional film financing model is broken and what Republic is building:

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We already did.

@animocabrands equity — tokenized on @solana, trading on Republic's secondary marketplace 💙

[Solana @solana]

“Solana’s really the home for everything, every asset that you can imagine”

- Vibhu

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Audience equity is the future of film financing.

Hear more from the head of Republic Film Marc Iserlis @metamarq on this week’s episode of The Media Odyssey.

[Marc Iserlis @metamarq]

Had a great convo with Evan Shapiro and Marion Ranchet on The Media Odyssey about why film financing is broken.

Most filmmakers are stuck between wealthy investors on yachts or studio deals that take away their IP.

That's why we keep complaining about the films we see.

So we built a new path--using fan capital, where filmmakers share equity with their fans.

But why cut the fans in?

Because fans ultimately determine the film’s success. Audiences drive box office.

Markiplier: 30M followers, Iron Lung did $50M+ on a tiny budget.

Taylor Swift: 100M listeners, the Eras Tour film cost $15M and made $261M.

400M+ fans already fund creators on Patreon, Kickstarter, and OnlyFans. They get nothing back. It’s all donations—kind of awkward, no alignment.

But when fans OWN a piece of your film, you keep control, IP, AND you know you have the audience's support from day 1.

So, sounds great you say, but there must be a reason why this hasn’t been done before?

There is. The reason is simple: securities laws. It was literally illegal up until recently, when the SEC finally allowed everyday folks to invest in private assets and companies (which includes films).

So we’ve built Republic Film: where fans can invest in their favorite filmmakers (and they’ve invested tens of millions already).

And the kicker: we use tokenization as the backbone so fans can trade their shares too (think of it as “audience equity”). This is no doubt the future of film financing.

Thank you Evan and Marion for the chance to talk about this.

https://t.co/bZMkDMWD83

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Full stack.

Republic × @INX_Group.

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Republic is built for the full stack. File that away.

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The gap between how institutions invest and how everyone else invests is narrowing.

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Note holders know 👀

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here for the party 🪩

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Scaling RWA requires more than technology. It requires thoughtful product design, sophisticated legal frameworks, and experience.

That's Bitget IPO Prime.
That's the foundation of @joinRepublic x @Bitget.

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If you could invest $10 into any venture, team, piece of art, or real world asset where would you plant your conviction?

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4/ Republic is partnering with @bitget and @solana to launch IPO Prime — tokenized pre-IPO exposure for non-U.S. investors.

5/ On-chain asset value crossed $441B. The IMF called tokenization a fundamental reconfiguration of financial architecture.

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RADAR newsletter is out.

Here's what's moving in digital assets lately ↷

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2/ ByteDance shifted its entire enterprise cloud platform toward Model-as-a-Service. International revenue grew 50% in 2025.

3/ Seed3D 2.0 is live — ByteDance's high-precision 3D generation model, already piloted in automotive and aerospace.