Shipping now: Walk 4 & Warp 1! 🎛️
Walk 4 is a unique Quad Brownian Accumulator, wandering down four simultaneous lanes of voltage.
Warp 1 is an ultra-versatile Power Curve Waveshaper, bending your signals using the power of mathematics.
https://t.co/3RH43uVtxZ #eurorack
We are thrilled to announce our new crowdsourced approach to analogue design. To facilitate this, we've created #ModulArchitect, the world's most advanced platform for collaborative #eurorack ideation.
📐 Get started now: https://t.co/dyO8h4DdQj
#labgrade#community#synergy
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When we send a morphing audio signal into the waveshaping circuit of WARP 1, we can get all kinds of beautiful crunchy overtones from its outputs. Keep an eye out for more content about this unique power curve waveshaper, as it's due for release on the 10th of February!
In this patch, we use COMPARE 2 to compare a VCO and a drumloop, and then send the XOR output to modulate the frequency of the VCO. Without a slew limiter this is really just FM and not a PLL (Phase Locked Loop).
#eurorack#pll#drums
'In this patch I explored a more ambient and industrial side of the Joranalogue Audio Design system, with lots of looping CONTOUR 1s and dual COLLIDE 4 pings in stereo.'—Simon
The full jam can be found on our YouTube channel.
#industrial#joranalogue#patch
In this full system patch a simple melody is routed through ROUTE 4 which transposes it up a few octaves quite randomly. Using ROUTE 4 like this is an easy and quick way to add variation to your patterns.
#eurorack#switcher#ROUTE4
WALK 4 is not just a simple 4 channel accumulator—it has a few more tricks up its sleeves. Accumulating random voltages, results in 4 stepped Brownian walks, two of which were used in this patch (through an external quantiser) for sequencing. Coming the 10th of February.
As the end of 2025 is closing in, Simon made a video where he shares stories and tricks about ALL the modules in the current line-up (including WARP 1 and WALK 4). Head over to our YouTube channel if you are curious about any of that.
#eurorack#catalogue
MORPH 4 really is a multi-function workhorse. In this clip I use it to mix, attenuate, and scan through different waveforms. The output is then routed through to the input section on COLLIDE 4. Listen how they break up and settle in...
#eurorack#collide4
'I started of this track with a generative 4 voice stereo chord patch made with 4 Generate 3s, one Morph 4, 2 times Filter 8, everything sequenced by one Step 8 while another Step 8 took care of distributing the pitch cvs to the seperate vcos.'—Simon
#chords#eurorack
DELAY 1 is ideal for patching up high-fidelity effects like phasing and chorus that require a really really short delay time—but if you slow the clock right down by sending your own signal into the HF input, you can also use it for wonderful grungy lo-fi delays!
#eurorack
In this clip a chaotic LFO from ORBIT 3 is processed by both FILTER 8 and FOLD 6 to create related but different voltages that you can use to modulate parameters around your system.
10 minutes with Joranalogue × @Hainbach101 Collide 4. Featuring contributions by Lieven Stockx, Hannes d'Hoine, Daniel Miller and Erwin Van Looveren. #eurorack
https://t.co/RyJHBbikYg
What makes our @Hainbach101#eurorack collab Collide 4 so exciting? Voice From The Machine set out to answer this question.
Now on YouTube! 📺
https://t.co/VLOPP6gEUb