@CarlosOlivoV Veo que le gusta bastante. No sé si conozca esta que realiza Harpa Dei de primeras vísperas de Domingo y Laudes de todos los domingos del año https://t.co/2QKj4URN14
Very happy to announce that @EWTN has become a new "Content Partner" with Eternal Christendom. Specifically, they are helping share our videos on YouTube through the "collab" feature!
They approached us with the idea because they loved our content so much, and we embraced it because of how much respect we have for EWTN. No one has paid anyone. Just one apostolate helping another spread its work to a wider audience. Mother Angelica would be proud!
Thank you, EWTN! It's a huge honor to have your guys' support on YouTube! We look forward to future collaboration!
@evangie@BreeSolstad We do not know her heart; only God does. She has experienced the Lord’s goodness. Let us continue to pray for one another as we walk this road together.
@BreeSolstad But I don’t think you’re going to fix it by doing what you’re doing here on X. I think you’re stirring yourself up—and stirring others up as well—causing people to lose sight of the One who can truly set things right, if it is His will.
Has anyone ever wondered why Do is called Do, Re is called Re, and Mi is called Mi? The story behind the origin of the musical scale is interesting and unexpected.
It all begins with a Benedictine monk who lived in the 11th century (995–1050), named Guido d’Arezzo. He noticed a peculiarity in a very popular hymn to Saint John the Baptist at the time.
This hymn was composed of 7 verses, each with a different musical note. For this reason, the monk named each note using the first two letters of each verse. Here is the hymn:
Ut queant laxis (Ut) Resonare fibris (Re) Mira gestorum (Mi) Famuli tuorum (Fa) Solve polluti (Sol) Labii reatum (La) Sancte Ioannes (Si)
(So that your servants, with free voices, may resound the wonders of your deeds, cleanse the guilt from our stained lips, O Saint John the Baptist)
Since the syllable “Ut” was not easy to sing, it was replaced by “Do” in 1640 by Giovanni Battista Doni.
Not many people in the world of music, today so far removed from God, know that the names of the musical notes come from a hymn to the greatest of His prophets. Happy Saint John’s Day!