Music and Artificial Intelligence: Building Critical Interdisciplinary Studies is a five-year research program investigating the cultural implications of AI
As part of our ongoing commitment to open platforms and digital research, MusAI Project is moving its primary social media presence from Twitter to Bluesky.
You can now follow us at @musaiproject.bsky.social for updates on our research at the intersection of music and AI.
📢 Exciting news!
Prof. @georgieborn is giving the opening keynote at the British Forum for Ethnomusicology Annual Conference: "Musical Futures"
🗓️ April 3 | ⏰ 5:45-7PM
📍 Cambridge University, Faculty of Music
The ACMI Symposium Future Music, Music Futures, featuring Oliver Bown and other leading voices in music and technology, is now accessible online! https://t.co/CitEktKMNa
We are pleased to announce that the two-day British Academy conference Audiences, Publics, Experience: Rethinking Music Reception will take place Thursday 6th and Friday 7th March at the @UCL_IAS and online.
For tickets: https://t.co/Ni0q2fffJ8
1 week left to register for the @BritishAcademy_ conference "Audiences, Publics, Experience: Rethinking Music Reception" on the 6th and 7th of March. Tickets: https://t.co/ji9lIjnZXH
We are pleased to announce that the two-day British Academy conference Audiences, Publics, Experience: Rethinking Music Reception will take place Thursday 6th and Friday 7th March at the @UCL_IAS and online.
For tickets: https://t.co/Ni0q2fffJ8
We are pleased to announce that the two-day British Academy conference Audiences, Publics, Experience: Rethinking Music Reception will take place Thursday 6th and Friday 7th March at the @UCL_IAS and online.
For tickets: https://t.co/Ni0q2fffJ8
We are pleased to announce that the two-day British Academy conference Audiences, Publics, Experience: Rethinking Music Reception will take place Thursday 6th and Friday 7th March at the @UCL_IAS and online.
For tickets: https://t.co/Ni0q2fffJ8
From Jan 5 to 9, 2025, @georgieborn and co-organizers hosted a workshop, ‘Towards a Multidisciplinary Vision for Culturally Inclusive Generative AI’, at Schloss Dagstuhl. Participants from diverse fields explored challenges in AI, fostering interdisciplinary discussions.
🖋️Call for submissions!
The Conference on AI Music Creativity will be held on 10-12 September, in Brussels, Belgium.
The theme of the sixth year of AIMC will be “The Artist in the Loop”.
https://t.co/CtCZfRZ5pD
Oliver Bown will summarise his work "Commercial Generative Music: A Practice-Based Study of AI Music Production" in the MusAI Research Programme at ACMI's Future of Arts, Culture & Technology Symposium in Melbourne.
See ticket options via this link: https://t.co/qSTPlvaAuP
The First International Conference of AI Music Studies will be held 10-12 December in Stockholm, Sweden. See detailed schedule via: https://t.co/YkwOZkkprm
Last Friday, MusAI researcher Christopher Haworth was invited to a talk at the "Intangible Modalities Symposium" at the University of Leeds hosted by CePRA (Centre for Practice Research in the Arts)
https://t.co/DkuBW40h7J
Prof. Georgina Born, the PI of MusAI, has been awarded the International Musicological Society’s most prestigious honour, the Guido Adler Prize, for ‘outstanding scholarly achievement in the fields of musicology, ethnomusicology, and music theory’.
https://t.co/dv6uN0uShD
UAL's Decolonising Arts and Creative Computing Institutes will host a conference at @Tate Modern on October 2-3, 2024. @RebeccaFiebrink, the Co-Investigator on the Transforming Collections project, will lead ML workshops. For more information and tickets: https://t.co/p98b0JG7Ai
Don't miss out on @RebeccaFiebrink's talk in the session "What do museums 'want'? And 'What does AI need from us?'". In this event, Rebecca Fiebrink will also be helping her collaborators on the Transforming Collections project run an ML workshop.
🎟️: https://t.co/vzlU1rKLtX
UAL's Decolonising Arts and Creative Computing Institutes will host a conference at @Tate Modern on October 2-3, 2024. @RebeccaFiebrink, the Co-Investigator on the Transforming Collections project, will lead ML workshops. For more information and tickets: https://t.co/p98b0JG7Ai
Rebecca Fiebrink is speaking at TEDA'24, "The Magic Machine, Through the Prism of Art and Science" which will be held at the University of Cambridge on Friday 20 September.
Tickets are still on sale, access via this link: https://t.co/KuqJB22cMT
@RebeccaFiebrink
🎉 Oliver Bown’s lab, now known as the Creative Technologies Research Lab, has been officially recognized for its invaluable contribution to the design of Australia’s National AI Safety Standard! https://t.co/LQ7YkQTKqf
Check out the full document here: https://t.co/VNfv6J0cDk
Ollie Bown will participate in the #MusicAI rights debate on Oct 18 at ICC Sydney! This discussion outlines a crucial debate on musical culture that requires insights from various angles. (@olliebown)
https://t.co/AutCdeZu5O
Rebecca Fiebrink has given a keynote on "How machine learning can support human creators in music and beyond" at DAFx24 (Digital Audio Effects Conference 2024).
Learn more about the conference programme here: https://t.co/KD3i1AO7m7