Neidhammel

[mk @handslikevap0r]

how much of a gigantic loser do you have to be to pay for a letterboxd membership

[Neidhammel @neidhammel]

@NextBestPicture Dein Tiktok-Brain-KI-Programm checkt leider Grisebach nicht selber schuld

[Neidhammel @neidhammel]

@ILoveToTalkFilm @letterboxd Schnauze du Bastard

[Neidhammel @neidhammel]

Brennt Wien endlich nieder!
https://t.co/mMtOaH9kkE

[Neidhammel @neidhammel]

Fin de Bruce Springsteen
https://t.co/hbWy64elV9

[Neidhammel @neidhammel]

funniest shit ever
https://t.co/KPSSPFEGvq

[Neidhammel @neidhammel]

@MITCMANIA @FerideMercury checke den grundsätzlichen tenor, aber das "manifest" ist ja auch an peinlichkeit/irrelevanz nicht zu überbieten

[Screen International @Screendaily]

Germany launches its own Dogma movement at #Cannes2026

Tom Tykwer, Ilker Catak, Nora Fingscheidt, Helene Hegemann & Kurdwin Ayub will each make one Dogma film over the coming years.

[Neidhammel @neidhammel]

Ich würd lieber nur noch Filmreviews von dem Rizzler und Big Justice lesen, als noch eine einzige von Matt Neglia.

[Neidhammel @neidhammel]

Wir habens schwarz auf weiß. Diese Reviews kann nur eine KI geschrieben haben.

[Neidhammel @neidhammel]

Wir habens schwarz auf weiß. Diese Reviews kann nur eine KI geschrieben haben.

[Matt Neglia @NextBestPicture]

FATHERLAND is a deceptively understated but precise film from Paweł Pawlikowski. So restrained in its storytelling that it never quite feels like it reaches its full emotional potential, yet there’s a quiet, lingering pain running through it that powerfully reflects the German psyche in the aftermath of WWII: wanting to mourn but feeling unable to, being told to move on but still feeling trapped by the weight of the past. Hanns Zischler and Sandra Hüller deliver two beautifully restrained performances, while August Diehl leaves a lasting impression in a single scene, shot in one take. And as always, Łukasz Żal’s cinematography is absolutely stunning, especially in black-and-white. It might be my least favorite of Pawlikowski’s last three films, but it’s still an entrancing and heavy piece of work at only 82 minutes in length.

[Neidhammel @neidhammel]

@MITCMANIA Vielleicht hat er ja ein VIP Tickets von Schoenbrun bekommen
https://t.co/RHSLZTgtBG

[Matt Neglia @NextBestPicture]

@cooldude_today I’m in comfort+, they’re back in economy

[Neidhammel @neidhammel]

@BadFilmTakes1 brainrot list

[Neidhammel @neidhammel]

Entdeckungen

[Neidhammel @neidhammel]

Ich hab den Bastard so vermisst, v.A. glaubt er wirklichy es handle sich bei diesem Shitpost um eine "marxistische Kritik"

[Nuanced Film Takes @BadFilmTakes1]

The Marxist critiques are valid, but I also think Wenders isn’t glorifying minimum wage labor so much as crafting a character study about a guy who has found happiness in solitude and his little rituals. The cleaning toilets part is just one aspect of this.

[anti-hegelian nietzschean k-loser guerrilla @propmarx]

the “very interesting review” is something a 11th grader writers after reading the communist manifesto 1 time

[Neidhammel @neidhammel]

Wtf ist dieses Kunstverständnis

[pHiycrtyl @iycrtylph]

maybe this is idiosyncratic, but learning about Éric Rohmer's personal life—the fact that he was a devout Catholic, that he hid his filmmaking career from his mother, that he never cheated on his wife—really turned me off his films

[Neidhammel @neidhammel]

@alexcfields