The week ending July 14, 1990, San Francisco funk/rap/rock group Faith No More earned US #OneHitWonder honors when the funky ‘hip-hop meets prog-metal’ track “Epic” entered the US #Billboard#Top40 at #31. The single spent 13 weeks on the chart, peaking at #9. #OneHitWondered
The week ending July 5, 1986, English singer/songwriter & guitarist Andy Taylor earned US #OneHitWonder honors when his high-energy, arena rockin’ “Take It Easy” entered the US #Billboard#Top40 at #38. The single spent 7 weeks on the chart, peaking at #24. #OneHitWondered
The week ending July 3, 1999, genre-blending Milwaukee alt-rockers Citizen King earned US #OneHitWonder honors when "Better Days (And The Bottom Drops Out)" entered the US #Billboard#Top40 at #40. It spent 12 weeks on the chart, peaking at #25. #CitizenKing#OneHitWondered
The week ending July 1, 1978, studio disco project Tuxedo Junction earned US #OneHitWonder honors when their revival of Glenn Miller’s “Chattanooga Choo Choo” entered the US #Billboard#Top40 at #32. It spent a 2nd week at #32 and then dropped from the chart. #OneHitWondered
The week ending June 27, 1981, noted Trumpster/MAGA aficionado John Schneider earned US #OneHitWonder honors when his debut single, a cover of “It’s Now Or Never,” entered the US #Billboard#Top40 at #40. The single spent 11 weeks on the chart, peaking at #14. #OneHitWondered
The week of June 26, 1961, the Philip Upchurch Combo earned US #OneHitWonder honors when their upbeat, groovin’ instrumental “You Can't Sit Down Part 2” entered the US #Billboard#Top40 at #39, The single spent 3 weeks on the chart, peaking at #29. #PhilUpchurch#OneHitWondered
The week ending June 20, 1970, Chicago familial soul group The Five Stairsteps earned US #OneHitWonder honors when their smooth soul classic “O-o-h Child” entered the US #Billboard#Top40 at #35. It spent 11 weeks on the chart, peaking at #8. #FiveStairsteps#OneHitWondered
The week ending June 16, 1979, Boston’s pomp rockin’ New England earned US #OneHitWonder honors when their melodic, proto-synth pop single “Don't Ever Wanna Lose Ya” spent 1 week on the US #Billboard#Top40 at the #40 spot… making them a perfect #OneWeekWonder! #OneHitWondered
Journey’s “Only the Young” plays as Louden Swain runs across multiple bridges spanning the Spokane River during the opening credits of VISION QUEST. Director Harold Becker used these bridges as a metaphor for his coming-of-age story where crossing a body of water symbolizes transition, rebirth, and leaving the past behind.
If you’d like to support the @FMJDiary project, you can bid on one of my original (and signed) VQ soundtrack cassettes here: https://t.co/FkPZDEHuO4
The week of June 13, 1960, Stoughton, WI duo The Fendermen earned US #OneHitWonder honors when their early rock and roll/rockabilly version of “Mule Skinner Blues” entered the US #Billboard#Top40 at #25. The single spent 13 weeks on the chart, peaking at #5. #OneHitWondered
The week of June 7, 1969, Jamaican ska/rocksteady legend Desmond Dekker earned US #OneHitWonder honors when “Israelites,” by Desmond Dekker & The Aces, entered the US #Billboard#Top40 at #18. The single spent 7 weeks on the chart, peaking at #9. #DesmondDekker#OneHitWondered