Hello Outlanders! If you're attending @kbwofficial in Seoul, we invite you to join us for an insightful panel on museums and blockchain at the @StoryProtocol event on 9/5 at 1 PM. Register here: https://t.co/TIGZHegzl9
We're excited to be joined by @briandroitcour, @michael_connor and @aniacatherine. Don't miss it!
Read some very strange old forum posts for this. Considered the anarcho-libertarian mindset. Read some Art and Language essays. Thanks Brian for inviting me
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New in for our special issue on #Ordinals / #Bitcoin ~
@yesclaudiahart reflects on Bitcoinโs status as digital gold and a substrate for her work.
๐ฐ : https://t.co/xQinDYYgS9
@Voxel_Crypto@anaoanna@esseidos Three members of the collectiveโ@anaoanna, @esseidos, and Jennifer Stelcoโsat down with Outland to look back at Morrowโs own key moments and explain how their latest project โRevolutionariesโ came to be.
Dive in ๐คฟ: https://t.co/qNJMJJ4ifh
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The founding mission of @MorrowCollect, based in the UAE, was to improve the level of curation in the crypto art space.
Their work has proven that there isnโt one way to do things in web3.
๐ฐ ๐ ๐
We enjoyed this piece by @KevinBuist for @outland_art on time-keeping in art history and blockchain, with mentions of many great artists and artworks released over the years (including a few of our favorite collected artists).
https://t.co/sRNBAcTIGg
Though Satoshi Nakamoto's whitepaper does not include the word 'art', its implications for social relations offered rich potential for early experimenters.
Read Iadarola's essay ๐๏ธ: https://t.co/1vGxrWc4Yr
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Good question.
Now online, @w_o_t_m_8_ revisits the earliest blockchain art projects to give insight into the connection between contemporaneous developments in finance, aesthetics, and technology.
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Had the pleasure discussing Rare origins, Fake lore, and some metaphysics of cryptoart alongside fellow artist and friend @ScrillaVentura, interviewed by @briandroitcour with @outland_art ๐
Check out the discussion here ๐ซต
https://t.co/EcjD3TPhFc
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What can a pair of artworks made using clocks teach artists about the blockchain? โฐ
@KevinBuist looks to artworks by #TobiasWong and #FelixGonzalezTorres.
Now online in the #Ordinals / #Bitcoin Issue.
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Time is not a new subject for artists, but Buist identifies that "The challenge for artists working with the blockchain is to make organic, unruly work in the context of technological solutionism that undergirds the crypto movement."
Read the essay ๐๏ธ: https://t.co/I88XhUMlwL
7/
Time Waves is curated by @GrailersDAO + @singulardotart for the group exhibition โAll At Onceโ, on @verse_works
The exhibition is supported by a curatorial text,ย โKeeping Timeโ, penned by @KevinBuist, published on @outland_art
https://t.co/EkLFBtZikT
(cont)
Feeling the FOMO? Craving more coverage of the Digital Art Mile and Art Basel weekend?
Yesterday @briandroitcour wrote subscribers a newsletter getting into the nitty gritty.
Get into it, and get on the list ๐: https://t.co/ac6JvjaPks
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The risk of staging #DigitalArtMile alongside the art world's most prestigious fair paid off.
@artmeta's new conference coinciding with #ArtBasel sparked conversations about the art world's apprehension towards new media.
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Can a market that thrives on exclusivity and opacity successfully integrate technologies that have brought more openness to so many areas of life?
Can artโs slow-moving institutions serve as oases from rapid change, or do they need to catch up?
Digital Art Mile made these questions all the more pertinent.
๐๏ธ: https://t.co/73nWXrEYEN