Produce Like A Pro

Production, Engineering and Mixing Tips with Warren Huart

[Produce Like A Pro @ProduceLikeAPro]

Get a copy of Home Studio Recording: The Ultimate Guide today!👇
https://t.co/4WCXbLn1zY

[Spitfire Music Books @spitfire_books]

What kind of studio do you want?

The answer starts with another question: what kind of artists do you want to record?

[Produce Like A Pro @ProduceLikeAPro]

Happy Saint-Jean-Baptiste Day! Let's celebrate Quebec with ANGINE DE POITRINE and engineer Gabriel Gagné Gaudreault https://t.co/rSQ3kel2Se

[Produce Like A Pro @ProduceLikeAPro]

Happy Father’s Day!
My daughter came up with the code DADDY26, so we’re giving 50% off Produce Like A Pro Academy.
Our community really is like family.
Use code DADDY26 here:
https://t.co/oTKck59suq

[Produce Like A Pro @ProduceLikeAPro]

I sat down with Mirek Stiles at @AbbeyRoad to talk microphones, phase, tape machines, Pro Tools arriving in the late ’90s and the glorious REDD.17 console.
He also tells an incredible story about standing in the middle of the LSO in Studio One.
https://t.co/ELTjrazeHZ

[Produce Like A Pro @ProduceLikeAPro]

Dan Malsch opens the real mix session for Monolith’s “Mother Martyr,” featuring Mike Mangini on drums.
Huge drums, aggressive bass, wide guitars, powerful vocals, automation and hybrid mix bus processing.
Multitracks included so you can mix it yourself:
https://t.co/ItXXZRBlke

[Produce Like A Pro @ProduceLikeAPro]

Dan Malsch Bass Recording Setup And Tips https://t.co/4ySwDnmBeb via @YouTube

[Produce Like A Pro @ProduceLikeAPro]

@RecordandMix Thanks, yes, great memories

[Produce Like A Pro @ProduceLikeAPro]

I found these old ticket stubs recently and they reminded me why live music is still the future.
Neil Young. Buddy Guy and Junior Wells. The Stones. Miles Davis. Tower of Power. Albert King. Clapton at the Royal Albert Hall.
As a kid, those shows were not just entertainment. They were education.
They taught me feel, phrasing, tone, dynamics and the power of being in a room with people making music in real time.
So much of the music conversation now is about streams, playlists, algorithms, catalogue value and short-form content.
All of that matters. I have spent my life making records.
However, the record is the invitation.
The live show is the communion.
Every performance is unique. The room is different. The audience is different. The band is different. The moment can never be repeated in quite the same way.
That is why live music matters even more in the age of AI.
AI can imitate sound. It can generate endless recorded material.
However, it cannot stand in a room with you.
It cannot feel the audience inhale before the first note.
It cannot create that one night where something happens that nobody planned.
Artists also need to understand scale.
Not every tour is going to make hundreds of millions. Not every artist should be chasing arenas.
A 150-cap room can be a triumph. A 500-cap theatre can be life changing.
The future is not just bigger shows.
It is smarter, more human experiences.
Because when people get together with music, something happens.

[Produce Like A Pro @ProduceLikeAPro]

@MrP_ROCKS Marvellous production indeed

[Produce Like A Pro @ProduceLikeAPro]

Dan Malsch has worked with Ghost Gojira & Avenged Sevenfold.
In his course he opens the actual mix session for Monolith’s “Mother Martyr,” featuring Mike Mangini on drums. Huge drums, aggressive bass, wide guitars, powerful vocals, hybrid mix bus.
https://t.co/UeC2lOuWOX

[Produce Like A Pro @ProduceLikeAPro]

@JeffHabermel You're very kind my friend! Thank you!

[Produce Like A Pro @ProduceLikeAPro]

@Czar31838Hernan @MarcUrselli Marvellous!!

[Produce Like A Pro @ProduceLikeAPro]

Dan Malsch has worked on massive modern rock and metal records with Ghost, Gojira and Avenged Sevenfold, including Ghost’s Skeletá, which debuted at No. 1 on the Billboard 200. In this new Pro Mix Academy course, Dan opens the actual mix session for Monolith’s “Mother Martyr,” featuring Mike Mangini on drums, and shows how he builds huge drums, aggressive bass, wide guitars, powerful vocals and a hybrid analogue mix bus. All of the multitracks are included, so you can follow along and mix the song yourself. @ProMixAcademy https://t.co/atztRtvlzt

[Produce Like A Pro @ProduceLikeAPro]

JOHN 5 and Bob Marlette HEAVY Tones & 30 Years of Studio Wisdom: Free Gu... https://t.co/QU3IgcrVqU

[Produce Like A Pro @ProduceLikeAPro]

JOHN 5 and Bob Marlette HEAVY Tones & 30 Years of Studio Wisdom: Free Gu... https://t.co/zR7cJFcAql via @YouTube

[Produce Like A Pro @ProduceLikeAPro]

You’re the man my friend! @MarcUrselli @jzmic

[Produce Like A Pro @ProduceLikeAPro]

World’s First RIBBON and Large-Diaphragm CONDENSER Hybrid Microphone By @jzmic and @MarcUrselli https://t.co/pF3wskeuw0

[Produce Like A Pro @ProduceLikeAPro]

Want to see exactly how Dan Malsch builds a massive modern rock mix from the inside? In his @ProMixAcademy course, Dan opens the real session for Monolith’s “Mother Martyr,” featuring Mike Mangini on drums, and breaks down the drums, bass, guitars, vocals, automation and hybrid mix bus processing that make the track hit so hard. You’ll also get all of the multitracks included, so you can follow along, try the techniques yourself and build your own mix from the same session.
Check out the course here:
https://t.co/atztRtvlzt

[Produce Like A Pro @ProduceLikeAPro]

Want to see exactly how Dan Malsch builds a massive modern rock mix from the inside? In his @ProMixAcademy course, Dan opens the real session for Monolith’s “Mother Martyr,” featuring Mike Mangini on drums, and breaks down the drums, bass, guitars, vocals, automation and hybrid mix bus processing that make the track hit so hard. You’ll also get all of the multitracks included, so you can follow along, try the techniques yourself and build your own mix from the same session.
Check out the course here:
https://t.co/atztRtvlzt

[Produce Like A Pro @ProduceLikeAPro]

@MarcUrselli @nilerodgers Amazing