rob trench

member of the boys group chat

[rob trench @robtrench]

me and the boys when we log into criterion channel

[Sam Neill @TwoPaddocks]

Yes, I know things can look a little glum at present. But , for now cheer up. From us.

[21st Century Spielberg @Spielberg2K]

It’s JAWS week

[benny hospitality @FartonFink]

[me, fat and stoned on the couch, covered in Cheetos dust and sweat, pressing play on my fourth Tubi movie of the day] I'm just like Charli baby, brat summerrrrrr

[rob trench @robtrench]

Love this scene from Lost in Translation

[rob trench @robtrench]

cinematic parallels

[Haus of Decline @hausofdecline]

This is how I picture Ernie Clement and Davis Schneider arriving to practice

[ULTRA🏝️BLAST @ultrakillblast]

Happy Earth Day

[Chris Kennedy @secretflix]

Public funding for the arts in Canada is great but it’s not enough to cover the growing costs of keeping a vibrant scene going. Consider throwing your support behind @LIFTfilm, a production access centre that supports tomorrow’s independent filmmakers.

[benny hospitality @FartonFink]

I love finding old promotional DVDs because sometimes they’ll implant a beautiful phrase like “Unbeatable Andy Garcia Awareness” into your brain

[Japan Society Film @js_film_nyc]

R.I.P. Shozin Fukui (1961-2026), visceral DIY and independent cyberpunk filmmaker known for RUBBER’S LOVER (1996), 964 PINOCCHIO (1991) and CATERPILLAR (1988).

[Neo @NeoWokio]

me trying to find the HDMI port on my TV

[Magnolia Pictures @MagnoliaPics]

THE HISTORY OF CONCRETE, the feature debut from director John Wilson. In theaters later this year.

[joe cool aura moments @catboyhumper]

"Is macready or childs The Thing at the end?" theorists are idiots. The answer is John Carpenter. It's in the poster. John Carpenter's The Thing. Dumbass

[@autechres @autechres]

Every day feels like this

[Adam Piron @adam_piron]

hate to say it, but i think the best social media asset ever created for a film came from GOD’S NOT DEAD 2

[amILLia @seraphsgrace]

tears in my eyes