See EW’s first look at ‘Being Heumann,’ directed by CODA Oscar winner Sian Heder, which will open the 2026 Toronto International Film Festival. https://t.co/JykUdy4FeC
'Enzo Fernández became only the sixth player to be sent off in a World Cup final (and the third Argentine) and truly, nobody deserved it more.
'This is the man who, in 2024, was mired in a racism controversy when he broadcast a video on Instagram Live showing himself and Argentina team-mates singing a discriminatory chant about France’s players, mocking their African heritage and throwing in a few homophobic slurs.
'The Chelsea co-captain further endeared himself to his adopted land before the final, insisting that he had respect for the English “because everybody who cleans and cooks in our house is English”.'
But in a profoundly chastening final for Argentina, where they were not so much outplayed as emasculated, @oliverbrown_tel says he received his comeuppance at last 👇
https://t.co/eoJIH6jjIw
Crime, deception and a long-buried family secret...
On tonight's episode of #WDYTYA, actor @ruth_madeley unearths a hidden adoption and discovers the criminal history that led her family to Manchester. Tune in at 9pm on @BBCOne and @BBCiPlayer
BEING HEUMANN will make its World Premiere as the #TIFF26 Opening Night Film. From director Siân Heder (CODA), the film features an electric performance from Ruth Madeley in the story of Judy Heumann, a world-changing advocate for accessibility.
A first-look trailer for The Rapture, starring Ruth Madeley and India Amarteifio, has been released 📽️
This high-stakes psychological thriller, crackling with danger, is coming soon to BBC One and iPlayer.
More ➡️ https://t.co/1lXCxrIN7s
🚨 Hundreds of patients operated on by a rogue surgeon could have their care reviewed after the latest inquiry criticises past reviews as inadequate amid claims of a cover-up at Englands once safest hospital:
https://t.co/K108r8hNjj
“There is no doubt that some patients operated on by [Williamson] have been harmed. We heard from people who walked into the operating theatre and never walked again, who have been left in permanent pain, unable to work or to live the life they had hoped for.”