Stephen Sheehy

Producer, Shooter, Editor @ Oireachtas TV |

Director & Screenwriter |

Views are my own and mostly about movies

[Stephen Sheehy @StephenPSheehy]

Important PSA: The Disney+ version has replaced all the songs with royalty free music. RTE Player remains the only way to watch Love/Hate with all the bangers intact.

Nidge's stag isn't the same without Boom Boom Pow by The Black Eyed Peas blaring on the soundtrack.

[Out of Context Simpsons Couch Gags @OOCCouchGags]

Out of all of the Irish shows from RTE to be put onto Disney+

[Georgia Coley @artwithinpod]

our last vanguard of good social media. letterboxd cannot go to one of the billionaires. i can't do it, i can't take it

[Adam Hlaváč @adamhlavac]

Disney gutting its entire home entertainment division can't be good for the future of physical media, even if Sony is distributing those titles. Doesn't surprise me why we never got updates on new D+ titles on 4K and Blu-ray.

Terrible to see all those job cuts across all departments.

[Stephen Sheehy @StephenPSheehy]

2025: 28 Years Later
2024: Kneecap
2023: Oppenheimer
2022: RRR
2021: Inside
2020: Parasite
2019: Once Upon A Time In Hollywood
2018: Mission: Impossible - Fallout
2017: Moonlight
2016: Sing Street

[Tom van der Linden @Tom_LSOO]

2025: One Battle After Another
2024: The Brutalist
2023: Oppenheimer
2022: Aftersun
2021: The Worst Person in the World
2020: Tenet (I guess)
2019: A Hidden Life
2018: First Man
2017: Call Me By Your Name
2016: Paterson

[Dan Marcus @Danimalish]

PROJECT HAIL MARY in IMAX 70mm, taken by projectionist Taylor Umphenour. This is what the movies were made for.

[blauereiter @blauereiter]

The more you learn about camera blocking and shot design, the more you realize just how ridiculously good Spielberg's game is. 🥲

[Spencer Askew @spencer_askew]

This past week, I got to watch all three Lord of the Rings movies (extended) in theaters.

I was too young to see them when they came out, so it was my first time on the big screen.

Three things were clear to me:
1) the collapse of the theater industry is a tragedy; there’s something so special about seeing moments like Helm’s Deep and the Pelennor Fields in that format.

2) It was the perfect cultural (and technological) moment for those movies to be made.

3)Hollywood lacks the skill and care necessary to ever approach that level again.

I’m glad that we braved the ice and snow to see them.

[priscilla page @BBW_BFF]

writing a strongly worded letter advising them to swap out F1 with 28 Years Later

[Stephen Sheehy @StephenPSheehy]

What a year at the movies. Here are 50 that I enjoyed.

“Top 50 Films of 2025”, my list on @letterboxd: https://t.co/VejT7yWSxs

[august @regularaugust]

When I say it’s the best movie of the year I’m not even close to exaggerating

[Gentleman Doofus @GentleDoofus]

It's just so dispiriting that Netflix, a company actively hostile to theatrical distribution, has acquired WB after the year of huge wins they've had at the box office. It was all for naught.

[Darren Mooney @Darren_Mooney]

It does feel part of a broader push against the arts. You devalue the work of artists in favour of “content”, and you eliminate the people with the taste to distinguish the work of those artists from “content.”

It’s a perfectly logical business strategy.

[patrick. @imPatrickT]

this movie reminded me why i love filmmaking.

[mari 🇵🇸 @_mementomari]

I don't care if the tech bros think it makes their service better, I want to be able to opt out. I want to be able to use Google search without consuming extra water for an AI summary I didn't ask for.

[Stephen Sheehy @StephenPSheehy]

Tom Cruise's supposed last mission has a lot of problems... but I kind of loved it.

My review of #MissionImpossible : The Final Reckoning (2025) on @letterboxd: https://t.co/zUZP5t7DLg

[david ehrlich @davidehrlich]

rewatching Dead Reckoning and this movie is so fucking incredible. Hollywood magic from start to finish. a film that will delight anyone who watches it for the next 100 years. barely the third best installment of its franchise.

[Stephen Sheehy @StephenPSheehy]

@timo_tea https://t.co/pXaZL06gKQ

[Stephen Sheehy @StephenPSheehy]

Wrote about how Sinners cements Michael B Jordan as one of the first bona fide 21st Century movie stars.

My ★★★★½ review of Sinners (2025) on @letterboxd: https://t.co/jcG12qUaS9

[Yoko Higuchi @theYokoHiguchi]

The feeling of seeing these moments from the past few years on the big screen in a dark room with a packed audience will never come close to the feeling of seeing them at home. Long live the theatrical experience.

[hasanabi @hasanthehun]

irish people are so goddamn cool man