@karamanugur1 Hi Uğur, thanks for your feedback! We’re sorry to hear this has been your experience. We always aim to provide a great selection throughout the evening, and we’ll pass your comments on to the team to review. We appreciate your support as a Member!
@MathewTweet Hi Mathew! UNIQLO Tate Play Holiday Make Studio: The Joy of Feeling runs daily from 15–23 Feb 2025, 10:30–18:00 (last entry 45 min before close), except Tues 18 Feb, when it starts at 11:30 due to Relaxed Hour.
https://t.co/PaOe5t5Izp
Looking forward to seeing you next week! 💚
@josie_jester Hello! Rothko's Seagram murals will be returning to Tate Modern later in the year https://t.co/4oiOkA5yhA 🙂 Please see our website for updates: https://t.co/ks9Ny9gY6A
Hi Emily, we’re so sorry you and your son had this experience! Although there is an on-site sensory map and information on the exhibition’s webpage, we would be really keen to hear your further feedback to help improve future visits and to sort a full refund if this has yet to be processed by the team. Please do drop us a line at: [email protected]
Now open at Tate Modern! Electric Dreams: Art and Technology Before The Internet. 🤖 💽
Discover how artists imagined the future using machines and algorithms to create mesmerising and mind-bending art between the 1950s and the early 1990s, in one of Tate Modern’s most ambitious exhibitions to date.
#ElectricDreams: Art and Technology Before The Internet is open at Tate Modern until 1 June 2025. Members go free. https://t.co/xKONEhk4FL
In partnership with @gucci
Supported by Anthropic
🎨 If you haven’t had a chance to visit yet, now is the perfect time! The first major museum exhibition in the UK of Polish-Romani artist Małgorzata Mirga-Tas is on display @Tate_StIves til 5 Jan, and it’s an experience you don't want to miss.
🎫 Tickets: https://t.co/6BLT7TUjJL
@jamjam_ftgf Hi! We’re sorry for any inconvenience caused by the missing card. Please contact our Membership team directly at [email protected] or call +44(0)20 7887 8888, and our colleagues will be happy to assist you.
Now open at Tate Modern! Electric Dreams: Art and Technology Before The Internet. 🤖 💽
Discover how artists imagined the future using machines and algorithms to create mesmerising and mind-bending art between the 1950s and the early 1990s, in one of Tate Modern’s most ambitious exhibitions to date.
#ElectricDreams: Art and Technology Before The Internet is open at Tate Modern until 1 June 2025. Members go free. https://t.co/xKONEhk4FL
In partnership with @gucci
Supported by Anthropic
Photo dump – Tate Modern Lates �� 🏭 🎨 🥂
Have you made it to one of this year’s #TateModernLates? This Friday 29 November will be our last one of 2024! Make sure to join us for an evening of free music, artist-led workshops, talks, film and more as we celebrate the opening of #ElectricDreams: Art and Technology Before the Internet.
Tate Modern Lates in partnership with Swatch. https://t.co/aClo1n7Sav
Meet Mikei Hall, our Senior Art Handler at Tate! 📦
We caught up with Mikei and asked him about his work on Alvaro Barrington’s current Tate Britain installation, GRACE. Barrington’s work draws inspiration from personal memories, spanning time and place – from the sound of a thunderstorm pounding on the corrugated tin roof of his grandmother’s Caribbean home, to the vibrant energy of Carnival.
See Alvaro Barrington: GRACE at Tate Britain today, open until 26 January 2025. Entry is free, no ticket needed. 🎨 🌈 🎶 https://t.co/F3hApVm2vC
The 80s: Photographing Britain is now open! 🏛️ 📷
Explore powerful and iconic photography defined by the social and political change of the 1980s. This landmark exhibition is the largest survey of its kind ever presented, featuring over 70 lens-based artists and bringing together nearly 350 images and archive materials from the period.
On until 5 May 2025, book your tickets today. 🎟️ https://t.co/qqe5LU1klZ
Something’s happening, happening to me… 🎶 📷
A little behind-the-scenes from our upcoming Tate Britain exhibition The 80s: Photographing Britain, opening this Thursday.
Explore powerful photography in a decade of social and political change, and journey through the work of a diverse community of photographers, collectives and publications –creating radical responses to the turbulent Thatcher years. Set against the backdrop of race uprisings, the miner strikes, section 28, the AIDS pandemic and gentrification – be inspired by stories of protest and activism.
📸 The 80s: Photographing Britain at Tate Britain, 21 November 2024 – 5 May 2025. Members go free 🎟️ https://t.co/GG7l75vzEq
Scorpio artists - watch out, they might sting 🦂 ⚠️
🗡️ Robert Mapplethorpe, Snakeman, 1981
🩸 Ana Mendieta, Untitled (Self-Portrait with Blood), 1973
💀 William Hogarth, Death Giving George Taylor a Cross-Buttock, unknown date
🐝 Tacita Dean, Wasp, 2000
One for the Shakespeare buffs 🎭 📜 🎨
This painting by John Everett Millais is of Mariana, a character from Shakespeare’s play Measure for Measure. The story goes that Mariana’s fiancé Angelo leaves after her family’s money is lost in a shipwreck. Still in love with him, she hopes they will be reunited.
Millais shows Mariana pausing to stretch her back after working at some embroidery, with the autumn leaves scattered on the ground marking the passage of time. The stained-glass windows in front of her show the Annunciation, contrasting the Virgin's fulfilment with Mariana's frustration and longing. Millais copied the scene from the window of the Chapel of Merton College, Oxford.
The painting was originally exhibited with lines from Alfred Tennyson’s poem ‘Mariana’, which was also inspired by the play. "She only said, 'My life is dreary – He cometh not!’ she said; She said, 'I am aweary, aweary – I would that I were dead!'"
🎨 https://t.co/45JhG0rstl
Can’t decide if you’re staying in or going out? 👒 💭
Take a look at our upcoming November events to help you choose ➡️ https://t.co/QJCI2aW3nq
🎨 Edward Le Bas, Saloon Bar, 1940. Tate Collection
William Hogarth was born on this day in 1697 ✏️
The English painter, engraver and cartoonist is best known for his satirical, moralising engravings which tell stories of the moral decline of the characters.
In this print 'Gin Lane', Hogarth shows his dramatic vision of the consequences of gin drinking. Cheap gin was a problem in London’s poorer districts at the time. Unregulated and very strong, it was also often mixed with dangerous substances like turpentine.
The detailed engraving shows a scene of violence, neglect, disease and death and was produced in support of the Gin Act of 1751 which significantly reduced the number of gin shops. The print was contrasted with another print by Hogarth called 'Beer Street', which is a thriving scene showing the benefits of drinking beer.
🔎 Gin Lane, 1751. On free display at Tate Britain https://t.co/SlYu1mmK4z