The Wee Review

Scotland's online arts & culture magazine | Fringe | Film | Theatre | Music | Comedy | Books | Dance | #edfringe partners with @fringeguru

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News: Glasgow Film Festival Opening Gala Announced #GFF26
https://t.co/OtOJCpU0p3

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Interview: Giulia Galastro. ‘I think my brain craves novelty’ – We chat to comedian Giulia Castro ahead of her new work-in-progress show, ‘Growth’ at the Glasgow International Comedy Festival
https://t.co/bZKlTGYbAZ

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Interview: Sarah Bradley. ‘Even if you don’t necessarily believe in sunshine and rainbows…hopefully you’ll come out believing in love’. Comedian and ‘Romcom scholar’ Sarah Bradley tells us about new show ‘How to Write a Romcom’
https://t.co/2UYJudufb6

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Review: Primate. Brutal creature feature is a slick addition to the tradition of classic B-movies
https://t.co/LNjAjhZf1G

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Review: H is for Hawk.
Adaptation of the celebrated memoir excises much of the poetry but has a great interalised performance from Claire Foy.
https://t.co/j45vukY92l

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Review: Saipan. A witty script turns a butting of egos into a state of the nation psychodrama
https://t.co/rJA13OhwzJ

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Review: Return to Silent Hill. Adaptation of a beloved game barely even raises itself above the parapet of mediocrity
https://t.co/bjeQy690Qp

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Review: The History of Sound. Handsome, stately gay romance is subtly, tastefully wistful, sometimes to its own detriment
https://t.co/dm25WCT09r

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Interview: Megan Tremethick. ‘I have adored Amicus films ever since I was about ten years old.’ We speak to Megan Tremethick about her central role in the revived horror studio and the anthology film ‘In the Grip of Terror’
https://t.co/ORthCk3oCz

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Glasgow International Comedy Festival Interview: Edel Mc Glanaghy. ‘Yeah, therapists are weird.’ We speak to the comedian and clinical psychologist about her show ‘Stand Up Therapy’
https://t.co/mYv9283lTW

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Review: No Other Choice. Park Chan-wook’s much-hyped job-seeker satire traps itself in farce and slapstick
https://t.co/7bcLtE2Qkz

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Review: 28 Years Later: The Bone Temple. Hugely enjoyable sequel is a little disjointed, but goes heavy on the weird in inventive new ways
https://t.co/RN8vKSHC9N

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Celtic Connections Review: Emmylou Harris. At what might be her final Scottish show, the country icon shows why she’s spent 50 years at the top.
https://t.co/d5Mb4P3LdN

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Review: The Voice of Hind Rajab. Powerful docufiction about a very recent atrocity unavoidably raises ethical concerns
https://t.co/hozoqRm0BC

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Review: Hamnet. Tragedy of Shakespeare’s son effectively hits the heartstrings but lacks restraint
https://t.co/hLBlE02r58

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News: FrightFest Announces 2026 Glasgow Film Festival Line Up #FrightFestGlasgow
https://t.co/AiV77exltk

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A few Scottish screenings of James Minton's debut thriller Game over the next few days. @glasgowfilm Wed 26 & @Filmhouse Edinburgh Thu 27

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French Film Festival Review: Nouvelle Vague - Linklater’s homage to the French New Wave is a joyous affair, even though it surrenders to the myth of its subject @fr

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Review: Adulthood - Alex Winter’s goofball crime comedy is more of a tedious trek than an excellent adventure.
https://t.co/ijikbpJR7e

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French Film Festival Review: The Little Sister - A gentle, modern queer coming-of-age @FrFilmFestUK
https://t.co/HomFnYnAJ4