Uncle_Dank

Dankhillreturns on the gram. Telegram for the fam.

Dank Hill of Logan Arcade Team

If it's green, obscene or them buttons clicking mean; you can talk to me~

[ども @saiotoko002]

ティアキンでガンダムに登場する
ギラ･ドーガ(ザクっぽいヤツ)を作りました!
魔物の煮物様:@sumoguri2323 の
飛行型ロボット機構を参考にさせて頂き､
より自由な工作が実現できるようになりました!!

#ゼルダの伝説 #ティアキン #TearsOfTheKingdom #Zelda #ZeldaNotes

[タイプ・あ～る @hitasuraeiga]

#自分しか知らないと思うアニメ挙げてけ
監督：根岸弘、キャラ原案：阿乱霊、キャラデザイン：田村英樹、絵コンテ：鍋島修、作画監督：本橋秀之、メカデザイン・メカ作監：佐野浩敏、羽原信義、キャスト：矢尾一樹、水谷優子、若本規夫など（敬称略）

これまた懐かしい

[Island | butterpunch @ButterPunch]

Why they gotta do that to my homies like that
#fgcmemes

[SuperSisi @SuperSisi]

PS1 games you never knew:

Mad Panic Coaster was released exclusively in Japan in 1996, developed and published by small company Hakuhodo Inc.

It is very rare owing to a small print run

[ひとちわ @hitochiwa]

5月27日は「ニンジャマスターズ 覇王忍法帖（1996）」がゲーセンで稼働してから30周年のようで。忍者2D格闘ゲーム。必殺技やコンビネーションなどのシステムが豊富で連続技が激しい作品。シリアスで渋い世界観や音楽がかっこいいのよ

[KO-ney(コーニー) @KO_ney1986]

KOF'96 - 嵐のサキソフォン2(KO-ney Modern Funk Remix)

アーケードで初めてクリアした格ゲーなので思入れは深く。ギース、幻十郎、庵、ゲーニッツ...挙げたらキリが無い魅力的なキャラが毎年の如く登場して心を鷲掴みにしてくる。最高の小学生時代を過ごしてました🕹️

#neogeo #kof #fingerdrumming

[Oersted @Oersted20]

Nam is very balanced in Dragon Ball Advanced Adventure

[ArcadeCandyCo @arcadecandyco]

Sean in 3S #CB2026 Grand Finals! Points for attempting taunt basketball finish! 😂🏀 Congrats @feetwork101 🏆👏

[古代祐三 Yuzo Koshiro @yuzokoshiro]

@AlertaNews24 @zonbonbun Felicidades

[Katsuhiro Harada @Harada_TEKKEN]

Well, in reality, Japanese people don’t usually react negatively or become suspicious of someone just because they say hello.

But when I was younger, before I had really gotten used to Western culture, if a complete stranger from overseas suddenly greeted me or started talking to me, my first reflexive thoughts were things like, “Do they need something from me? What do they want?” or “Are they trying to ask me for directions?” And depending on the situation, I might even think, “Wait, are they trying to sell me something?”

What felt even more different than the greeting itself was the difference in how people perceive “making eye contact.”

In Japan, eye contact can feel almost like an invasion of personal boundaries. Staring directly into someone’s eyes is often interpreted as “strong self-assertion,” “intimidation,” or even “glaring.” Especially when I was a student, if your eyes happened to meet even briefly with some unknown yankii from another school or another prefecture --- by yankii, I mean that Japanese delinquent-student type --- they could suddenly get angry and it could turn into trouble. So, through experience, you learn to be careful about situations where you stare directly into someone’s eyes.

When your eyes meet with a stranger, quickly looking away can actually be a kind of Japanese manners. It can mean, “I have no hostility toward you,” or “I’m not going to intrude into your private space.” It is a sort of kindness through non-interference. The difficult part is that it does not necessarily mean, “I’m hiding something,” or “I feel guilty, so I’m avoiding eye contact.”

In that sense, when people from overseas naturally make eye contact, smile, and say “Hiii!” I remember being surprised at the time that the eye contact and the smile seemed to come as a set. I even wondered the opposite: if someone is wearing a mask like many Japanese people do, then that smile no longer works, so what kind of gesture does it transform into? We Japanese basically complete the greeting by giving off a very subtle atmosphere while still wearing a mask.

Ah, this has almost nothing to do with greeting culture, but this story reminded me of something.

After I had become more familiar with Western culture, there was one incident that made me feel incredibly embarrassed.

As many of you know, after EVO started being held in Las Vegas, a large number of FGC people began gathering in Las Vegas for those few days.

By that time, from the moment I arrived at the airport, people would call out to me: “Hi Harada-san!” “Yo! Harada-san!” “Hello Harada-san!” Around the hotel, and even while waiting at traffic lights in the city, many people would approach me.

One time, I was away from the center of Las Vegas, having a meeting at a restaurant on the outskirts of town about a secret announcement-related matter. Then a waitress from a bar across the street came over with a tequila shot and said, “Um, a customer at the bar across the street wants to buy this for you. By the way, who are you?” That was a pretty funny moment.

During those strange few days in Las Vegas, the most common way people approached me was with requests for photos: “Can I take a picture with you?” “Can I get a selfie?” “Picture...”

One time, I was taking a photo with two sexy police models who would take commemorative photos with people for five or ten dollars. Then a line started forming. Both I and the two sexy police models thought, “Wow, a lot of customers are lining up.” But actually, they were fans waiting to take photos with me. So the two sexy police models ended up watching this situation where people kept taking commemorative photos with some Japanese ossan, and they looked completely weirded out, like, “Uh... who the hell is this old guy?”

So, with that kind of situation happening all over the city, one day I was walking around when a couple, a man and a woman, came up to me and said something like, “Um... picture...” So I thought, “Yes, of course,” and stood between the couple. Then I struck that fighting pose with my fists up.

The boyfriend’s face immediately clouded over, and the girlfriend burst out laughing. And I was just standing there like, “?”

Yes. Exactly as everyone is probably imagining. In that instant, I also realized, objectively, just how painfully stupid and ridiculous my action and pose must have looked.

They had only wanted me to take a photo of the two of them.

But instead, what happened from their point of view was: “A Japanese middle-aged man who had been modified to be about twenty times more friendly than an American suddenly cut in between us and started doing some mysterious pose.” Of course they were confused.

I suddenly came back to my senses, bowed my head repeatedly in a very Japanese way while apologizing, carefully took about five photos of them, and then, to hide my embarrassment, I took one photo of myself before returning the phone to him.

That was an unforgettable, embarrassing moment.

Since then, I have listened extremely carefully whenever I hear the word “picture.” That was probably the exact moment when my listening skills improved threefold.

I guess being embarrassed is one way to learn.

......Anyway, what were we talking about again?

[RedBandRyu @Ryufan762]

@Harada_TEKKEN I’m crying this fucking tweet reads like this 😭

[Katsuhiro Harada @Harada_TEKKEN]

You’re the typical loudmouthed loser on the internet.
You’re about ten years too early to be threatening me, you piece of trash.
And I’m no longer involved, so DON’T ASK ME FOR SHIT about TEKKEN.
Just sit there watching tournaments while your mommy holds you, you little shit.

[ひとちわ @hitochiwa]

格ゲーの世界大会EVO JapanでベイブレードXの大会やってますな。

BEYBLADE X in EVO JAPAN2026
https://t.co/L09e9Fde3w

[あつきん @atsukinman]

現在猛烈激烈制作中PC格闘ゲーム
「ゼンオウ・ダイナミックバウト」です。
画面狭しと暴れるゴリゴリシンプル脳筋ゲーです。
#禅応 #ゼンオウ #XENOH

[ひとちわ @hitochiwa]

4月28日は「らんま1/2 超技乱舞篇（1994）」発売から32周年。超必殺技でも。人気漫画らんま1/2の2D格闘ゲーム第3弾。普通に格ゲーとして楽しめる作り。現在でも対戦会や大会が開かれている名作。おすすめ

[Gundam Bros @GundamBro]

The MAN-03 Braw Bro

#Gundam

[RuRu（ヴァルフォース大会 - 毎月最終土曜日） @RuRu_0]

バーチャロンライクなPC同人ゲーム、電装天使ヴァルフォース

毎月最終土曜日２１：３０から大会！
今月の決勝最終ラウンドの動画です

ドルカス娘　VS　ライデン娘
乗り手は永遠のライバルのお二人です

倒し切りが多いヴァルフォにおいて、珍しく最後までもつれ込み…　優勝は！！

[Spang’s Indies @WillsSpangler]

These chinese indie devs are bringing the heat with a new fighting game inspired by movies like Kung Fu Hustle.

- Play as your favorite 80's Kung Fu charachters
- Activate crazy combos inspired by the movies
- Cinematic supers

It's called Shang Wu Zhi. Would you play this?

[ひとちわ @hitochiwa]

4月15日は「ろくでなしBLUES 対決！東京四天王（1994）」発売から32周年。当時のCMでも。人気漫画の格闘ゲーム。対戦は地味だけどストーリーモードは学校などを移動、会話し敵と戦うアドベンチャー的な感じでなかなかのボリュームでしたな。