ZEISS Cinematography

Turning imagination into a motion picture. 🎥 Follow us #zeisscine | Imprint & data privacy:

[ZEISS Cinematography @ZEISSCine]

Meet Hiro Matsuki, a Japan-based filmmaker, who we had the pleasure of speaking to about how he got into filmmaking and why he decided to invest in his own set of ZEISS CP.3 lenses. Follow the link to learn more about Hiro: https://t.co/2DbeDDjDVu

[ZEISS Cinematography @ZEISSCine]

In our interview with DP Fredrik Wenzel, FSF he told us about his switch to large format, which, although alien to him initially, gave him the opportunity to "feel like a beginner again."
Click the link for the full article: https://t.co/bzywkby9Mz

[ZEISS Cinematography @ZEISSCine]

Join us at EnergaCAMERIMAGE 2022 from November 12 to 19. Get hands on with the ZEISS cinematography lenses and watch the ZEISS seminar with Fredrik Wenzel, FSF – “Triangle of Sadness.” Book your online or offline tickets here: https://t.co/18YHNBmF0O

[ZEISS Cinematography @ZEISSCine]

Colorist Oskar Larsson told us that one of his biggest challenges on “Triangle of Sadness” was filming the ship’s interior in the studio: “The biggest challenge was to get the captain’s dinner and the following night shots on the boat right.” Learn more: https://t.co/Lwmr9ao0oE

[ZEISS Cinematography @ZEISSCine]

We spoke to 1st AC Sophia Liander about her first experiences using the ZEISS Supreme Primes and her work on the Palme d’Or-winning “Triangle of Sadness.” More about the production in her interview: https://t.co/gV4CnIfE92

[ZEISS Cinematography @ZEISSCine]

Meet us today from 1 pm to 6 pm at Cinema Shot in Centennial, Denver or with B&H Tools of the Trade in NYC on October 26, 27, and November 2. Get hands-on with ZEISS Cine lenses: https://t.co/CHfTx1HoTl

[ZEISS Cinematography @ZEISSCine]

From October 26–28, we’ll be at the Micro Salon Italia in Rome. Grab the chance to get hands-on with the ZEISS cinematography lenses, including the Supreme Prime 15 mm! Entry is free, and you can register quickly and easily online: https://t.co/7PAC3tcuNq

[ZEISS Cinematography @ZEISSCine]

From the big screen of the Lumière theater in Cannes to telling us about his choice to move to large format with the ZEISS Supreme Primes: DP Fredrik Wenzel, FSF on his work on “Triangle of Sadness”. Click the link for the full article: https://t.co/bzywkbQj0H

[ZEISS Cinematography @ZEISSCine]

Watch the Cannes Film Festival, Palme d'Or winning "Triangle of Sadness" Now hitting the big screens! Brought to life by DP Fredrik Wenzel, FSF with ZEISS Supreme Primes. Watch the trailer here: https://t.co/hqlplSox5n

[ZEISS Cinematography @ZEISSCine]

For “Rapa”, DP Jose Luis Bernal chose to go with a different setup to his previous work. This time selecting the ZEISS Supreme Prime Radiance with the ARRI ALEXA Mini LF, which gave him the image depth he was looking for. Read the full article: https://t.co/IIiDfTCLoV

[ZEISS Cinematography @ZEISSCine]

The short film “C’est LA VIE” allows NEC to promote its latest tablet whilst reaching a new audience. Find out how DP Hyogo Mitsuoka mixed his experience with the ZEISS Supreme Prime lenses whilst, for the first time, using the Supreme Prime Radiance: https://t.co/y6rAyg38Bx

[ZEISS Cinematography @ZEISSCine]

It looks like these two are getting ready to work.
Thank you VA Digital Hire for sharing

[ZEISS Cinematography @ZEISSCine]

Cine Gear Atlanta, here we come! Join us from October 7–8 at booth S111! Grab the chance to try the new ZEISS Supreme Prime 15 mm and to join our ZEISS Conversations with none other than William Wages, ASC!
Secure your tickets here: https://t.co/gSGRCarqTW

[ZEISS Cinematography @ZEISSCine]

The Lens, the Myth, the Legend! This wonderful piece of filmmaking history has made its way “home.” Only 10 of these lenses were made, 6 of them for NASA. Kubrick used this lens to shoot the famous scene in “Barry Lyndon” that was only lit with candlelight.https://t.co/uH5qZj6nKm

[ZEISS Cinematography @ZEISSCine]

Join the ZEISS Conversations, Spanish edition on September 29th with Jerónimo Rodríguez-García, AMC! Learn about his experiences using the ZEISS Supreme Prime lenses on his latest projects. Live interview will be in Spanish. Click here to register: https://t.co/b32eaSQOkf

[ZEISS Cinematography @ZEISSCine]

The ZEISS 35mm Supreme Prime Radiance, with the light glistening off the T*Blue coating. Thank you to Camera Rentals Amsterdam for the great shot. Follow the link to learn more: https://t.co/mOJCaXg8N0

[ZEISS Cinematography @ZEISSCine]

Congratulations to @checcovarese, ASC for the Emmy Award for “Outstanding Cinematography For A Limited Or Anthology Series Or Movie” for the "Dopesick" episode “Breakthrough Pain.” Check out the other nominees and winners here: https://t.co/UkDBkbUJQX

[ZEISS Cinematography @ZEISSCine]

The #IBC2022, from 9 to 12 September in Amsterdam, is full of inspiring content and innovation. Come and see our entire cine lens portfolio and of course the ZEISS CinCraft Mapper! You can still register now to grab a ticket using the code IBC5301: https://t.co/ZLml9nGUK7

[ZEISS Cinematography @ZEISSCine]

Exciting news! The ZEISS CinCraft Mapper gained an honorable mention at this year’s HPA 2022 Awards! We are extremely proud to gain a mention among a selection of fantastic technologies. Click the link to find out more about the ZEISS CinCraft Mapper: https://t.co/CxgomYeU2m

[HollyShorts (HSFF) @HollyShorts]

The winner of the ZEISS Presents: Hollyshorts Film Festival Achievement in Filmmaking and Cinematography Award is Nancy Schreiber! #HSFF2022