binz✨

[MissK @MissK30161327]

South Africa ! We already have a water crisis so tell me why data centres are set to be welcomed without limitation ?

[Miyandy @Amahashi_]

If you read this statement through pure logic, rather than a lens of impunity or victim-blaming, you will clearly clock that on the surface it looks calm, detailed, and professional.
In reality, it’s packed with carefully crafted loopholes, omissions, deflections, and classic tactics that avoid the core allegation.

Why is he framing it as a “fully clothed violent stunt scene”?
He keeps calling it a stunt sequence choreographed with stunt coordinator, director, DP, etc. This downgrades a simulated sexual violence scene into “just action.” No mention anywhere of an intimacy coordinator, the industry standard for exactly these scenes to enforce sexual boundaries in real time. That omission is loud. You don’t treat a rape simulation like a fistfight and then act surprised when consent lines blur.

“We offered a stunt double, she declined” ????
Classic responsibility shift. “She chose to do it herself.” Agreeing to perform the scene does not equal consenting to anything beyond the rehearsed moves. She has said the agreement was clear: push over the bonnet, whisper, out of frame, no pelvic thrusting. Offering a double doesn’t give the male lead licence to improvise sexual simulation!!!!!

The “12+ crew members were watching” alibi???
He lists director, script supervisor, lighting, stunt coordinator, producer, sound & camera teams. “None observed or reported misconduct.”
Translation: collective witnesses = I’m cleared. But if there was no intimacy coordinator whose job was to watch for exactly the sexual element, then 12 people watching a “stunt” doesn’t mean the agreed choreography wasn’t breached. Is this the fortress he’s hiding behind?!!! 👀

Group viewing of unedited footage cleared him??
“Representatives from Red Ink, MNET, SWIFT, agents… all confirmed no thrusting.”
Again, who was in that room? Was it neutral? Was the actress there? Footages can be interpreted different ways, especially when production has incentive to protect the show.
This is giving “we reviewed it internally and we’re good”, not independent verification.
RELEASE THE UNEDITED FOOTAGE AND LET THE PUBLIC DECIDE!!!!

[Thoni @sonictonalthoni]

Most sons of Biko,whether in political spaces or bands, are often predatory. Like their predecessors, they strive for decolonisation, read the appropriate books and use the correct language, yet subject women to many forms of mistreatment

[🍉Rushé 🇵🇸🇸🇩🇨🇩 @Rushe_C]

Oh Kujenga...

[IndlelaOutNow! @SphaMdlalose]

IThemba out now on all platforms.🌻

[Nelisiwe @NeliMsomi]

As a jazz lover, I know for a fact that many Jazz festivals are not accessible to the masses who inspire artists. Secondly, you can never separate capitalism from racism. The revolution that jazz music activism is not connected to these festivals.

[Brenda Wardle @BrendaWardle]

I am conflicted. He is gifted. A musical genius. Elegant. Eloquent. Profound. Poignant Even. But, he is frail. Approach-Avoidance conflict. I want him to perform. I want his gift etched in my memory BUT, I don't want him doing gigs. I care. Oh how I love thee Abdullah Ibrahim.

[TIME @TIME]

"When I started out on Broadway, 'Dreamgirls,' we lost half of our cast to AIDS."

Sheryl Lee Ralph—famous for her breakout role in the original Broadway production of 'Dreamgirls' and her ongoing portrayal of the no-nonsense kindergarten teacher on the sitcom 'Abbott Elementary'—champions another kind of teaching through her decades-long work as an activist, particularly raising awareness about HIV/AIDS.

Recently, in collaboration with the DIVA Foundation, the nonprofit she founded in 1990, Ralph executive-produced documentary special 'Living Proof' which highlights the experiences of Black women living with HIV in the South. Leading by example, Sheryl Lee Ralph is honored among TIME's 16 Women of the Year. Read her story and meet the honorees here: https://t.co/8O891bum4K

[Tax Justice Network Africa @TaxJusticeAfric]

📢 We are hiring!

TJNA invites applications for the Policy Research and Advocacy Manager position.

This role will lead TJNA’s policy unit by driving research coordination, policy engagement, and advocacy strategy across the organisation’s key thematic areas. The successful candidate will work closely with the Executive Director, senior management, and strategic partners to shape TJNA’s policy agenda and strengthen the organisation’s influence on economic justice and progressive taxation across Africa.

Apply now👉 https://t.co/pwQwwE65sY

#TaxJusticeAfrica

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[Sizwe SikaMusi @SizweLo]

After a few years of writing on South Africa’s economic and social stagnation, I’ve learned something: people don’t want to know why things happen. They want to know who is responsible.

For example, when I wrote about how Eskom’s problems stem from its commercialisation in the 1980s, how restructuring a utility for profit created the very incentives that make looting rational, my readers yawned.

That wasn’t the story they wanted to hear. They needed the reason for Eskom’s struggles to be greed and incompetence instead of policy.

This pattern repeats everywhere. If you suggest that deindustrialisation and financialisation explain the country’s stagnation better than government failure, you’ll watch people’s eyes glaze over. But if you mention a corrupt tender, an incompetent minister, a stolen billion, now you have their attention.

All of this is because moral explanations are emotionally satisfying in ways that structural ones can never be.

Moral expositions offer the clarity of heroes and villains, devils and angels. They suggest simple solutions: fire the corrupt, put the thieves in orange jumpsuits, and elect better leaders.

This is human and satisfying because it turns chaos into a relatable story: There’s a thief, catch him.

On the other hand, structural explanations do the opposite. They’re abstract and involve everyone. They suggest that, often, what many observers see as “good policy” might have negative effects and hint that we’re all embedded in systems that reward certain behaviours regardless of individual integrity.

Most of all, they offer no easy fixes and no satisfying release of punishment.

Because what if the theft was made possible long before the thief arrived? What if the system itself was quietly redesigned over the years to turn public goods into private loot? What if the problem isn’t just who stole, but why stealing became so easy, so profitable and so normalised?

I once thought that if I could clearly explain the structural causes, people would understand. Now I realise the resistance isn’t only intellectual, it’s also psychological.

People need culprits because such culprits can be publicly shamed and even removed. But in reality, for any change to happen, systems have to be transformed, and transformation is uncertain and often exceedingly complex.

When I write about deindustrialisation or financialisation, I’m pointing to why. And I’ve noticed how often the response is polite impatience: “Yes, but who’s to blame today?”

This is why mainstream media gives people what they want: corruption scandals, government failures, incompetent officials. Not because journalists are stupid or compromised, they mostly are, yes, but also because that’s the narrative frame that resonates with the public. It gives them someone to blame.

And here’s the strange part: many people who consume and parrot these narratives don’t even trust the media delivering them. This explains why they get excited and feel validated when they hear the same things from a different source, like an independent journalist or analyst, one that makes them feel like independent thinkers rather than passive consumers of mainstream narratives.

At a theoretical level, there’s a deeper pattern at work here, one that the philosopher René Girard spent his career examining. Girard argued that when societies face crisis and unbearable tension, they instinctively resolve it through scapegoating: the community unites by directing all its anxieties and frustrations onto a single figure or group.

The scapegoat doesn’t have to be innocent. They might actually be guilty of something, but their guilt becomes vastly inflated to carry the symbolic weight of everything that’s gone wrong.

This is precisely what’s happening in South Africa’s public discourse.

The crisis is real: economic stagnation, mass unemployment, infrastructure collapse, deep inequality. These create unbearable social tension. But their causes are complex and systemic: colonial extraction, Apartheid’s spatial and economic architecture, global financialisation, policy choices spanning decades and governments, and the behaviour of both public and private actors.

These causes implicate everyone, offering no clear villains and no gratifying resolution.

Enter the scapegoat mechanism: Rather than face that complexity, the collective focuses blame on identifiable culprits: corrupt officials, cadre deployment, state capture, incompetent ministers.

Are these people actually corrupt or incompetent? Often, yes. But their failures become the explanation for everything, bearing a weight far beyond their actual role. They become vessels for all our rage and disappointment.

Notice something crucial here: the corruption narrative unites almost everyone. Business leaders, academics, opposition politicians, and even many ANC supporters all agree on blaming “the corrupt.”

This unanimity should make us suspicious. When everyone agrees on who the villain is, you’re likely witnessing scapegoating rather than analysis.

Real structural analysis is politically divisive precisely because they implicate different actors differently and require us to examine our own complicity.

The scapegoat mechanism explains why structural explanations feel so threatening. When I write about how Eskom’s commercialisation created incentives for looting, or how financialisation extracts value from the productive economy, I’m essentially saying: “It’s not really the scapegoat’s fault, or not mainly.”

Even if this is analytically correct, it’s psychologically intolerable because it removes the mechanism by which society manages its crisis. I’m asking people to face the void again, to sit with complexity and ambiguity and their own implication in broken systems.

The scapegoating mechanism obscures the structural violence of how the economy is organised, who owns what, how financialisation extracts value, how global capital flows work, and how privatisation and commercialisation create opportunities for looting that didn’t exist before.

These uncomfortable truths get buried under the satisfying simplicity of “bad people did greedy things.”

So we end up with a discourse that’s endlessly rich in righteous outrage but structurally impoverished. We know just about every corrupt official by name, but can’t really explain why corruption is systemic.

The country stays stuck, but at least we know who to blame. And perhaps that’s the point. The scapegoat mechanism just makes the crisis bearable by giving it a face, a name, a simple story.

The masses get the emotional satisfaction of moral clarity without the difficult work of structural transformation.

Until we’re willing to move beyond the search for culprits and sit with the discomfort of systemic causation, we’ll keep having the same conversations, blaming the same types of people, and wondering why nothing fundamentally changes.

[vuyo viwe ☥ @vuyoooooo]

tropic of capricorn to the people 🙂‍↕️

[Olivia Dean Source @liviadeansource]

Olivia Dean performing ‘A Couple Minutes’ for @colorsxstudios 💌

[bougie smalls @congomuffin]

Bring back Afropunk

[Legal Resources Centre @LRCSouthAfrica]

Anti-rights campaigns brand gender diversity a “foreign agenda”, then use deep-fakes and doxxing to shame and silence targets. See how this scapegoating fuels hate—and how to fight back: https://t.co/JgXQ73PA0Y #TechGBV #DigitalRights

[•KAMVA• @kamvag_]

Cape Town this is an absolute long shot but desperation dictates

This driver stole my laptop bag this morning in an uberCollect trip. My passport is in the bag and I need it to travel internationally tomorrow.

I just want my passport dawg.

[Infrastructure News @infrastructure4]

🐟 #NandoniDam Fish Mortality Update 🐟

The @DWS_RSA shares progress on the recent fish mortality incident at Nandoni Dam, #Limpopo. Investigations are ongoing to protect the ecosystem and nearby communities.

Read more: 👉 https://t.co/QnBL4p9eeQ

[Bella Goth 🌞 @WickedNFine]

I accidentally joined this elderly woman’s live on TikTok of her singing gospel & she stopped singing to say “sista Bella Goth joined us.. let’s welcome her up”… I clicked out so fast..

[NAO @thisNAO]

My beautiful humans a new era is upon us..
‘Wildflowers’ is all yours🪻
https://t.co/7IcfLPi0F2