MAD Toolbox for Windows is officially live in Microsoft Store!🥳
Just come to try it now!
But this version is still v2.0.0. The next minor version update has a BIG and IMPORTANT update and it is now being reviewed.
Keep you eyes on our newest infomation😏 https://t.co/vMnrtoWoTo
🚀 Introducing DeepInfer, our in-house inference framework, now fully open source!
Powering DeepSeek-V4.1-Flash at scale with high throughput and low latency. We’re sharing our production stack to help the community lower compute costs, reduce energy use, and make AI more affordable.
🔗 https://t.co/JGAik1kgk0
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🚀 DeepSeek-V4.1-Flash-1017 is here!
Stronger benchmark performance, faster task completion, and shorter outputs than the previous version—a Pareto improvement in performance and cost. Now live on our website, app, and API.
🛠️ Optimized for @DeepSeekHarness, Tencent CodeBuddy, WorkBuddy, and more. Upgrade to DeepSeek Harness v0.2.1-rc.1 or later for the best experience with the new model.
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在我们这,大部分人其实长期“审美营养不良”。资源高度紧张、生存压力优先,这就导致实用压倒一切。这样一来,审美可就不是什么好东西,它是要被当成低效成本来剔除的。
黑底白字的“统一店招”、景区批量复制的假路牌、荧光撞色的促销大字报、家里为了省事选的猪肝红地板就好理解了,因为它们好打理、传达快、成本低,完全服务于生存与集体秩序。
当一个从小没被允许建立个人视觉审美、感知库极度匮乏的人,突然看到 Claude 随手给出的那种留白、排版,有点震撼也容易理解。
从事艺术审美的专业人士,我觉得也不用悲观、愤怒。
这就像大模型一开始能生产出流畅精美的文本是一样的,过不了多久,这种典型的 Claude 风格就会趋同,人们就会厌倦这种审美和形式。
因为用 Claude 做出来的东西,我感觉大家并没有真正通过它去表达一个故事、传达一个观点,更多只是展示它炫酷的能力,带来一种惊讶的态度。但人们的惊讶早晚会结束,那时候就会回归到内容本身。