NANi🗡

[Johns. @CricCrazyJohns]

🚨 LIONEL MESSI RETIRES FROM INTERNATIONAL FOOTBALL 💔

- Thank you for everything, GOAT 🥹

[Revanth Reddy @revanth_anumula]

Dear Messi, You have enthralled, entertained, energised and inspired the entire #football world. It was a great privilege to share a few minutes on a football turf with you in #Hyderabad

Football won’t be the same again, without the GOAT. Farewell and keep inspiring.

#Messi

[Mufaddal Vohra @mufaddal_vohra]

🚨 LIONEL MESSI HAS ANNOUNCED HIS RETIREMENT FROM INTERNATIONAL FOOTBALL. 🚨

- Thank you for everything, Messi. 🥹❤️

[Allu Arjun @alluarjun]

#Forbes
#ForbesIndia

[Trends Allu Arjun ™ @TrendsAlluArjun]

AVERAGE CONTENT DOESN’T FLY anymore. Good content flies anywhere, so the key is to deliver great content. The rest will take care of itself.

~ #AlluArjun at Forbes

[Mythri Movie Makers @MythriOfficial]

RAVANNA'S RAMPAGE ISN'T STOPPING ANYTIME SOON 🔥🔥

180 CRORES+ GROSS WORLDWIDE in 10 Days for the HEART WINNING BLOCKBUSTER #Irumudi 💥💥

Book Your Tickets Now!
🎟️https://t.co/LPeVCIRYVl

#IRUMUDI / #IRUMUDIKATTU

[Telugu Scribe @TeluguScribe]

ఏపీలో వెలిగొండ ప్రాజెక్ట్ తొలి దశ ప్రారంభోత్సవ కార్యక్రమంలో మరో తెలంగాణ ఫోక్ సాంగ్

[Pradeep Ranganathan @pradeeponelife]

Irumudi - Too Good . The message the movie conveys is essential.
Congrats to the whole crew and cast .

@ShivaNirvana @RaviTeja_offl @gvprakash @MythriOfficial

[Telugu Scribe @TeluguScribe]

ఏపీ ప్రభుత్వ కార్యక్రమంలో తెలంగాణ ఫోక్ సాంగ్

ఏపీలో వెలిగొండ ప్రాజెక్ట్ తొలి దశ ప్రారంభోత్సవ కార్యక్రమంలో మార్మోగిన తెలంగాణ ఫోక్ సాంగ్ "ఏషనాగుల"

[Sumanth @SumanthOffl]

I would say the most ALPHA thing I have ever done is to play a role by wearing a women’s saree in #Pushpa2 💥🥶

~ #AlluArjun in Forbes talks

[C/o.AlluArjun @CareOfAlluArjun]

On Stands Now!!!

@AlluArjun

[𝐁𝐡𝐞𝐞𝐬𝐡𝐦𝐚 𝐓𝐚𝐥𝐤𝐬 @BheeshmaTalks]

Whether it’s Bollywood, South cinema or any other regional cinema, one reason for the slump is that AVERAGE CONTENT DOESN’T FLY anymore. Good content flies anywhere, so the key is to deliver great content

- #AlluArjun for Forbes

[THE PARADISE @TheParadiseOffl]

#AayaSher supremacy at New Jersery ft. Sher @NameisNani & Rockstar @anirudhofficial 🔥🔥🔥🔥🔥🥁🥁🥁🥁🥁

Treat to watch them set the stage on firee 🔥🔥🔥

[THE PARADISE @TheParadiseOffl]

Sher @NameisNani ft. New Jersey 🔥🔥🔥

#Yeshanagula fever taking over at Rockstar @anirudhofficial's concert and the energy is madddddd 🔥🔥🔥🔥🔥

#TheParadise

[Gulte @GulteOfficial]

Telangana Folk Song 'Yesha Nagula' At Andhra’s Historic Event

After The Paradise remix song brought back the glory of Telangana folk, #YeshaNagula was performed at Andhra’s historic #Veligonda Phase 1 inauguration by CM #Chandrababu, showcasing the true spirit of Telugu people.

[Forbes India @ForbesIndia]

Allu Arjun believes his vision and hard work have taken him to dizzying heights of fame. In a candid chat with Forbes India, he opens up about his 23-year journey, being a man of the masses, and the power he wields

Forbes India Showstoppers 2026 is on stands now. Read more on https://t.co/aB5o4zVyoq

[Bunny - Youth Icon Of India @BunnyYouthIconn]

Even outside the movie, you’re acting like someone’s after you @TheNameIsYash

But no one is targeting you …people just didn’t like the film. Calm down.

“People won’t watch a movie just because your father was a bus driver”. The movie has to be good.

gone are those days movie survives with sympathy driven marketing.

[Ram Gopal Varma @RGVzoomin]

What every film maker should understand from #dhurandhar is that it is full of living, breathing characters who seem as real as you and me sitting and watching in the theatre, hence making it highly relatable. Satya is about gangsters, but be it Bhiku Matre, Kallu Mama or Vakil Mule, they all look as real as anyone real. Dhurandhar took this to another level.
That is the only lesson worth stealing for all film makers which the one most expensive films refuse to learn. Back in the day even in a mega budget film like Titanic , James Cameron spent the money to make it look as real as possible whereas we do the exact opposite here
Dhurandhar does not treat its hero as a walking poster who must be worshipped at all costs. He can be non existent in the room. He can wait tables, listen instead of speaking , miscalculate, get dirty, get smaller in front of more smaller characters . The camera does not constantly elevate . It watches. Rehman Dakait does not exist to look iconic in a still.. he exists as a man with a specific laugh, a specific fear, a specific way of holding a gun or a stare . The politician, the cop, the cousin, the juice shop friend none of them feel hired to decorate the star. They feel like people who would still be there whether the hero was there or not . You are not waiting for the next elevation shot. You are staying because the people on screen make you stay by becoming immersive
The other films swagger. Have fog and slow motion that lasts longer than the characters inner lives. The women are not people.. they are functions arranged around the same gravitational centre so that the centre never has to become a living real person. You cannot tell what any of them are when he is not in the shot.
Violence in Dhurandhar has a before and an after. Somebody pays. Somebody changes. Somebody is left standing feeling smaller.
In the other films, violence is just a spectacle minus context . Attitude is the plot. Style arrives first and th n searches for a reason.
The camera does not observe, it advertises. Editing does not cut time, it manufactures fake intensity that was never in the writing . Characters do not act because they must. They act because the poster needed a dynamic still.
Satya’s gangsters could have existed on a real Mumbai street. Dhurandhar’s Lyari men feel like they have already lived for many years before the hero came there. The other films heroes feel assembled in a look test. You leave knowing the hero’s hair, the hero’s walk, the hero’s catchphrase. You do not leave knowing a single thing about him as a human being.
That is the difference every filmmaker should be forced to acknowledge and learn .. Dhurandhars director trusts the audience enough to put living people on screen and let them feel as much as the protagonist . The hero feels as much pain as the villain . One is cinema that cuts into flesh.
The others are cinema that pose for the camera

[Instamart @instamart_it]

roses are red,
violets are blue,
payasam’s divine,
Bunny’s looking so fine 🕺🏻🙂‍↔️