White Cube

One of the world's leading contemporary art galleries with spaces in London, New York, Hong Kong, Paris and Seoul.

[White Cube @_WhiteCube]

#DavidAltmejd: ‘Once the piece was finished, I could quite easily see each head as symbolising a moment in a life, so I thought of the serpent as being the symbol of a life.’

Watch the full film, where David explores his exhibition ‘The Serpent’, discussing the inspirations and processes behind the works on view: https://t.co/TBvaR7OK26

Video: © White Cube (Oresti Tsonopoulos).

#WhiteCube #NewYork #NYCexhibitions

[White Cube @_WhiteCube]

Coming Soon: ‘Inside the White Cube: Alex Carver’ at White Cube Seoul

Debuting a new body of work, 'Effigy' marks the artist’s first solo presentation in Asia and his first exhibition with the gallery as part of the ‘Inside the White Cube’ series.

Taking inspiration from biomedical diagrams and art historical sources, #AlexCarver depicts bodies in turmoil, referencing sources such as Medieval manuscripts and Botticelli’s illustrations for Dante Alighieri’s #DivineComedy.

The exhibition features twelve new paintings inspired by the infernal fires of ‘Dante’s Inferno’, the opening canticle of Alighieri’s 14th-century epic.

📍The exhibition will be on view from 25 April to 21 June 2025 at #WhiteCube #Seoul.

🔗Learn more: https://t.co/4nhLeHhdZ8

Images: Alex Carver, ‘Effigy’, 2024 © Alex Carver. Photo © White Cube (Frankie Tyska).

#Insidethewhitecube #Contemporarypainting

[White Cube @_WhiteCube]

Coming Soon: ‘#AntonyGormley: WITNESS: Early Lead Works’ at White Cube Mason’s Yard

Featuring a selection of Antony Gormley’s early lead sculptures from the mid-1970s to 90s, the exhibition showcases some of the most important works from the artist’s career.

‘WITNESS’ reveals how the artist’s initial experimentations with lead yielded results that laid the foundations for many subsequent bodies of work, representing a major breakthrough in his visual language.

In conjunction with the #exhibition, the artist will be joined by curator and White Cube's Global Artistic Director, Susan May, for a conversation hosted at The Royal Institution on the evening of 23 April 2025 (6.30–7.30 BST).

📍 ��WITNESS: Early Lead Works’ is on view at #WhiteCube Mason’s Yard from 23 April to 8 June 2025

Learn more: https://t.co/58IFkm2RYU

[White Cube @_WhiteCube]

Born on this day: Lygia Pape ✨

A seminal figure in the Concrete art movement and a founding member of the Neo-Concrete movement, #LygiaPape (1927–2004) played a defining role in the development of contemporary art in Latin America.

A solo exhibition of works by Pape was on view at #WhiteCube #Seoul last year.

Tracing the trajectory of her experimental five-decade career, the presentation showcased some of Pape’s most renowned works across drawing, sculpture and installation, including her ‘Ttéia’ series – immersive geometric installations made up of metallic threads, traversing and intersecting one another across the gallery space.

Learn more about the artist: https://t.co/bzQtMGMaRl

Video: © White Cube (Art Drunk).

#WhiteCubeSeoul #Artistbirthday #Bornonthisday

[White Cube @_WhiteCube]

On View: ‘#BeatrizMilhazes: Rigor and Beauty’ at the @Guggenheim (until 7 September) ✨✨

‘Rigor and Beauty’ brings together fifteen paintings and works on paper produced from 1995 to 2023, contextualising the narrative of Beatriz’s artistic evolution over almost thirty years.

The exhibition marks Beatriz’s first solo presentation at the Guggenheim.

Images: Beatriz Milhazes, ‘Collection in Focus, Beatriz Milhazes: Rigor and Beauty’, Solomon R. Guggenheim Museum, New York, 7 March – 7 September 2025 © Beatriz Milhazes. Photo © David Heald/Solomon R. Guggenheim Foundation, New York.

#WhiteCube #NewYork #Guggenheim #Contemporarypainting

[White Cube @_WhiteCube]

‘Intimate Visions’ at #WhiteCube #Paris is on view until 10 May 2025.

Curated by Clémande Burgevin Blachman and Mathieu Paris, the exhibition presents a collection of paintings, furniture and ceramics spanning over 150 years, bringing together works by contemporary figures and early-19th and late-20th century artists.

Featured works include Sterling Ruby’s sculptures ‘Flower’ (2021) and ‘FP (8643)’, (2024), Diamond Stingily’s ‘Apple Tree’ (2023) and Tracey Emin’s ‘I was Left here in Time’ (2024).

An evolving narrative is plotted throughout ‘Intimate Visions’, with exhibiting artists interrogating representation, whilst complicating received notions of femininity, desire and selfhood.

📍 Visit ‘Intimate Visions’ at White Cube Paris until 10 May 2025.

🔗 Learn more: https://t.co/rh8884yKc0

Video: © White Cube (Lee Pretious).

#IntimateVisions #Parisexhibition #contemporaryart

[White Cube @_WhiteCube]

On View: ‘Sara Flores. Non Nete. A Dream for an Indigenous Nation’ at the Museo de Arte de Lima (MALI)

Marking Sara’s first institutional show and the first solo presentation by a Shipibo-Conibo artist at MALI, the exhibition showcases a new body of work inspired by the dream of Indigenous self-determination.

Translating to ‘our world’, ‘Non Nete’ serves as the central theme of the exhibition, conveying the interdependence of all life forms and the interconnectedness of different realms.

The works on view highlight the political dimension inherent to Sara’s practice, most notably through her design for the Shipibo Nation Flag, which embodies the principles of ecofeminism and deep ecology.

📍‘Non Nete. A Dream for an Indigenous Nation’ is on view at MALI, Lima until 17 August 2025.

🔗Learn more: https://t.co/i6RjUbaGm5

Images: Images: Portrait of Sara Flores. Photo: Helena De Bragança © 2023; Sara Flores, ‘Study for the flag of the Shipibo-Konibo-Xetebo (Maya Kené) 1’, 2024; Sara Flores, ‘Study for Shipibo-Konibo-Xetebo Nation flag (Maya Punté Kené) 4’, 2024. Both artwork images: Courtesy the artist and the Shipibo Conibo Center, New York.

#WhiteCube #SaraFlores #MALI #Lima #ShipiboConibo #Indigenousart

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Last chance to visit #AliaAhmad ‘Fields / ميادين ’ at #WhiteCube #MasonsYard (until 5 April 2025) ✨

Alia’s responsive and embodied approach to painting explores how the medium of paint – unpredictable and at times resistant to control – can register the variations and fluctuations of local weather patterns.

Speaking to Galerie Magazine, the artist said: ‘Texture, line, and the movement of paint are used in an attempt to capture elements of the Saudi landscape as a whole.’

📍 Visit ‘Fields / ميادين ’ at White Cube Mason’s Yard until 5 April 2025.

Learn more: https://t.co/vf6HaDAmcb

Images: Alia Ahmad, ‘Fields / ميادين’, White Cube Mason's Yard, 28 February – 5 April 2025 © the artist. Photo © White Cube (Theo Christelis);
Alia Ahmad, ‘From all the fields | من كل الميادين’
Alia Ahmad, ‘Clusters | عناقيد’
All images 2024 © the artist. Photos © White Cube (Ollie Hammick and Eva Herzog).

#London #Londonexhibition #contemporarypainting

[White Cube @_WhiteCube]

Closing Soon: Theaster Gates ‘1965: Malcolm in Winter: A Translation Exercise’ at #WhiteCube #Bermondsey

In the final week of the exhibition, we’re taking a look back at some of our favourite photos of the show.

‘1965: Malcolm in Winter: A Translation Exercise’ connects #TheasterGates's exploration of Black radical histories with the methods of care and preservation nurtured in Japanese philosophy and craftsmanship.

Demonstrating his approach to archival care across social spheres – through material culture, sculpture, film, ritual, architecture, and music – Gates makes visible the investment of Japanese allies, like Ei Nagata and Haruhi Ishitani, that can be mobilised to express and articulate a Black politic.

📆 Don’t miss the last chance to see the exhibition at White Cube Bermondsey, before it closes on 6 April 2025.

🔗 Learn more: https://t.co/NxJX3sLOT5

Photos © White Cube (Alex Merz).

#London #WhiteCubeBermondsey

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In Focus: #DavidAltmejd’s ‘The Serpent’ (2025) at White Cube New York ✨🐍

Entering the first floor of the gallery, we are met with ‘The Serpent’, a monumental, winding serpent, composed of a chain of conjoined human heads, with its own head lifting to meet that of its conjurer, ‘Snake Charmer’.

The reciprocal relationship between these two sculptures enacts a dialogue between creation and creator, between matter and design – a tension that David both interrogates and exalts.

📍 ‘David Altmejd: The Serpent’ is on view at #WhiteCubeNewYork until 19 April 2025.

Learn more: https://t.co/2VlMR2Yyxt

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On View: Christian Marclay’s ‘The Clock’ (2010) at Kunstmuseum Stuttgart (until 25 May 2025). 🕰️ ✨

‘The Clock’ is a 24-hour video montage assembled from thousands of film and television clips featuring clocks and references to time. The work was awarded the Golden Lion at the Venice Biennale in 2011.

Audiences will be given the opportunity to experience ‘The Clock’ at all hours with a special 24-hour screening on 17–18 May.

📍 ‘The Clock is on view at Kunstmuseum Stuttgart until 25 May 2025.

⏰ 24-Hour Presentation on 17–18 May 2025.

🔗 Learn more: https://t.co/l5r7N7LfhP

Image: Christian Marclay, ‘The Clock’, 2010 © Christian Marclay. Photo © White Cube (Ben Westoby).

#WhiteCube #ChristianMarclay #TheClock #KunstmuseumStuttgart

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In Focus: #DanhVo ‘Untitled’ (2023) at @ArtBasel Hong Kong

The original 17th-century wooden figure, weathered from years in Danh Vo’s garden in G��ldenhof, Germany, was cast and paired with a walnut bird feeder crafted by environmentalist Craig McNamara, the son of Robert McNamara, who is known for his escalation of the Vietnam War as US Secretary of Defence.

👉 Don’t miss your last chance to visit the fair, closing tomorrow (30 March 2025).

Explore the presentation online: https://t.co/5SwaXMX54O

[White Cube @_WhiteCube]

On View: Alia Ahmad ‘Fields / میادین ’ at White Cube Mason’s Yard (until 5 April 2025)

The exhibition debuts a new body of work that deepens Alia’s dialogue with the Saudi terrain, tracing its environmental dichotomies alongside the fluid interdependencies of climate, landscape and human presence.

Informed by her memories and lived experience of Riyadh, #AliaAhmad embraces a nuanced, localised sensitivity to shifting weather patterns and cycles of vegetation.

The artist said: ‘I hope the paintings encourage viewers to consider the layered relationships between rhythm, space and the physical characteristics of the region's diverse environment.’

📍 Visit the exhibition at #WhiteCube #MasonsYard, London until 5 April 2025.

🔗 Learn more: https://t.co/vf6HaDAmcb

Images: Alia Ahmad, ‘Fields / ميادين’, White Cube Mason's Yard, 28 February – 5 April 2025 © the artist. Photo © White Cube (Theo Christelis); Alia Ahmad, ‘Drifter | رُحِّلْ’; Alia Ahmad, ‘Tracks | جرة’; Alia Ahmad, ‘Looming, hovering | ماريه’,
2024 © the artist. Photos © White Cube (Eva Herzog).
#Londonexhibition #Contemporarypainting

[White Cube @_WhiteCube]

Theaster Gates: ‘It was a space that I made so that the conversation of revolutionary thought could continue.’

‘Malcolm’s Hut’ (2025) draws inspiration from traditional Japanese tea houses, a central social and ceremonial cornerstone of Japanese culture.

Connecting #TheasterGates’s exploration of Black histories with the ethos of care and respect embedded in Japanese culture, the work’s title underscores his endeavour to unearth and make visible, the intersections of Blackness within Japan.

On the back wall hangs a black Obi with three gold embroidered Black Power fists and an inscription of the date that Malcolm X was assassinated: 21 February 1965, created in partnership with Hosoo Textiles.

In ‘Malcolm’s Hut’, the artist conceives the work as a hermitage for the exchange of ideas and discourse, a site for contemplation and deep revolutionary reflection.

👉 ‘Malcolm’s Hut’ is on view in Theaster Gates ‘1965: Malcolm in Winter: A Translation Exercise’ at #WhiteCube #Bermondsey, until 6 April 2025.

🔗 Learn more: https://t.co/NxJX3sLOT5

Video: © White Cube (Lee Pretious).

[White Cube @_WhiteCube]

In Focus: Shao Fan, ‘Rabbit 1624’ (2024) at Art Basel Hong Kong (booth 1C23)

Deeply rooted in Chinese cultural symbolism, the rabbit represents longevity, luck and intelligence, as well as linking to the moon and the mythical Jade Rabbit, a celestial figure believed to reside on the moon in Chinese folklore.

Built up through fine brushstrokes meticulously layered over hours of work, ‘Rabbit 1624’ is a delicate and contemplative ink-on-rice-paper work. Delicate washes of ink applied in repetitive, precise strokes create an ethereal softness suggesting both presence and impermanence.

The work transcends realism, dissolving the boundaries between form and emptiness, and reflecting the fleeting nature of existence.

📍 View ‘Rabbit 1624’ at White Cube’s booth (1C23) at Art Basel Hong Kong until 30 March 2025.

🔗 Learn more: https://t.co/5SwaXMWxfg

Images: Shao Fan, ‘Rabbit 1624’, 2024 © Shao Fan. © Shao Fan Studio.

#WhiteCube #ArtBaselHongKong #ABHK #ShaoFan #Artfair

[White Cube @_WhiteCube]

Now Open: ‘Lynne Drexler: The Seventies’ at White Cube Hong Kong (until 17 May 2025)✨

The exhibition debuts #LynneDrexler's 1970s works, which, hovering between landscape, still life and abstraction, engage with the debate on painting's representational unity.

The artist’s increasingly abstract focus on shape, colour and formal relationality demonstrates a desire to capture, in paint or crayon, an encounter with the world as vibrating energy, rendering visuality as sensation and metamorphosis.

📍‘Lynne Drexler: The Seventies’ is on view at #WhiteCube #HongKong until 17 May 2025.

🔗Learn more: https://t.co/SrdmMUISmn

Images: ‘Lynne Drexler: The Seventies’, White Cube Hong Kong, 26 March – 17 May 2025 © The Lynne Drexler Archive. Photo © White Cube (Kitmin Lee); Lynne Drexler, ‘Gossomer [sic]’, 1972; Lynne Drexler, ‘Battled Blue’, 1972. Images © The Lynne Drexler Archive. Photos © White Cube (Frankie Tyska).

#Theseventies #WhiteCubeHongKong

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Now Open: White Cube at @ArtBasel Hong Kong

Highlights from #WhiteCube’s presentation at the fair include #TraceyEmin’s bronze sculpture ‘There was so much more of me’ (2019), #EnricoDavid’s ‘Fortress Shadow’ (2017), ‘East Winds’ (1984), an oil painting by South Korean artist #LeeUfan, and ‘Ecriture No. 190227’ (2022) by the late master of Dansaekhwa, #ParkSeoBo​.

The fair coincides with #LynneDrexler’s first exhibition in Asia, ‘The Seventies’, now on view at White Cube Hong Kong.

👉 Visit us at Booth 1C23 until 30 March 2025.

📍 Art Basel Hong Kong, Convention and Exhibition Centre, Hong Kong.

Learn more: https://t.co/5SwaXMX54O

[White Cube @_WhiteCube]

Hannah Gruy, curator of #MonaHatoum’s current solo exhibition at #WhiteCubeSeoul, introduces the artist’s poetic works, which engage the viewer in conflicting emotions of seduction and revulsion, fear and fascination.

Watch the full film on White Cube’s YouTube Channel: https://t.co/A3aewZaPET

The #exhibition continues at White Cube Seoul until 12 April 2025.

Video: © White Cube (ArtDrunk).

[White Cube @_WhiteCube]

Just announced: #TraceyEmin's solo exhibition at @Tate Modern will open in February 2026!

Looking at how she uses the female body as a powerful tool to explore passion, pain and healing, the exhibition will demonstrate the artist's lifelong commitment to painting, showing her recent work as a culmination of the ways she has channelled her life into her art.

This comprehensive survey will encompass 40 years of the artist’s practice, featuring seminal works and previously unexhibited material and will run from 26 February – 31 August 2026.

Image: Portrait of Tracey Emin © Harry Weller

#TraceyEmin #TateModern #Londonexhibition