April

Estudiante de arquitectura.

[April @AbrilMelman]

https://t.co/wYc4Sq00K8

[April @AbrilMelman]

Veo fotos de mi hermano y está tan grande que lloro

[flori 🇦🇷 @blessjbb]

los países re nerviosos mal por jugar la final del mundial, el hdp de justin en el baño

[April @AbrilMelman]

Jajaja momentazo, lo adoro

[TMZ @TMZ]

⚽ Exclusive: Justin Bieber in talks to perform at FIFA World Cup final! https://t.co/OIRIqiJri6

[Francisco Gómez de Tejada | arquitecto @gomezdetejada]

El autor contemplando su obra. Brutal.

Qué espectáculo nos ha regalado hoy Barcelona.

[ຸ @fvckfemi_]

how life feels when your self respect is finally stronger than your feelings

[April @AbrilMelman]

Ni en tus fanfics más groseras estaba esta escena

[April @AbrilMelman]

I was today years old cuando encontré los nanogéneros para encontrar películas con tonos similares, ahora cuándo o cómo paro?

[Laura Espi @_lauraespi_]

Pero cómo vas a empezar un libro así

[April @AbrilMelman]

“Las grandes almas tienen voluntades, las débiles tan solo deseos”

[Lari @LesbFuturiist_]

Freud dizia que a gente não repete escolhas porque gostamos de sofrer, a repetição existe porque o inconsciente tenta, desesperadamente, criar um final diferente pra mesma história.

[best of bizzle @thebestofbizzle]

how life feels ever since justin bieber remembered who he is

[Aakash Gupta @aakashgupta]

Directors have been encoding breakups in geometry for almost a century, and most audiences read it perfectly without knowing why.

The technique is called "bisecting the frame." Place a vertical object between two characters and the audience's brain processes them as occupying separate compositions. One shot, two worlds. The pole here does what dialogue would take ten minutes to establish.

Your visual cortex groups objects by proximity. It's called the Gestalt principle of common region. When two people share unbroken space, your brain reads them as a unit. The moment a vertical line cuts the frame, you process two separate fields. You feel the distance before you understand it.

Sofia Coppola built an entire film on this. Lost in Translation frames Bill Murray and Scarlett Johansson through windows, doorways, and hotel glass for two hours. They're always close but compositionally severed. When they finally share unbroken frame space in the last scene, the audience exhales. The barrier dropped and you felt it in your chest without a single line of exposition.

Hitchcock figured this out in the 1950s. Kubrick used symmetrical framing to make characters feel trapped inside the architecture itself. Spielberg splits characters with props when he wants the audience to sense a power imbalance before the scene reveals one.

The wild part: it works even when you know the trick. Your visual system is pattern-matching faster than your conscious mind. A vertical bar between two faces triggers separation processing in under 200 milliseconds. The director already told you the ending. You just haven't caught up yet.

[grk @monyequest]

sé que casi el único ejercicio que funciona para abs es el curl ese que hay que hacer de rodillas con polea pero no hay forma humana de que yo haga esa cosa tan goofy en un gimnasio lleno de gente

[MetSul.com @metsul]

🔴 ATENÇÃO - ALERTA | Ciclone extratropical se forma nesta terça entre o Uruguai e o Rio Grande do Sul. Vai provocar tempo severo e vento forte a intenso. Veja a trajetória do ciclone e quais cidades têm risco de muito vento. ▶️ https://t.co/xLiPSremU3

[April @AbrilMelman]

Estoy enamorada de Portugal un poco rozando la obsesión

[santos @santos141100]

Me acuerdo ese sentimiento de ir al cine a los 8 años sabiendo que, durante todo el día, no ibas a vivir una mayor explosión de estímulos y experiencias que en esas dos horas. Hoy, en cambio, el cine es el único lugar en el que sucede una pausa de la sobreestimulación del mundo.

[April @AbrilMelman]

Me encontré por ahí un posteo que me desarmó.
Mis favoritas.

[Nicolás Poggi @PoggiNico]

- Dirigida por Scorsese
- Protagonizada por DiCaprio y Jennifer Lawrence
- Fotografía a cargo de Rodrigo Prieto
- Edita Thelma Schoonmaker
- Guion de Patrick Marber revisado por Paul Thomas Anderson

Filmada en Praga.

Será la mejor película de la historia