To all my artist friends and wonderful people I have met in the industry. Recently I shipped original artwork to my brilliant rep @FelixComicArt and it has been lost in transport!
I'd be so grateful if you brought it to my attention if you see these anywhere online! Thank you🙏
The creative team that you can definitely trust to babysit your kids! If you loved BLACK DIAMOND, consider the minds behind this bone-chilling series for the Ringo Awards! Nominations are open to the public, so show your love for BLACK DIAMOND by nominating:
***PLEASE RT!!!***
THE TIME HAS COME:
The @kickstarter campaign for THE FOURTH FATHER in collaboration with @inkpulp is finally LIVE!!!
https://t.co/HMHSCVIOTU
Back this project and please, LET EVERYONE KNOW!!!
Thanks for the support 🖤🖤🖤
Depois do post do mural que eu fiz, muita gente chegou aqui! Fiz um "meet the artist"!
Eu sou a Rebeca, autora, ilustradora e produtora editorial!
São mais de 14 anos de mercado e muita história pra contar!
Vocês podem conhecer mais do meu trabalho em https://t.co/NyY0Gnrq7L
I have done both so_
It’s easily a hundred times harder to draw a comic than to write one.
Take a simple example: “Double‑page splash. Sunset over the hills of Virginia. Forty‑five Confederate cavalrymen crest the ridge, dust exploding behind them. In the foreground, a young farmer struggles to control a panicked horse, completely unaware of the danger rushing toward him.”
I wrote that in about two minutes.
Now imagine drawing it.
Good luck finishing that in two or three days—even if you’re exceptionally fast.
Writing absolutely requires skill, education, and craft. But when you compare the workload, the time investment, and the sheer physical labor involved, illustrating a comic is in a completely different league.
There’s no contest.
The terrifying ending is almost upon us!
BLACK DIAMOND - ISSUE 4 HITS STORES 12/17!
Written by Brendan Columbus with art by Danilo Beyruth, inks by Adriano di Benedetto, colors by Lee Loughridge, and lettering by Saida Temofonte!
I work 6 plus days a week about 10 hours a day on comics. Sometimes more, hardly ever less.
I make less than almost all my friends not making comics-pay my own healthcare, have no company pension, but forever loyal to those I work for - and spend my money investing in my own books and characters.
I have a website where I sell my work- https://t.co/quH8lTlTev and I really do love my job.
I wouldn't have it any other way.
Sneak peek at something coming in 2026 below.