It’s a real privilege to be part of this space and to grow alongside all of you.
Special thanks to John Gaeta — the visionary behind “bullet time” in The Matrix — and Loucaros (Luke) Eleftheriou , as well as the entire ESCAPE AI MEDIA team. The ESCAPE AI MEDIA Awards feel like the AI film world’s version of the Academy Awards. And congratulations to all the winners and nominees 💫
I’m incredibly grateful to have won 1ST PLACE in ALCHEMIST at The [ esc ] AWARDS 2026 ✨
I’m also honored to have received three nominations at this year’s awards on Escape AI. @escapeaimedia
Thank you so much to everyone who voted for me — it truly means a lot.
And thank you to this community of the most talented, passionate, and boundary-pushing AI filmmakers in the world. Your constant drive to challenge yourselves and your deep love for cinema are truly inspiring. I’m especially touched that, in your eyes, I can be seen as an experimentalist, explorer, mad scientist, conceptualist, and non-conformist — that means more to me than I can put into words.
Happy to receive three nominations at The [ esc ] AWARDS 2026 on the AI film platform Escape AI.
@escapeaimedia
It’s a true honor to be alongside so many incredibly talented creators🥰
I created an AI short film — Infinite Frames.
A love letter to cinema — a tribute to the films that shaped me.
I’ve always believed film is never just entertainment. It’s a portal to parallel universes. In my most confused and lonely moments, I found answers within the frame. Cinema not only extends my life and expands my world, but also teaches me courage — and how to build my own world between reality and dream.
This time, I used Nami AI’s newly launched Nami Story to create this film — not as a tech demo, but as a sincere love letter to cinema.
The story follows 17-year-old EDEN, who escapes a dull reality by following a mysterious cat across multiple universes. Through love, battle, doubt, and rupture, she begins to see — and break — herself, until she realizes she is no longer pushed by the world, but capable of shaping her own destiny.
ByteDance invited me to create the New Year short film One Blink 🌌, a light sci-fi love story shaped by the New Year Temporal Fold, which brings EDEN, a cyber girl from 2050, and ZION, a young man from 2000, together across fifty years—just for a single glance, yet one worth a thousand years.
Through this film, I wish everyone a happy New Year in advance. May the coming year bring each of us a love that feels sweet, genuine, and meant to be. ❤️🎇
#bytedance @dreamina_ai
I am deeply honored to serve as the Jury President of the AI Short Film Competition at the Asian University Film Festival. AUFF, hosted in rotation by China, Japan, and South Korea, is a major platform for emerging Asian creators.
This year’s submissions came from many regions across Asia and beyond, forming a vivid portrait of youth cinema—rich with sharp observation, cultural insight, and imagination.
Everyone wishes they could return to the dazzling love they had at 19 —
when the world felt so small,small enough to hold only that one person,and every touch burned like a promise. 🎇
@OpenAI#Sora2
Now this is what you call a large-scale 3d generation.
You can use world labs marble to generate 3d scenes and stitch them together to create expansive 3d environments.
Makes me wanna take a stroll through this world in a vr headset.
This is really cool glimpse into the future — reskinning reality in 3d w/ nano banana (to restyle the living room), world labs (img to 3d) and vps (to anchor it to the real world)
Everyone says AI learns just like humans do - by picking up patterns and styles.
But here’s what they’re missing: Can you watch every YouTube video ever made? Read every book on earth? That’s the real difference.
It’s like facial recognition - sure you can spot a face in a crowd, but can you monitor every CCTV camera on the planet simultaneously?
AI doesn’t just replicate human learning; it takes that capability and cranks it to 11.
The real question: what does it mean for us when human abilities are no longer bound by human limits?
Houdini is the OG of procedural 3D generation.
The same tools Hollywood uses to build massive simulated worlds are equally useful as training grounds for robotics - reproducible physics, deterministic traffic, worlds you can run a thousand times.
Procedural is control. AI is chaos.
Together, you get the future of worldbuilding.
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