Saw the @disneyplus logo animation at the end of the @ObiWanKenobi trailer and loved it so much I just HAD to see if I could recreate it 👀 This is 90 minutes of work, what do you think? @DisneyStudios
I love Kojima, man. He can have nothing to say about an acclaimed genre piece and then roll up to a mid superhero cinematic universe project and sniff out the western/classic influences like a bomb sniffing dog working for extra treats.
Genuinely just sees the world differently.
I saw “Supergirl” in IMAX. It wasn’t a “superhero movie” about saving the Earth through self-sacrifice as “justice” confronts “evil.” It was a coming-of-age story about saving oneself, Kara, as she struggles with her own trauma. Structurally, it feels less like “Mad Max: Fury Road” (2015), where everyone is driven purely by survival instinct beyond notions of good and evil, and more like The Good, the Bad and the Ugly (1966), where heroes, villains, and scoundrels all converge.
the director of ‘OBSESSION’ is 26
the director of ‘BACKROOMS’ is 20
do you see what happens when you stop gatekeeping big creative opportunities from young creators ?
I don't usually share this stuff but the head writer & executive producer of this series once supported my art with a donation that covered two whole months of my expenses when I needed the most and I'll always be grateful for that