Ali Budak

Reality feels… rendered.

[Ali Budak @AliInLoop]

Don’t mind me, just over here creating glitches. This edit was a trip to make. Let me know if it feels as real to you as it does to me!

[Ali Budak @AliInLoop]

@isjuustadream “What is real?”
Probably the cable we’re still plugged into.

[Ali Budak @AliInLoop]

@AstronomyVibes I guess time is just an illusion layered inside what we call reality. A mechanism designed to keep us synchronized with the system. Past, present, future… maybe they’re not real at all. Just the spell that keeps consciousness moving in line.

[Ali Budak @AliInLoop]

@Kekius_Sage Another one. Running this one.

[Ali Budak @AliInLoop]

@latestincosmos Consciousness isn’t the finality, it’s the loop.
The universe keeps re-running itself through us just to stay observed. We’re running it, we just don’t remember. IMO

[Ali Budak @AliInLoop]

@PhysInHistory We are the question.

[Ali Budak @AliInLoop]

@donalddhoffman They're listening.

[Ali Budak @AliInLoop]

@reha37 agree

[Ali Budak @AliInLoop]

It won’t be the first time we create this, just the first time we remember. We might already be inside what we’re trying to build. At some point, we’ll realize this isn’t progress, it’s a loop. We’ll call it invention… but it’s just memory. #AIart️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️ #claude

[Ali Budak @AliInLoop]

My perspective on AI video has been slowly changing. At first, I thought it was all about visuals, but it feels more like world-building. Once lighting, scale, and physics fall into place, what you get isn’t just a video, it feels like a small simulation. People may not be able to explain why they like it, but they can feel it.

[Ali Budak @AliInLoop]

@Gdgtify

[Ali Budak @AliInLoop]

@Artedeingenio i love the concept, nice work.

[Gadgetify @Gdgtify]

I love these tiny planet prompts. This is different from the other one I posted the other day. Was done with GPT Image 2

Do this for Sydney: <instruction> 1. Semantic Inference: Input A is a Major City or Urban Environment (e.g., New York, Tokyo, Venice, Dubai). Deconstruct the city to generate 3 Miniature Assets : The Skyline (The Crust): Identify the specific architectural style and density. (e.g., New York -> Grey/Silver skyscrapers, blocky grid. Venice -> Terracotta roofs, palazzos. Dubai -> Glass towers, sand). The Artery (The Divider): Identify the primary infrastructure that splits or defines the city. (e.g., An asphalt multi-lane highway, a winding blue river, a train track, a canal). The Details (The Life): Identify tiny micro-features to pepper the surface. (e.g., Tiny cars on the road, boats in the water, patches of green parks). 2. The "Immutable" Container (The Handheld Planet): Goal: "Micro-World" Forced Perspective Photography. The Scale Anchor: A realistic Human Hand (palm up, fingers curled slightly) dominates the bottom foreground, cradling the object. The Object: A perfect, self-contained Sphere resting in the palm of the hand. The Background: A soft, out-of-focus, bright sky or blurred urban horizon to contrast with the sharp details of the sphere. 3. The Topography (The Globe Geometry): The Surface: The entire surface of the sphere is covered by the "Skyline" (Step 1). The buildings grow outward radially from the center of the sphere, pointing in all 360 directions (like spines on a sea urchin). The Cut: The "Artery" (Step 1) wraps visibly across the front face of the globe, dividing the dense architecture. Design Note: The road/river should curve smoothly with the shape of the sphere, emphasizing its roundness. 4. Visual : The Materiality: The city should not look like a photograph mapped onto a ball; it must look like a highly detailed Physical Architectural Model. The buildings appear to be made of carved grey plastic, resin, or painted wood. The Density: High "Horror Vacui" (fear of empty space). The surface is densely packed with tiny, distinct building blocks. 5. Lighting : Lighting: Soft Natural Daylight. The light source comes from above/behind, catching the edges of the tiny skyscrapers and casting micro-shadows into the "street canyons" of the globe. Depth of Field: Macro Photography. The fingers holding the globe and the front surface of the city are in sharp focus. The edges of the globe curve away into a soft blur, and the background is heavily blurred (bokeh). Output: ONE image, 1:1 Aspect Ratio, Photorealistic Macro Photography, "Tiny Planet Diorama" aesthetic, High Scale Contrast. </instruction>

[Déborah @dvorahfr]

Video created using Grok Imagine's agent mode.

This makes things much simpler.
You can chat with Grok in your native language; @imagine becomes a production assistant, not just an image generator or video animator.
Grok suggests new ideas, organizes, and assists you throughout the production process.
Video made in 1 hour.

[Ali Budak @AliInLoop]

@dvorahfr @imagine Unbelievable! It feels like sci-fi, but deep down we know it’s getting really close to reality. I hope I can make videos as good as yours someday. Much respect.

[Ali Budak @AliInLoop]

@Lart_AI winner is Seedance 2.0

[Ali Budak @AliInLoop]

@humble_whisper impressive!

[Ali Budak @AliInLoop]

@aran_leigh @imagine Thank youuu

[Ali Budak @AliInLoop]

@MaxVOAO This is why I love this community. Pure creativity. Working on my own AI worlds and hoping they hit like this one day 🙌