Si quieres disfrutar unas vacaciones rodeado de maravillosos paisajes para la selfie, visita Taxco de Alarcón, ubicado en el estado de Guerrero fue nombrado como pueblo mágico en 2002. #Taxco#Turismo#TurismoNacional#Mexico
SCOOBY-DOO (2002) had an incredible animated opening that was cut from the final film due to runtime, and it’s still hard to believe something that good never made the theatrical release.
SLEEPING BEAUTY (1959) pushed Disney to the brink. Years of work on its medieval-inspired artwork sent the budget through the roof.
It underperformed on release, yet its visual style went on to reshape animation for decades.
SUPERMAN was released one year ago today.
The ending perfectly captures what James Gunn wanted this version of Superman to represent: kindness, compassion, and humanity in a cynical world. It feels like the foundation for the DCU he’s building.
THE FOX AND THE HOUND turns 45 today.
It nearly broke Disney animation. Production was rocked by a mass walkout when Don Bluth & top animators quit mid-production to start a rival studio, forcing Disney to finish the film with a new generation of artists.
The iconic transition to Technicolor in THE WIZARD OF OZ (1939) was done entirely in-camera. The farmhouse interior was painted sepia, and Judy Garland’s stand-in wore sepia makeup and clothing so the moment Dorothy opened the door felt seamless.
SUPERMAN RETURNS was released 20 years ago today.
Brandon Routh was cast out of thousands of hopefuls, with director Bryan Singer choosing him for his striking resemblance to Christopher Reeve while bringing his own quiet sincerity to the role. 🎬