アンドリュー・カンパーナ Andrew Campana

コーネル大学の日本文学／メディア助教授。詩人。

[かかり真魚🍉🌈 @kakari01]

身内から意地悪され続け「透明になりたい」と願ったがゆえに声も姿もなくしてしまった女の子。ムーミン達と一緒に過ごし優しさを受けることでだんだん姿が出てくるけれど、声と顔だけは戻らない。彼女は「助けて」と叫べたときに声を取り戻し、他者に怒れたときにやっと自分の顔を取り戻したんです。

[ni_ka @ni_ka]

2020年5月9日発売『文学＋』（02号）に
論文「AR詩、言葉の限界へ、ハローキティとともにわた詩は浮遊する―詩人であるための条件論」を書かせていただきました。
チェコ文学特集や座談会や論考も盛り盛りだくさんです。ぜひお手にお取りくださいませ。よろしくお願い申し上げます！

[アンドリュー・カンパーナ Andrew Campana @AndrewPCampana]

Happy mother's day~

[アンドリュー・カンパーナ Andrew Campana @AndrewPCampana]

@stridentsoprano @LittleBruxa One student in the end-of-course survey just described your article as her biggest "aha!" moment in the semester!

[アンドリュー・カンパーナ Andrew Campana @AndrewPCampana]

This Japanese Pop Culture course has been a wild mix—starting with Osamu Tezuka, and zigzagging through Ghibli, Mario, Sailor Moon, Ghost in the Shell, Uzumaki, Princess Jellyfish, Utena, Pokémon, Madoka, and Your Name. This final week: Golden Kamuy and Ainu-created animation!

[アンドリュー・カンパーナ Andrew Campana @AndrewPCampana]

@taoleighgoffe Good luck!! We're doing the same tonight by total coincidence after feeling homesick for the ones from Toronto—in the oven now. Fingers crossed!

[アンドリュー・カンパーナ Andrew Campana @AndrewPCampana]

@taoleighgoffe These look amazing! Just made some last week (though my Bengali mother was horrified when I told her none of the local stores had green chilis!)

[Asymptote Journal @asymptotejrnl]

“I think of the translator standing by the gate, in the darkness. The darkness is the impossibility of our task.”
Explore Polly Barton's exquisite essay on the challenges & 'small miracles' of translating the visual & phonetic aspects of Japanese poetry:
https://t.co/4vPcnL3mfl

[アンドリュー・カンパーナ Andrew Campana @AndrewPCampana]

Grateful that a couple of my translations of poems by Tamiki Hara, written in response to the atomic bombings, will be in this issue. 本号のため、原民喜の二編の詩を英訳しました。

[Wasafiri @WasafiriMag]

🇯🇵COVER REVEAL 🇯🇵

Our 2020 summer special, Japan: Literatures of Remembering—featuring an interview with Mieko Kawakami, articles and an art piece on Manga as memory, new poetry and fiction in translation, and reviews of contemporary Japanese writing and more—is almost here.

[アンドリュー・カンパーナ Andrew Campana @AndrewPCampana]

@paularcurtis @KSanders58 does wonderful work on 20th and 21st century popular music, radio, benshi, and sound in Japan more generally!

[Will Quinn @willquinnart]

Daily bunny no.975 holds an important meeting
(Patreon request from @priority_q!)

[アンドリュー・カンパーナ Andrew Campana @AndrewPCampana]

@erin_stache @CornellChem @TomislavRovis @brett_fors @GCoatesCornell @CornellFellows Congrats Erin!!!!!

[アンドリュー・カンパーナ Andrew Campana @AndrewPCampana]

All I ever wanted was to give a lecture where this was a slide, and tomorrow it's finally happening

[アンドリュー・カンパーナ Andrew Campana @AndrewPCampana]

it's a me, a professor

[アンドリュー・カンパーナ Andrew Campana @AndrewPCampana]

@DisabilityStor1 Amazing coincidence—I'll be teaching this play the week after next in my Cultures of Disability in Japan seminar!

[アンドリュー・カンパーナ Andrew Campana @AndrewPCampana]

@merrittk Jump Zampoli (1997). I wasn't even sure it actually existed until just now...

[Christina Laffin @ChristinaLaffin]

Last week we lost a bright light in the study of Japanese poetry. Iwasa Miyoko led research on Kyōgoku poets & the court of Emperor Fushimi. She brought attention to women writers like Eifukumon-in & encouraged us to reconsider undervalued male poets like Fujiwara no Tameie. 1/10