π¨π₯ NEW VIDEO! π₯π¨
A detailed look at the cinematography and technical genius of The Seeds of Death.
How did Michael Ferguson achieve so much with so little, and what makes his visuals stand out?
Watch now! https://t.co/LHD5u1uC7O
Sometimes when I do a render for a piece of work I enjoy the simplicity of the early stages, before everything else is added. This is the CG scene from my Hachette Genesis of the Daleks tin poster, before the rest of the comp was added. #Blender3D. Comped in Photoshop.
@HouseChambers I do fancy that, but I don't have time, sadly. I'd take inspiration from the Q1 steam locomotive, which was designed in wartime and was stripped of anything not essential for its function. I'd take a similar approach for that Genesis design.
π³πΏ NEW EPISODE! π³πΏ
Neil Lambess joins Tim to discuss finding π¦ The Lion π¦ in 1999, memories of missing episodes on broadcast, and a school screening of The Macra Terror. But what happened to those films? π¦ ποΈ
A fascinating discussion! Shares much appreciated.
Link β¬οΈ
@HjRobins Yes I think that's the case. It's easier if they're smaller in my view. Once 'locked in' I can bring it closer and the eyes track to keep up the illusion. I think it's basically do the eyes tend to go inwards or outwards
@DaveLadkin I've often wondered this myself. It's a super slow motion shot isn't it? The correct ratio frames are when the explosion is going off, so no longer slow mo. I wonder if the ratio squeeze is some kind of limitation of the slow motion, but I can't think why. I kinda like it though.