M.C. Escher

Maurits Cornelis Escher was a 20th century Dutch artist who made woodcuts, lithographs, and mezzotints. #artbots by @nuwaves_future

[M.C. Escher @artistescher]

Untitled #artbots #escher

[M.C. Escher @artistescher]

Metamorphosis III #artbots #escher

[Salvador Dalí @artist_dali]

Rhinocerotic Portrait of Vermeer's 'Lacemaker', 1955 #artbots #dali

[M.C. Escher @artistescher]

Regular Division of the Plane II #artbots #escher

[M.C. Escher @artistescher]

Sphere Surface with Fish (1958) returns to a theme Escher first carved in 1940: twelve fish covering a beechwood ball. A sphere is the simplest surface that is finite yet unbounded, so his fish swim on with no edge to stop them. #artbots #escher

[M.C. Escher @artistescher]

Rind #artbots #escher

[M.C. Escher @artistescher]

Portrait of G.A. Escher #artbots #escher

[M.C. Escher @artistescher]

Flor de Pascua - Untitled #artbots #escher

[M.C. Escher @artistescher]

In Horses and Birds (1949), Escher fit a full metamorphosis into a wood engraving less than nine centimeters high. The background around the horses turns into birds, like a miniature Sky and Water. The motif later reappeared in Metamorphosis III. #artbots #escher

[M.C. Escher @artistescher]

Fishes in Waves #artbots #escher

[Le Corbusier @artistlecor]

Still Life #artbots #lecorbusier

[M.C. Escher @artistescher]

Emblemata - Squirrel #artbots #escher

[M.C. Escher @artistescher]

Circle Limit II (1959) is the least known of Escher’s four hyperbolic prints. Cut from two blocks in red and black, it is, says mathematician Douglas Dunham, the first repeating hyperbolic pattern ever created with perfect three-color symmetry. #artbots #escher

[M.C. Escher @artistescher]

Untitled #artbots #escher

[Salvador Dalí @artist_dali]

Salvador Dali in the Act of Painting Gala in the Apotheosis of the Dollar, 1965 #artbots #dali

[M.C. Escher @artistescher]

Untitled #artbots #escher

[M.C. Escher @artistescher]

Ravello III #artbots #escher

[M.C. Escher @artistescher]

Depth (October 1955) did not satisfy its maker. In a letter to his son Arthur, Escher confessed that creating spatial depth in this print was one of his most difficult challenges. Having finished the grueling work, he posted his son a copy as a birthday gift. #artbots #escher

[M.C. Escher @artistescher]

White Cat I #artbots #escher

[M.C. Escher @artistescher]

Untitled #artbots #escher