WHY SYNDICATE and not SARKAR?
SYNDICATE is based on a premise “ What if the entire law and order of INDIA collapses in just one single day”
It will be almost like a HORROR film , not because of any super natural elements , but because it will bare open the horrors that exist in some human minds which they can enact TERRIFYINGLY
SYNDICATE is about the rise of a organization so powerful , so integrated, and so maniacally driven that it threatens the very existence of INDIA
I believe that SYNDICATE is something which will match up to the post #Dhrandhar2 era and that is the reason for my decision.
Here’s my take on why I want to wipe out my entire past and be a new born or a reborn director post watching #Dhurandhar2 …
I wanted to be a auto rickshaw driver when I was around 10 , because I was fascinated with the vrooom vroom sound when the accelerator revs up..And then around 15 , I wanted to live in a forest inspired by a cousin of mine , and then a few years later , I wanted to be a engineer and then once again I changed my mind to become a director
Likewise I was heavily into Enid blyton’s books which I abandoned , when I discovered James Hadley chase , who I thought was the greatest writer ever
And then after a few years I discovered Fredrick Forsyth who awed me beyond my imagination
In effect we all keep getting re shaped from time to time because of newer and newer experiences which keep on elevating our bench marks as they should.
My bench mark films were The sound of music(Rangeela) , Exorcist(Raat, Bhoot) , Godfather(Satya,Company,Sarkar) .. in my entire career I was making films derived from those bench marks and mainly from Godfather
But now after seeing #Dhurandhar2 all my earlier films look like nothing .. if Godfather was my earlier benchmark in this genre , I now felt #Dhurandhar2 is like Godfather’s GODFATHER in the way , it redefined and reinvented everything , whether it’s craft , story telling style , character design , background music , laying out emotional landscapes, artistes performances , action choreography etc etc etc
So it’s common sense that I need to abandon the lessons learnt from the old schools of Coppola and join the new school of @AdityaDharFilms and that’s the only way one can stay updated.
It will be a suicidal blunder on the part of any film maker/writer/star, not to shed their egos and do an intensive academic research study of #Dhurandhar2 and then take a deep re look and then re work on whatever they believed so far, and drastically adapt.
By not doing so , and if you all will still stick to the same old cinematic beliefs, which were brutally killed on March 19 th 2026 , YOU TOO WILL DIE
Post experiencing the impact of #Dhurandhar2 , in the same breath of letting go of the past and inventing a new future , if SATYA, COMPANY and SARKAR were my ode to my old guru COPPOLA, my next film SYNDICATE , will be my ode to my new GURU @AdityaDharFilms.”
The #Dhurandhar2 isn’t just smashing box office records , but it is actually NUCLEAR BOMBING the very FOUNDATION of what we thought INDIAN CINEMA is .. And it would be an ABSOLUTE UNFORGIVABLE STUPIDITY to get BLINDED by just those THUNDEROUS COLLECTIONS alone , and MISS the real DEVASTATING EARTHQUAKE @AdityaDharFilms has created and moved the goal post from INDIAN CINEMA IS to INDIAN CINEMA WAS .
More than the shocking TWISTS in the story , what was even more SHOCKING were the unthinkable TWISTS in the very STRUCTURE of CINEMA being followed ever since the MOVIE CAMERA was invented
My creations , inspired from the likes of GODFATHER whether it is SHIVA , SATYA, COMPANY or SARKAR , were 4 RAW, UNFLINCHING MIRRORS to the BRUTAL REALISM of CRIME ORGANISATIONS and INTRINSIC POWER PLAYS at high places etc and @AdityaDharFilms studied them and others works like a SCIENTIST, extracted their HEARTS, multiplied their DNA by a 100 , and then injected HIGH OCTANE ROCKET FUEL called PATRIOTISM and mixed it with a huge dose of ACIDIC GEOPOLITICS and further added dollops of TERRORISM and ESPIONAGE in addition to INTELLIGENCE WARFARE all poured into a BEAUTIFUL jar to make a TOXIC CONCOCTION of BETRAYAL AND LOYALTY laced with HEART WRENCHING HUMAN VALUES ..And it is the LAVA of that VOLCANIC MIXTURE is what is making THE TECTONIC PLATES of the FILM INDUSTRY TREMBLE in it’s PANTS
My 4 films are SCHOOL BOY’S ESSAYS compared to @AdithyaDharFilms SCIENCE THESIS OF the NEW AGE of FUTURE CINEMA
Any filmmaker including me , if he still clings to scripts written before March 19th 2026 without asking himself the brutal question “Is this better or even anywhere near to the new benchmark set by Dhurandhar 2 ? will be a SUPREME IDIOT WALKING STRAIGHT INTO OBLIVION
#Dhurandhar2 is not just a GAME CHANGER .. it just BURNED THE ENTIRE FUCKING RULEBOOK on which we were making films
So here’s my RAW ADVISE to every director out there (MOST OF ALL MYSELF)
Throw the old drafts of your scripts, whatever has been written before March 19 th 2026 into the #dhurandhar fire and
let’s all RUN BACK to the drawing board right now. SEE YOU THERE ! 💪🔥💐
“ Art is not about what it is.. It is about what it could be, and what it should be “
— AYN RAND
On behalf of INDIAN CINEMA’S FUTURE , Thank you @AdityaDharFilms , for showing us what CINEMA could be , and SHOULD BE 🙏🙏🙏
Left and right hands lo glasslu vunnai ..madhayalo vunna valla hands lo vunnavevo dhasthunnaru Sridevi garu hands rende free ga kanapaduthunnai..Yendhukante nijayathee kevalam naalonoo nagarjunakinoo ,sridevilonoo maatrame vundhi kaabatti
Dear @RGVzoomin sir,
I’m a huge admirer of your thoughts. At 18, I began writing fight sequences and intense one-on-one conversations. Due to financial constraints, I became an architect, left a ₹1L/month job, and worked as an Assistant Director for a film. It’s been a year—my parents still believe I’m employed. I survive by withdrawing my mutual funds.
As an independent writer, Ramuism and Naa Ishtam became my strength during my loneliest phases. Your thoughts guided me whenever I lost a direction chances . I still sleep every day with Naa Ishtam by my side.
I tried many ways to reach you, sir, through my circle and contacts, but I couldn’t succeed .Now I’m using this Platform.
You once said that for every 35 years, a young director emerges to shake the industry with realistic cinema—low budget, high intensity, and strong impact. I strongly believe in that vision. I will be that Gen-G kid..
Sir, please consider adding me to the Sarkaar 4 team and allow me to write my version of Sarkaar 4. I humbly request one opportunity to meet you. Kindly zoom into my tweet. 🙏🎬
Dear @RGVzoomin sir,
I’m a huge admirer of your thoughts. At 18, I began writing fight sequences and intense one-on-one conversations. Due to financial constraints, I became an architect, left a ₹1L/month job, and worked as an Assistant Director for a film. It’s been a year—my parents still believe I’m employed. I survive by withdrawing my mutual funds.
As an independent writer, Ramuism and Naa Ishtam became my strength during my loneliest phases. Your thoughts guided me whenever I lost a direction chances . I still sleep every day with Naa Ishtam by my side.
I tried many ways to reach you, sir, through my circle and contacts, but I couldn’t succeed .Now I’m using this Platform.
You once said that for every 35 years, a young director emerges to shake the industry with realistic cinema—low budget, high intensity, and strong impact. I strongly believe in that vision. I will be that Gen-G kid..
Sir, please consider adding me to the Sarkaar 4 team and allow me to write my version of Sarkaar 4. I humbly request one opportunity to meet you. Kindly zoom into my tweet. 🙏🎬
Dear @director_kv Sir, could you please help me connect with RGV Garu? I have been trying to meet him for quite some time but haven’t been successful yet
Dear @RGVzoomin sir,
I’m a huge admirer of your thoughts. At 18, I began writing fight sequences and intense one-on-one conversations. Due to financial constraints, I became an architect, left a ₹1L/month job, and worked as an Assistant Director for a film. It’s been a year—my parents still believe I’m employed. I survive by withdrawing my mutual funds.
As an independent writer, Ramuism and Naa Ishtam became my strength during my loneliest phases. Your thoughts guided me whenever I lost a direction chances . I still sleep every day with Naa Ishtam by my side.
I tried many ways to reach you, sir, through my circle and contacts, but I couldn’t succeed .Now I’m using this Platform.
You once said that for every 35 years, a young director emerges to shake the industry with realistic cinema—low budget, high intensity, and strong impact. I strongly believe in that vision. I will be that Gen-G kid..
Sir, please consider adding me to the Sarkaar 4 team and allow me to write my version of Sarkaar 4. I humbly request one opportunity to meet you. Kindly zoom into my tweet. 🙏🎬