Fill it________

‏آو حضور تم کو ستاروں پر لے چلوں...
‏‏‏‏بس کر دے بہن بس! اب رولائے گی کیا.....▪◆•●■

[♡ @velunehq]

Exulansis

[Jimmy Carr @jimmycarr]

Quickfire American heckles!

Get tickets to see Jimmy live at https://t.co/l3kS1dkbNC and listen to the new Crowd Work podcast here: https://t.co/XSiCLXDIcp

[Gangster Cinema Central @GangsterCinema]

Al Pacino has said that playing Michael Corleone in The Godfather Part II was so emotionally exhausting that he nearly had a “breakdown” and was hospitalized. He blamed the psychological toll of inhabiting a man who kills his own brother and alienates his family for contracting bronchial pneumonia during the film’s production, calling the experience “frightening.” He explains…

“Drove me crazy. Drove me crazy. Godfather Two put me in the hospital. It was doing this character, the loneliness of him. I couldn’t be that guy and have a good time. I wanted to have stuff inside.

We were working 20 weeks on that film. I was living with that weight all the time, and it was suffocating; it was hurting. In film, it’s much more difficult, especially Michael Corleone.”

The quote comes from Far Out Magazine https://t.co/rl8Caneifp

[cinesthetic. @TheCinesthetic]

Sleepers (1996) is one of the most unsettling films. It spends so much time with the trauma its characters carry that the revenge never feels like a game. It feels like something they’ve been living with for years, waiting for the chance to confront

[Charlotte de Witte @CharlottedWitte]

It’s time to take control ✊🏼

[UNIQUE MOVIES 🎬 @ItsBigcMovies]

She wondered why a man like him had never been married,until the shocking truth finally surfaced.

[Shivam.🌊 @ShivamHere_56]

The most terrifying math equation in cinema history 🔥

[Love Classical Music and Movies 🎺🎻💖🎥🎬 @AlexTran677026]

Taken became legendary because of one phone call scene.

Liam Neeson’s line — “I will look for you, I will find you, and I will kill you” — instantly became one of the most iconic moments in action movie history.

What made the film work was its urgency and realism: Bryan Mills isn’t a superhero, just a relentless father using skill, experience, and pure determination.

[Emir Han @RealEmirHan]

In Goodfellas, Robert De Niro truly intimidated Ray Liotta.

“I wanted him to like me. I kept saying, ‘It’d be nice to go out to dinner.’ But nothing”

Then one day De Niro grabbed him by the arm and said:

“Don’t worry. This is going to work out”

[best of mafia cinema @TheMafiaPoint]

wherethefuckdoyougetofftalkingtopeopleaboutmebehindmybackgoingovermyhead

[Love Classical Music and Movies 🎺🎻💖🎥🎬 @AlexTran677026]

In The Godfather, Virgil Sollozzo, known as “The Turk,” comes to Vito Corleone seeking help and protection for his business.
Sollozzo wants financial support and access to the political connections that the Corleone family has with judges and the police.

[Gangster Cinema Central @GangsterCinema]

Henry Hill, the real-life crime figure GoodFellas was based on, on what it was like seeing the film for the first time:

"When I seen the movie, Warner Brothers had let me use the theater over there at the studio, and they said you can take as many people as you want. I think I took about half a dozen people. And I mean, I just sat there in shock. I mean, I couldn't believe it.

It was just amazing how he was able to capture it. And then just pull away from it and let the audience see it. I mean, that's what amazes me, the way he captured a whole group of, you know, a bunch of us low life fucks... And then make a part of it human. It was a numbing feeling. It was so surreal. It was weird."

[Gangster Cinema Central @GangsterCinema]

Martin Scorsese once said the reason he wanted to adapt Henry Hill's story into Goodfellas was the way Henry described the arbitrary nature of murder in that world. On a whim, anyone could be killed, it was casual routine. As he explains:

“Really it was his description of the way the people related to each other and how incidents would occur. And how if one man did one thing, and the woman did this, how it would have affected a third person.

For example, in the killings towards the end of the film, how he began to realize how easy it was for somebody to be killed, just by a word - I think De Niro tells him, "I'm bringing him here tonight." And then he changes his mind, you know - It's all so arbitrary. A lot of it's very arbitrary - there's no big dramatic sit-down in a way.”

[Syedih @SyedIHusain]

What a wonderful journey of the Al Pacino

[🎼🌺Music Love♥️ @ThoNg676733]

Take note young generation! This is what a timeless classic sounds like.

[GangsterFilmz @FilmzLoverz]

The eyes Chico, they never lie

[Massimo @Rainmaker1973]

Good boy getting a trim

[Best Movie Moments 🍿 @BestMovieMom]

Oliver Stone wrote the screenplay for Scarface (1983) while battling his own severe cocaine addiction in Paris. He deliberately left the United States to write the script cold turkey to ensure he could capture the drug's destructive nature.

[𝕲𝖇𝖊𝖓𝖌𝖆 ☮️🕊️✌️ @OmoAluko11]

From the movie "love story" 1970.

[GangsterFilmz @FilmzLoverz]

Al Pacino approached Michael Corleone very differently in The Godfather Part III compared to the first two films.

In The Godfather and The Godfather Part II, Pacino played Michael with extreme restraint and minimal emotion. By the late 1980s, Pacino had spent years heavily involved in theatre and Shakespeare productions, including works by William Shakespeare and David Mamet.

That background influenced his performance in Part III. His portrayal of Michael became more expressive, louder, and more theatrical than in the earlier films. Francis Ford Coppola also described the film itself as more “operatic” in tone, which matched the broader style of Pacino’s performance.