Encouraging people to create using technology.
Supervisor of Geniuses.
Coordinator of the creative.
Specializing in fine art and digital manufacturing.
I've been nose to the grindstone lately. I'm renovating my son's bathroom and experimenting with some concepts in epoxy and concrete. I promise I'll be back soon
Christos Fousekis on Instagram: "HYGROPHAGE
Installation, 2026
3D printing, resin, foam, sand
Degree Show, March 2026
Athens School of Fine Arts
🎥@sofiatsofli" https://t.co/1Ia83IE3fx
Underground House of the Future by HKU professors John Lin, Olivier Ottevaere & Lidia Ratoi + student team (completed March 2026, northern China). Robotic 3D-printed concrete terraces integrated into a revitalized traditional cave dwelling—multidirectional brick vaults, tensile canopy, earthen thermal mass creating an immersive event-space installation. Raw, textured hybrid of ancient + additive that turns a 6m-deep courtyard into sculptural public art with living functionality. Mind-bending scale & innovation! 🪨🏠✨
https://t.co/8PhQkQaWIB
Karl Patric Näsman & Christoph Punzmann’s Stille Post (Parallel Collective Gallery, Stockholm, April 30–May 5 2026) — sculptures cast from 3D-printed reliefs based on ancient Ephesus Museum artifacts. Digital precision meets classical casting in haunting transformations—rich surface details, hybrid materiality, and poetic dialogue between copy and original in pure contemporary gallery sculpture. Mind-bending tactility! 🪄🛠️
https://t.co/9Ejzxgh0UB
Ellen Schön’s Loftings solo exhibition (Boston Sculptors Gallery, opening August 2026) — intricate 3D-printed ceramic sculptures and vessels inspired by global cultural traditions. Layered additive clay forms with organic fluidity and precise digital detailing—tactile, luminous surfaces that elevate ceramics into cutting-edge fine art territory. Fresh emerging prestige drop! 🏺🎨
https://t.co/fNku2kvCO3
Su Yang Choi’s Slow2 (Salone Satellite 2026) — interlocking tubular light installations from custom seaweed/agar-derived biodegradable material. Luminous, flexible, glowing forms inspired by Korean hanok architecture and knotting—ethereal textures, soft diffusion, and eco-innovation in physical hybrid lighting/sculpture. Dreamy sustainable glow! 🌊💡
https://t.co/Te2vd4BKQg