Nearly half the Roger Ebert review of Scooby-Doo (2002) is dedicated to opening a dialogue about how the sheer amount of cleavage from Gellar, Cardellini and Fisher is only rivaled by a Russ Meyer production, and honestly he was right to point it out.
We need to study the hormonal and neurotransmitter profiles of cyclists so we can uncover what fuels their pathological/psychosexual(?) need to be thrown to the pavement by completely avoidable obstacles.
This is a funny meme, but for ReportoftheWeek-heads, we know this was a scary time in his life. 4Chan had straight up dedicated stalking threads with pics of his family. YouTube comments and Reddit threads didn’t believe him. It took literal years for people to empathize.
I was going to call this dumb, but former NTSB board member John Goglia just texted me and told me to reply with this instead:
The issue raised in The Rehearsal is whether the authority gradient affects copilots' willingness to assert themselves at critical junctures and captains' willingness to hear copilots in those moments.
Neither the question nor the answer dealt with this well-recognized cockpit issue. Nor the NTSB's analysis of the issue of what was lacking in current training and its recommendation of role-playing to ameliorate this situation.
Direct to video early 90s/2000s style sequel with no involvement from Coogler or Jordan. Omar Benson Miller is inexplicably the only cast member to return from the original. Jake Busey plays the main antagonist.
Brad Pitt is a fascinating actor because he absolutely nailed a very hard, very specific variant of an Irish accent in Snatch despite absolutely shitting the bed with every other accent he’s ever attempted, including other Irish accents