Bleeding Fool

Opinionated commentary on film, TV, comics, & geek-culture; regularly weighing in on related items with spelling errors, sarcasm, and satire (NOT Bleeding Kewl)

[Bleeding Fool @BleedingFool]

Ever wonder why Hollywood would make the guy catching the pedos the bad guy?

[New York Post @nypost]

'Primetime' review: No wonder Chris Hansen is furious https://t.co/keD8D6nXv1

[Bleeding Fool @BleedingFool]

A.H. Lloyd explains why Hollywood keeps backing woke projects, from Netflix to Sweet Baby Inc., even as audiences openly reject them and a cultural counterrevolution grows. The motivation is not what you think it is: https://t.co/hpD0W4VH17

[Bleeding Fool @BleedingFool]

As Hollywood’s culture war enters its desperate, final act and woke franchises stumble, black-pill distractions and symbolic victories are being propped up to demoralize audiences. Thankfully Gen X is familiar with the term “FINISH HIM!”- and now's the time. Instructions below:

[Bleeding Fool @BleedingFool]

Read it here:
https://t.co/0ADv8IS7CL

[Bleeding Fool @BleedingFool]

Rebellion Publishing teams with Universal Distribution to bring 2000 AD, Judge Dredd, Rogue Trooper, and more classic British comics to U.S. and Canadian comic shops through a new direct-market deal.
Details below:

[Bleeding Fool @BleedingFool]

Danny Boyle defended his brief AI use in Netflix’s 'Ink' at TIFF, but that didn't assuage grumblings that Hollywood's latest technology will replace performers as it reshapes filmmaking. https://t.co/9l9SogfnGZ

[Bleeding Fool @BleedingFool]

As Danny Boyle’s 'Ink' examines Rupert Murdoch’s media revolution, its 30 seconds of AI footage has caused a stir among fundamentalists who think Hollywood isn't innovating; it's quietly training itself to replace its people

Is this much ado about nothing? Details at the link:

[Bleeding Fool @BleedingFool]

Read it here: https://t.co/qTXkOCYmOq

[Bleeding Fool @BleedingFool]

The ICON Festival of Comic & Narrative Art brings superstar talent to Los Angeles, but its luxury trappings and collector-focused pitch makes @avigreen1 question whether storytelling—or speculation—is the priority.
Read Avi's thoughts below:

[Bleeding Fool @BleedingFool]

Backrooms director Kane Parsons sparked Portal movie rumors after visiting Valve, reviving interest in J.J. Abrams' long-delayed adaptation. https://t.co/Bnd10bFe6S

[Bleeding Fool @BleedingFool]

After a trip to Valve's headquarters, Backrooms director Kane Parsons has fans wondering if he could enter the long-delayed Portal movie project. The internet filmmaker may have found his next escape route.

Here's what went down... (link below)

[Bleeding Fool @BleedingFool]

Details here: https://t.co/JcPVZFiVsW

[Bleeding Fool @BleedingFool]

David Colton’s destiny changes forever in Avengers: Armageddon #4 as the Origin Box’s shocking connection to Miracleman makes him the Marvel Universe’s newest—and most dangerous—superhero.

See below:

[Bleeding Fool @BleedingFool]

@mfwaffles31 @TheFilmRealist

[Bleeding Fool @BleedingFool]

Ever wonder why Hollywood would make the guy catching the pedos the bad guy?

[New York Post @nypost]

'Primetime' review: No wonder Chris Hansen is furious https://t.co/keD8D6nXv1

[Bleeding Fool @BleedingFool]

@AcwNAE @IKIP____

[Bleeding Fool @BleedingFool]

@SamStewman @IKIP____

[Bleeding Fool @BleedingFool]

@themattbram

[Bleeding Fool @BleedingFool]

@Lenoqz There does seem to be a pattern...

[Bleeding Fool @BleedingFool]

@Lenoqz https://t.co/fcJ5cD5EWp

[Chris Braly @chrisbraly]

@BleedingFool Weird that many of the accounts pushing back on this rhetorical question seem so odd, and yet very similar...

[Bleeding Fool @BleedingFool]

“After years of adaptations that missed the point, Cregger delivers a movie that understands the assignment.”

FULL REVIEW: https://t.co/LMFYQAnXs3

[Bleeding Fool @BleedingFool]

Zach Cregger turns Capcom’s survival-horror rules into 90 minutes of locked doors, low ammo, infected flesh, and panic. Our review of RESIDENT EVIL (2026) is up.

Link below: