@RR_Oxford friends, have you registered for this week's consultation about the Oxford/Elsevier publishing deal?
It's critical that students and researchers in *all disciplines* feed into the conversation. See 👇 for links and background from @OAOxford 👌
https://t.co/AzqjJnHghM
ANALYSIS used in @jprglobal@MaryAnneKennan and my study on confidence in scholarly communication competencies in Australasia. Here is the cross analysis of a mixture of several published competency lists & the final skills in eight areas we studied https://t.co/sk6QwCnRlr
NEWS from the Australian half of my heart (because I've put this off long enough now..) I am thrilled to say that I will be returning to AUS and joining @FlindersLib in December/January, working with @dannykay68 on Digital Strategy.
NEWS from the UK half of my heart (because I've put this off long enough now..) I am devastated to say that I will be leaving @bodleianlibs at the end of November and leaving the UK next week.
PROPORTION: Libraries (who pay subscriptions to commercial publishers) are the ONLY group that follow embargoes. The red lines in this repository graph. We are not the threat. https://t.co/PuaNNkYWKu 2018 Repo Fringe keynote:"That was then, this is now. What’s next?" #OAWeek2021
Many people ask the OA team 'what do I need to do with my data' and we always direct people over to our colleagues at Research Data Oxford - For all your data needs: https://t.co/vMg5IBtzSl
Today marks the start of international #OpenAccessWeek! 🔓
The theme this year is "It Matters How We Open Knowledge: Building Structural Equity."
We'll be celebrating in various ways & highlighting different events to attend during #OAweek!
More info: https://t.co/1PUGG601eW
While researchers work through their grant applications for #HorizonEurope it seems an oppertune moment to remind them to include open access costs in their grant applications (see here for the current ERC requirements: https://t.co/yXMWD9MSMD)d European Comission)
I do constantly hit up against difficult discussions with licensing where even those working on titles at presses don't understand. Take this, where the above text totally contradicts the permissiveness of the license itself.
Life: *smack*
Me: I can do this all day.
Life: *smack*
Me: I can do this all day.
Life: *smack*
Me: You leave me no choice. (Plays ROSSINI at a volume likely to disturb the neighbours.)