Bergüzar Korel’den #Abi ve Kenan İmirzalıoğlu paylaşımı;
“Bazı buluşmaların üzerinden yıllar geçse
de heyecanı hiç degişmiyor. Evim gibi hissettiğim OGM ile tekrar bir projede, tanıdığım ve çok sevdiğim güzel ekibimle yepyeni bir yola çıkıyorum. Ve Kenan'la 11 yıl sonra yeniden aynı dizide buluşuyoruz, sanki daha dün setteydik..
Zaman ne çabuk geçiyor..
Abi’nin yeni sezonunda ben de varım. Yeni hikayeler, yeni heyecanlar ve tanıdık bir yol arkadaşlığı için çok heyecanlıyım.”
kimse bana bu kadar güzel uyumu izleyip sonra veda edeceğimizi söylememişti..😭 gerçekten bu kadar erken bitmemeliydi çok yazık ettiler çok acilen yetkililere sesleniyorum özge ve alperene tekrardan partner yapın!!! DOYAMADIMMM🥹
“The Winner Takes It All” is from ABBA’s 1980 album Super Trouper. The sweeping, melancholic ballad became one of the group's most successful and critically acclaimed hits, peaking at #1 in the UK, #1 in Belgium, #2 in the Netherlands, #3 in Ireland and #8 on the Billboard Hot 100.
Known for its emotional depth and soaring production, it stands as one of the defining songs of ABBA's later career, capturing the heartbreak surrounding Björn Ulvaeus and Agnetha Fältskog's real-life divorce.
Ann-Margret and Elvis Presley dancing to “C'mon Everybody” in Viva Las Vegas (1964), directed by George Sidney.
The film is regarded by Elvis fans and film critics as one of Presley's best films, and it's noted for the real-life on-screen chemistry between Presley and Ann-Margret.
Presley and Ann-Margret began an affair, which received considerable attention from film and music gossip columnists, and reportedly led to a showdown with Presley's worried girlfriend Priscilla Beaulieu. (Elvis and Priscilla married in 1967.) In her 1985 book Elvis and Me, Priscilla Presley describes the difficulties that she experienced when the gossip columnists erroneously “announced” that Ann-Margret and Presley had become engaged to be married.
In her memoirs, Ann-Margret refers to Elvis Presley as her “soulmate” and stated: “We felt there was a need in 'The Industry' for a female Elvis Presley.”
In addition, the filming of Viva Las Vegas reportedly produced unusually heated exchanges between the director, film veteran George Sidney, and Presley's manager, Colonel Tom Parker, who was not credited as a “Technical Advisor” in the film's credits.
The arguments reportedly concerned the amount of time and effort allotted by the cinematographer, Joseph Biroc, to the song and dance numbers that featured Ann-Margret, ostensibly on the orders of the director. These scenes include views of Ann-Margret's dancing taken from many different camera angles, the use of multiple cameras for each scene, and several retakes of each of her song-and-dance scenes.
David Winters, the film's choreographer, was recommended for the job by Ann-Margret, who was his dance student at the time. This was Winters's first job as a choreographer.
Lamine Yamal consolando a Lionel Messi tras el triunfo de España sobre Argentina en la final de la Copa Mundial de la FIFA.
🗣️ Lamine Yamal: “Ganar la Copa del Mundo debería haber sido el momento más feliz de mi vida, pero cuando vi a Leo allí de pie después del pitido final, se me rompió el corazón. Por unos segundos, olvidé que éramos rivales. Solo vi al hombre que me hizo enamorarme del fútbol.”
“Me acerqué a él porque ninguna leyenda debería abandonar un escenario así sintiéndose sola. Este es el mismo Lionel Messi que inspiró a toda una generación a soñar, el mismo hombre cuyo nombre gritaban todos los niños mientras jugaban en la calle. Verlo con el corazón roto no fue nada fácil.”
“Le dije: ‘Gracias’. No por esta noche, sino porque sin ti, no sé si hoy estaría aqu��. Antes de que tuviera la edad suficiente para entender el fútbol, tú ya habías cambiado mi vida. Les diste a chicos como yo la oportunidad de creer que la magia era real.”
“A los 39 años seguía cargando con Argentina, seguía pidiendo el balón, seguía decidiendo partidos y seguía atemorizando a los mejores defensores del mundo. A la mayoría de los jugadores se les recuerda por lo que hicieron hace años. Messi seguía haciendo historia en el presente. Eso merece mucho más que aplausos; merece un respeto eterno.”
“El mundo celebrará a España, y debe hacerlo porque nos ganamos este título. Pero no permitan que un solo resultado les haga olvidar todo lo que Messi le dio a este Mundial. Cada vez que tocaba el balón, sentías que algo imposible estaba a punto de suceder. Ese es un regalo que muy pocos futbolistas le han dado a este deporte.”
“Cuando lo abracé, no estaba consolando a alguien que había fracasado. Estaba abrazando al mejor jugador que ha visto mi generación. Las finales se ganan o se pierden, los trofeos cambian de manos, pero una grandeza como la de Lionel Messi le pertenece al fútbol para siempre.”
“Algún día la gente me preguntará cómo fue enfrentar a Lionel Messi en una final de la Copa del Mundo. No empezaré hablando del trofeo. Les diré que compartí la cancha con mi ídolo, que lo miré a los ojos después del pitido final y que le di las gracias por cambiar el fútbol para siempre. Ese momento permanecerá conmigo el resto de mi vida.”