Boodles

Boodles Fine Jewellery -
British Excellence since 1798.

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SILK MANTUA
This beautiful 20 carat Madagascan heliodor was hand-selected by the Boodles design team to perfectly complement the yellow silk embroidery of an 18th-century silk mantua. Like the mantua itself, every detail of the ring has been considered, with teal sapphires and brilliant-cut diamonds adorning the setting of this impressive cocktail ring.
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An evening with Boodles at Hillsborough Castle, celebrating the launch of the Lady Alice's Temple suite. Inspired by the ornamental temple gifted to Lady Alice Hill in 1867 by her brother, the 5th Marquess of Downshire, the collection features Ashoka diamonds, aquamarines and mint-green tourmalines, capturing the beauty of this Historic Royal Palace.
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QUEEN ANNE'S MURAL
Peonies, carnations and roses embellish the painted border of Queen Anne’s Drawing Room at Hampton Court Palace. Painted by Antonio Verrio, its bouquet of colours has been brought to life by Boodles’ design team through pink, blue and yellow oval-cut sapphires, set in yellow gold.
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QUEEN ANNE'S MURAL
Italian born painter Antonio Verrio was commissioned by Queen Anne to complete her Drawing Room at Hampton Court Palace in 1703. The rich tones within the mural are reflected in our Queen Anne's Mural suite, with colour expressed through carefully hand-selected gemstones and floral motifs echoed through gold and diamond detailing.
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RAVEN'S WATCH
This suite is inspired by the shape of the feathers and the symbolism of the ravens at the Tower of London. Gaze at Jubilee, Chaos or Georgie – three of the Tower's eight corvids – and you'll see a spectrum of colour in their feathers. Dark rhodium has been incorporated into the setting to reflect the deep blue hues of their plumage, capturing their mysterious presence.
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RAVEN'S WATCH
King Charles II is said to have decreed that the Tower of London must always be home to at least six ravens, or the Kingdom will fall. There are currently eight ravens, cared for by a dedicated Ravenmaster at the Tower. This suite is inspired by the shape of their feathers and the symbolism of these remarkable birds, featuring carved materials, enamel and labradorite.
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RAVEN'S WATCH
Legend has it that if the ravens ever leave the Tower of London, the kingdom will fall. With feathers that flash shades of purple, grey and blue, Boodles has captured their shifting colours in sapphires, opals, blue enamel and dark rhodium, evoking their almost otherworldly presence.
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ROYAL PORCELAIN
The dark walls of the Historic Royal Palaces were accented with these magnificent objects, positioning blue and white
ceramics at the height of fashion and popularising them as a symbol of royal taste of the time.
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ROYAL PORCELAIN
Masterpieces in the making. At the heart of this Royal Porcelain collar sits an extraordinary 13 carat cushion-shaped ‘no heat’ blue sapphire. Around it, 38 pink pear-shaped diamonds and white brilliant-cut diamonds are arranged. To complete the suite, majestic earrings mirror the collar’s rare sapphires and pink diamonds.
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ROYAL PORCELAIN
Mary II loved blue and white porcelain, as did her sister Queen Anne: at one point, 787 pieces were on display at Kensington Palace. Inspired by their colours and patterns, we’ve combined oval sapphires with semi-translucent enamel, alongside pear-shaped and brilliant-cut diamonds, sculpted to form leaves and scrolls in our Royal Porcelain suite.
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ROYAL DAMASK
Queen Mary II’s State Bedroom at Kensington Palace features a richly adorned bed of ‘Genoa’ silk velvet in five contrasting colours. Blue zircons, brilliant-cut garnets, and a sweetshop of sapphires reflect this sense of history within Royal Damask suite.
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ROYAL DAMASK
Beaming blue zircons feature alongside coloured sapphires and garnets in our Royal Damask suite. The stone selections are inspired by the Queen’s bedroom at Kensington Palace, home to the Mary of Modena bed.
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ROYAL DAMASK
Damask, a luxurious woven fabric, became a popular choice among queens during the Renaissance, prized for its sheen and elaborate motifs. This suite is inspired by the wallpapers and damask patterns typical of Queen Mary’s reign, featuring rich colours and unique gemstones, handpicked to echo the vibrant hues of the fabric. The result is a suite fit for a queen.
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PRESENCE CHAMBER
The Presence Chamber ceiling at Kensington Palace was designed by William Kent in the 18th century and draws on Roman interiors that he studied in Italy. It features mythological motifs including winged harpies, sphinxes and fronds, alongside bold red diagonals.

Sapphires, rubies, teal tourmalines and red enamel reflect these painted details, translating the ceiling into majestic pieces of jewellery.
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PRESENCE CHAMBER
Inspired by the ceiling at Kensington Palace designed by William Kent, the 'Presence Chamber' designs feature mythological motifs, including winged harpies, sphinxes and fronds, alongside bold red diagonals.
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PRESENCE CHAMBER
Beneath a ceiling of painted garlands, sapphires and diamonds evoke the spirit of the royal Presence Chamber, the official throne room at Kensington Palace.
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SILK MANTUA
Inspired by an 18th-century silk mantua crafted in Spitalfields, East London, our Silk Mantua suite reflects the floral motifs and rich colours of the original dress.
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SILK MANTUA
These earrings are inspired by an exquisite 18th-century mantua. Its brocaded silk features intricately woven floral motifs showcasing the technical mastery of English silk artisans, echoed in each stone which reflects the colours of the woven pattern.
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SILK MANTUA
Spitalfields was once the heart of silk production in England, and an eighteenth-century mantua, owned by Historic Royal Palaces, inspired this suite of colourful gemstones and rose gold leaves.
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TUDOR SKYLINE
Hampton Court Palace's 241 chimneys, each uniquely designed for both function and decoration, still create a striking skyline today. The 'Tudor Skyline' bracelet and earrings reflect the chimney's distinctive zigzag pattern, translating architecture into wearable form.
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