From our #ParallaxView blog, some initial findings on which cameras, lenses, aspect ratios and capture formats are being used in television production today — from sitcoms to high-end dramas: https://t.co/WvCGJ0tJ2t
EPIC THREAD: ACES LUT's for use in non-ACES environment. Major thanks to @nickshaw27@cmlgeoff NSC & @FilmacademieNL for providing tools to help your ACES experience on low-budget & fast-paced shoots. Another example of the ACES community stepping up! https://t.co/3sWeEiDsfY
Some serious @bebob_gear power arrived at @CameraRentals Amsterdam. One #CUBE1200 will feed an energy hungry digital cinema camera for quite some workhours :-)
We continue with part 2 of our #ARRIAcademy HDR Master Class! In this video, Karl Walter Lindenlaub ASC creates a light setup for a midday situation. Please note that this video is optimized for #HDR compatible devices. https://t.co/6mfuP5vPgZ
.@CinelabLondon director Sophie Fiennes goes behind the scene of new film Bloodlight and Bamiconic which focuses on iconic singer #gracejones https://t.co/8tUE6mvLM9
Super 8 like you’ve never seen before — watch our 2018 Reel with footage shot on the new KODAK Super 8 Camera. #ShotOnSuper8
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For more on the new Super 8, go to https://t.co/cucZXeCwt3
We are currently working on a new @CameraRentals website and would love your input with this short (10 questions only) survey: https://t.co/di6REoq76E
Our current 50mm #Anamorphic prime lens collection. Visit https://t.co/tYOPSKHVct for all available focal lengths and lens series here at @CameraRentals Amsterdam
Come by and meet 'classic' look of the brand new Optica Elite #Se7enSeries#Anamorphic lenses here at @CameraRentals Amsterdam. For more info and details: https://t.co/sOrFlDa8yH