Caro Yuale

Diseño, ilustracion y animacion cyuale@gmail . com

[blauereiter @blauereiter]

Restoration of a Nausicaa movie poster like an old master's painting 🥲

[Cora Harrington @CoraCHarrington]

In my thesis on fairy tales, I talked about how transcribing the tales fundamentally changed them, not only locking in a “one, true” version but also transforming them from community heritage to property. The people who created the tales are essentially cordoned off from them.

[Hey Arnold Perfect Shots @heyarnoldshots]

I don't care how old I get. This ending still feels magical.

[Arash Todd @AfroKidoOo]

'Alice in Wonderland' by Mary Blair, 1951

[Maggot🎭🇦🇷 @maggot_dw]

Estas son mis propuestas para la miku argentina
#argtwt

[hachimi @HakimiHamizi]

afternoon commute to the city

[cinesthetic. @TheCinesthetic]

Technology keeps advancing, yet FANTASIA 2000 (1999) still looks decades ahead of its time.

[hachimi @HakimiHamizi]

trainspotting in the evening

[Jenny Li @dewpearl_art]

Under the Canopy

[Tohad @sylvainsarrailh]

Eric Sloane's paintings look so much like 1980s anime backgrounds that I can't help but think he inspired many traditional background artists. (1905 – 1985)

[sᥕᥱᥱ𝗍 𝗍һіᥒg❤️‍🔥(𝙰𝚜𝚒𝚊) @55SweetThing]

Revisiting George Gershwin’s enchanting “Rhapsody in Blue” segment of Disney’s “Fantasia 2000” from 1999👇

[Museum @DailyClassicArt]

Shaun Tan - "Moonfish" (2016)

[닷치* @Joedatchi]

이거 진짜 귀여운 점:
해먹 흔들리는거 멈춰서 그로구가 깰 것 같으면 딘 자린이 다시 해먹 흔들어줌... 그럼 그로구가 다시 쌔근쌔근 잠들어버림..

[old toons @oldtoons_]

Mary Blair was the ultimate fairy godmother of Cinderella (1950).

The pure, ethereal magic her bold color choices, vibrant modernist palettes & stylized concept art injected into every single frame is what made the final animation so otherworldly.

[Catsuka @catsuka]

Nice tribute to cinema (and to Satoshi Kon 😭) in this opening sequence by Gobelins students for the 2026 Annecy Festival.
https://t.co/8dgapIUPle

[billy walsh @reaIityobserver]

Brian Eno spoke of this.

[old toons @oldtoons_]

I will never shut up about the sketchy, textured look of 1960s Disney animation. There is so much warmth, soul in these rough, hand-drawn frames of The Sword in the Stone.

[Into The Forest Dark @ElliottBlackwe3]

Children do live in fantasy and reality; they move back and forth very easily in a way we no longer remember how to do.
- Happy birthday to Maurice Sendak, who was born on this day in 1928

[PelleCreepy @PelleCreepy]

this cartoon is from 1936. I legitimately thought that was a background painting until the rotation revealed it was a prop model. @fleischertoons never ceases to amaze to impress even after 90 years.

[lily hoang-zhu @ NY Stationery Fest B01 @liliuhms]

giant pencil!