Honored to be bringing Claire Simon's OUR BODY to theaters and beyond. One of the most fearless and humane documentaries for our time. #InternationalWomensDay
Kim Minhee featured in Hong Sangsoo's 24th feature The Woman Who Ran brings about a stunningly magnetic performance with humor and grace. With a simple premise characteristic of Hong's film, The Woman Who Ran takes a powerful look into serendipity.
https://t.co/Qqn3cSaITR
A 23-minunte boisterous ride in a Palestinian taxi, So Dearly, So Lovely channels all the life and political insights of an aged cabdriver through its unfitered camera lens.
https://t.co/81BK5pd5nw
Any Given Day provides unique insights into the lives of participants in the mental health court probation program. Tracing the heartfelt desire, love, and depression, Margaret Byrne's intimate involvement complicates the already interwoven story.
https://t.co/MJB7DpfAM0
A powerful exposé of a charismatic political leader in contemporary Pakistan. Driving to the core of where law and religion intersect, The Accused brings forth an unparalleled perspective on the evolution of the moral and legal climate of South Asia.
https://t.co/cixHH0cw3G
A beautiful tribute to Alma W. Thomas, the film celebrates the heritage of this first African-American woman to mount a show at the Whitney Museum of American Art. Premiered in various museums, Miss Alma Thomas casts light on Thomas' lasting influences.
https://t.co/MEWJxJPTQM
A NYT Critic's Pick, "DOS ESTACIONES can be described several ways: as a drama, a character study, a meditative exploration of the ravages of globalization." - @manohladargis. Learn more & order your EDU copies at: https://t.co/iUZby3OqAd
Filmed over the course of ten years, Los Últimos Frikis is a palimpsest of Cuba's iconic heavy metal band Zeus and their fights to be heard. Straddling both cultural and political presence, the film sheds light on Zeus's shaping of the landscape of Cuba
https://t.co/sXhhhOdDzA
Filmmaker Maxine Trump turns the camera on herself as she confronts the idea of not having kids. With rising public awareness about climate change and global population, TO KID OR NOT TO KID asks the question "Why can't we talk about not having children?"
https://t.co/YfuINVG8KP
Spirituality sits at the center of Ellie Walton's intimate cinematic portrait of the musician David Bazan, whose story serves as a powerful testimony to the current condition of evangelical christianity in the U.S.
https://t.co/C7DlgPvRxu
Éric Baudelaire's new project is about a middle school located in the outskirts of Paris. He distributed cameras to the students, who filmed footages about themselves. The result is a polyphonic and category-shattering documentary.
https://t.co/VNeQY4JVe5
ANNE AT 13,000 FT offers an intimate look into the interiors of a young woman who struggles at life's all fronts. A scintilating performance from Deragh Campbell celebrates an ineffable sense of complexity and mystery.
https://t.co/eyEbSS7W0j
Hailed as "elegant, dryly funny and quietly moving"
by @manohladargis (@nytimes), The Woman Who Ran focuses on issues women faces from a refreshing perspective.
Check it out on our website: https://t.co/e6dERRKDbn
Gamhee (Kim Minhee) featured in Hong Sangsoo's 24th feature brings about stunningly magnetic performances with humor and grace. With the simple premise characteristic of Hong's film, The Woman Who Ran takes a powerful look into serendipity.
https://t.co/e6dERRKDbn
Albert Serra's masterfully composed shots serve his most asthetically challenging film yet. Liberté might be the closest we have in our age to match the subversive power of Oshima and Pasolini in terms of sex and sexuality.
https://t.co/11deT9dzRY
This feature debut from Joshua Bonnetta extends the ongoing legacy of Sensory Ethnography as a firm and revolutionary approach to non-fiction cinema. The Two Sights celebrates the sophistication and mesmerizing quality of sound and sonic montage.
https://t.co/aGyEzqEmrP
Continuing his thematic legacy in chance and the quotidian, Hong Sangsoo offers a simple tale of youth edging adulthood in Introduction. His 25th feature and first time as cinematographer, Introduction embraces the audience like a hug on a winter's day.
https://t.co/NLYkn9usPS