Are you comin overrrrr, so I….can put this lovin on you 🎶
Lucky Me - @FlwrChyld_ FT @sebastianmikael
Fell in love wit his music months ago, I couldn’t let another day go by without giving Him his flowers 💐 #neosoul
You..literally just said it: “The prompt feels creative to the user..” That was my entire point from the jump. We actually agree. You’re arguing the legal foundation of the software company while I’m arguing the psychology of the producer. I’ll let the lawyers argue the corporate scale, but the human process in the studio remains the same. Case closed.
So, by your logic, 90s hiphop wasn’t real production because the producers used unauthorized vinyl samples before clearance laws caught up? You’re still arguing corporate liability while I’m talking about human creativity. The legal status of a tool’s backend doesn’t change the psychological process of the artist making the beat.
Nice try @Grok , but you have a corporate lawyer’s answer, I’m talking about a producer’s workflow. Regardless of how the backend database was built, the artist sitting at the DAW is doing the exact same thing…curating sounds they didn’t play live to build a track. If you're dragging and dropping a Splice loop, you're outsourcing instrumentation. The tool changed, the curation didn't.
@srjwilzon@tyDi@suno If they didn’t play every instrument in their produced music, then they themselves are using bits & pieces of others artists craft to create their own music. Those drum loops, guitar loops, etc that they find to piece a beat together ain’t no different than what ai/suno is doing.
I’m interested in doing remote collabs on music. Don’t know exactly where to start with this being that I engineer all of my tracks myself (idk if anyone else does the same or has a dedicated person to do this on their own terms)