You could bookend the last 50 years of American movies with Albert Brooks “Real Life” and Lance Oppenheim and Nathan Fielder’s “You Can See Everything”.
Two of the best movies I’ve ever seen.
You compelled me to look up my '88 review... (I have no idea what I was referring to in the first paragraph here, but she must've made some recent waves with a speech right around this time.) I made this sound like a comeback, but for the life of me I can't remember if others perceived it that way. https://t.co/jynHMuY79v
Ella Langley Shows Winsomeness Can Win the Night, Just Like It’s Won the Year for Her, in a Stellar Turn at L.A.’s Greek: Concert Review https://t.co/F3lALp13Mm via @variety
Wrote a column about the most startling quality of "You Can See Everything": hard-resisted empathy. For me, it's still the movie of the year... The Most Shocking Thing About ‘You Can See Everything’: Nathan Fielder’s Sympathy for the Devil https://t.co/r2vebHU2Cf via @variety
@GerrickKennedy@lanikaps It is Joel Stein, the humor columnist who's been around plying the comic writing trade since the '90s. He may be an acquired taste but I've always liked him.
Musing on the level of ice-cold narcissism that it must take to watch a man being savaged by a tiger and think, "But what if it was me, and I was stronger than it, and it liked me?"
https://t.co/XEhqmfRldl
Kacey Musgraves Fires Back After Kristi Noem Disses Her: You Don’t ‘Have a Dog in This Fight, but If You Did You Would’ve Shot It’ https://t.co/0AiJGGKxS9 via @variety
Some more prophesying... Record and Song of the Year Grammy Predictions: With Ella Langley, Taylor Swift, the Two Olivias and Other Frontrunners in the Race, Expect a Nail-Biter https://t.co/50gpuLVl2D via @variety