🧵1/9 Star Trek, NASA, and the deep history of the space entertainment psyop
In 2016, as "Star Trek Beyond" lit up screens, NASA wasn’t merely a passive observer.
The agency has maintained a decades-long, mutually beneficial relationship with Gene Roddenberry’s universe, blending genuine inspiration, technical collaboration, public outreach, and deeper cultural dynamics. This thread explores that symbiosis, drawing from NASA’s own historical records, official analyses, academic studies on media partnerships, and DCF Director of Research Operations, Dr. Brett Carollo’s, research in available in Cultural Engineering Studies.
Eye-opening short (featuring documents acquired by DCF Director of Research Operations, Dr. Brett Carollo) exposes how Hollywood gets script veto power and production help from three-letter agencies, and how "fun" movie trivia (Stallone’s dog, Cruise’s stunts, Spielberg’s fee, etc.) is often crafted PR propaganda to shape what we believe.
If you don't notice the cultural engineering, that means it's working! 🎥 🎬
https://t.co/53tYmpLo29
@Fredosphere@PageauJonathan@TheWorthyHouse We plan to have the Collins brothers (@PhillipDCollin1) on to discuss it sometime this summer! We're going to wait a moment so we can include how culturally successful/unsuccessful the psyop seems to be as part of our analysis.
In this episode on The Firm recorded in April, I explain how the film's use of revelation of the method concerning sexual blackmail, extortion, surveillance, and government corruption in the 90s under the Clinton administration is more pertinent than ever given the ongoing Epstein affair.
We are joined by @StevenDeLay4 for a discussion of the legal thriller The Firm (1993), directed by Sydney Pollack. We talk about themes of misdirection and demoralization, as well as Pollack's Three Days of the Condor (1975) and his Mossad connections. https://t.co/5cQVJJmonz
Thomas and Travis Mateer (@madpoet19) cover Ari Aster's acclaimed 2025 political satire Eddington, pairing it with his 2023 film Beau is Afraid, as well as Yorgos Lanthimos' Bugonia, another 2025 movie that purports to take conspiracy theories seriously. https://t.co/Zrzx5CkhZ5
College Football Star and Warner Bros, Film Consultant Michael Burke also ran covert OSS missions under cover as an executive of “Imperial Films” to recruit for US special operations in overthrowing Albanian communists
🧵 1/7 Hollywood EXPOSED For Making Movies With The Feds (Part 2)
By Patrick Howley (@HowleyReporter)
Department of Defense
Top Gun (1986)
A Department of the Navy memo shows that the U.S. Navy directly collaborated with Paramount Pictures to provide “publicity” for the Tom Cruise-Val Kilmer movie Top Gun.
Hollywood is an arm of the FEDS. The Decoding Culture Foundation @Culture_Decode has all the receipts. Here is part 1 of a thread I put together with their amazing research. Ben Affleck, call your office (or your handler)...
Stone continues to explore the ghosts of the 1960s with his anti-war drama Born on the Fourth of July (1989). We keep analyzing Stone's treatments of religion, sexuality, war, and masculinity, and talk his interaction with the counterculture psyop . https://t.co/NjMlbF6xdb
Out now: Volume 3 of Cultural Engineering Studies
This new volume takes up the theme of Neo-Gnosticism and examines its role in shaping the deeper logic of modern film, media, politics, and cultural engineering. Inside, you can find articles that trace the myths of false liberation, spiritual inversion, and manufactured rebellion that have helped form the modern imagination.
Featuring writings by:
Jamie Hanshaw (@JamieLHanshaw)
Jasun Horsley, (@JaKephas)
Brett Carollo (@DecoderShell)
Joshua Stylman (@jstylman)
Paul and Phillip Collins (@PhillipDCollin1)
Hans Utter, and
Thomas Millary (@CinemaPsyop)
Plus a interactive zine by Mrs Horsley (@Mrs___Horsley)
If you want serious research, strong writing, and a print publication built to last, this is our strongest volume yet.
Order now: https://t.co/KjrbXoC19j
The Decoding Culture Foundation is a nonprofit organization of scholars, journalists, and researchers studying the film industry and the role of popular entertainment in the construction of culture
Thomas is joined by @JamieLHanshaw to analyze True Detective: Night Country, a psy-op far less subtle than any previous season. They describe its occult feminist inversions of season one and Thomas also gives his updated assessment of the whole series. https://t.co/ochY3u1QVn
Brett and Thomas are joined by Jason McGinty for a discussion of Clint Eastwood's film The Outlaw Josey Wales and Eastwood's career, analyzing how the rugged individualism of his movies was used to promote corrosive social values using a masculine guise. https://t.co/9wJfmpro7H
Brett and Thomas are joined by Jason McGinty for a discussion of Clint Eastwood's film The Outlaw Josey Wales and Eastwood's career, analyzing how the rugged individualism of his movies was used to promote corrosive social values using a masculine guise. https://t.co/9wJfmpro7H